Best Mirrorless Camera under $1000: 9 Picks

Mirrorless cameras combine the best of compact cameras and DSLR cameras into a neat little package. 

In fact, they sometimes deliver better quality images than DSLR cameras! You don’t have to spend a fortune on them either.

After thorough research and analysis, we feel that the best mirrorless camera under $1000 is the Fujifilm X-T30. It has the best combination of features and price that made it the winner.

By the way, a neat trick to find mirrorless cameras under $1000 is to consider getting renewed models. Many cameras are offered refurbished too, so keep an eye out for that before you add to cart!

Best Mirrorless Camera Under $1000

1. Fujifilm X-T30 (best budget mirrorless camera)

Fujifilm X-T30 Mirrorless Digital Camera, Black (Body Only)

Fujifilm has really upped their game with their mirrorless offerings. The X-T30 is a lower end version of the Fujifilm F-T2, and shares many of the same functionality as the other model.

Sporting a 24.3 megapixel CMOS APS-C III sensor, you’ll be able to capture some really awesome photos with this camera.

It seems like every next camera on our list tries to outdo the earlier one with their autofocus modes. This camera has 325 points that it can autofocus on, and you can either let the camera focus itself or you can tap on the screen for spot focsing.

You can frame the shot on the generously sized 3 inch touchscreen. The screen tilts up to 180 degrees for framing creative shots.

You can shoot 4K video, as well as full HD 1080p at buttery smooth 60 FPS, and all film effects using film simulation modes.

The camera really shines in terms of the advanced control it allows you: using dials on the body, you can gain manual control over shutter speed and aperture, as well as exposure. This allows you to compose each shot to perfection.

Of course, you can just rely on the pretty awesome auto mode, too!


  • Great photos in high ISO too
  • Astounding image quality
  • Great RAW images


  • 10 minute shooting limit on 4K
  • Battery life could be better, but it is forgivable

Tech Specs

  • 24.3 megapixel CMOS III sensor
  • Dimensions: 4.66 x 3.26 x 1.63 in
  • Weight: 383 grams


Fujifilm X-T30 Mirrorless Digital Camera, Black (Body Only)
The Fujifilm X-T30 is small, powerful, and will blow you away with its image quality. The video recording leaves a little to be desired as you can't shoot more than 10 minutes at once in 4K, but for most YouTube videos, you'll be doing short takes anyway. Overall, if you're looking for the best mirrorless camera under $1000, you have a winner with the Fujifilm X-T30.

2. Canon EOS M50 Mirrorless Camera

Canon EOS M50 Mirrorless Vlogging Camera Kit with EF-M 15-45mm Lens, 4K Video, Built-in Wi-Fi, NFC and Bluetooth Technology, White

The Canon EOS M50 comes a close second behind the Fujifilm X3. I personally use the Canon EOS M50, and the only reason I bought this instead of the X3 is because the X3 was not available at the time and I needed a camera soon!

The EOS M50 is incredibly compact and sports an APS-C sensor. You have a wide variety of smart shooting modes and filters built in. You can also opt for the very robust manual mode if you’re confident.

The touchscreen LCD interface is very intuitive and the screen swivels in a variety of angles to whatever you need.

The EOS M50 is superb for vlogging and video recording on a budget as you can do 4K 30FPS and 1080p up to 120 FPS.

I primarily use this camera for making videos, too!

The one drawback is that the 4K video recording is cropped and does not focus as well as the 1080p mode.

You also have all the other advantages of mirrorless cameras like multiple point focus and a high ISO range.

Connectivity-wise, you can WiFi, NFC, and bluetooth.


  • Very compact
  • Superb image and video quality
  • Easy to use touch screen
  • Beginner friendly and good for amateurs and semi-pros


  • 4K shooting could be better


Canon EOS M50 Mirrorless Vlogging Camera Kit with EF-M 15-45mm Lens, 4K Video, Built-in Wi-Fi, NFC and Bluetooth Technology, White
The Canon EOS M50 is an excellent mirrorless camera that does not bite into your wallet and delivers stellar image quality. You will not be disappointed!

3. Sony a5100 Compact Mirrorless Camera

Sony a5100 16-50mm Interchangeable Lens Camera with 3-Inch Flip Up LCD (Black)

The Sony A5100 is a legendary level of mirrorless camera packed with features that both amateur photographers and professionals will appreciate.

You can switch out the lenses, and the base product itself is available in multiple options with varying levels of lens zoom.

The autofocus system is super fast and can track 179 autofocus points in total.

This is an APS-C mirrorless camera, and a 24 megapixel sensor is where all the magic happens.

In case you’re into taking low light photos, the ISO level goes all the way from 100 to 25600. Realistically, 25600 ISO is way too high and will result in super grainy photos, but it’s impressive that Sony has managed to get the image processing so advanced!

The image quality is fantastic up to ISO 800, though, which is what you would expect.

Interestingly enough, Sony offers you the ability to customize the camera with a variety of apps that will help you shoot photos according to your preferred style, like portrait, low-light, and so on.

If you’re into shooting video, the 1080p full HD recording at 60 FPS will result in a silky smooth video recording ideal for uploading to your YouTube channel or Instagram.

Additionally, built in WiFi lets you push images and videos wirelessly from the camera to nearby devices.


  • Very fast focus
  • Flexible interchangeable lenses


  • Overheats when shooting video
  • No 4K video recording either
  • Battery life on the lower end

Tech Specs

  • 24.3 megapixels
  • APS-C sensor
  • Dimensions: 4.72 x 1.77 x 2.64 in
  • Weight: 344 grams
  • 3x optical zoom on stock lens


Sony a5100 16-50mm Interchangeable Lens Camera with 3-Inch Flip Up LCD (Black)
The Sony a5100 is an excellent entry-level mirrorless camera under $1000 that boasts features found in higher-end cameras. There's no electronic viewfinder, but the 180 swivel LCD compensates for most users. The only thing stopping this camera from being the absolute best mirrorless camera is the overheating issue.

Learn more about Sony vs Fuji here

4. Panasonic Lumix G7 Mirrorless Camera

Panasonic LUMIX G7 4K Mirrorless Camera, with 14-140mm Power O.I.S. Lens, 16 Megapixels, 3 Inch Touch LCD, DMC-G7HK (USA BLACK)

The Panasonic Lumix G7 is an excellent mirrorless camera that just toes the line at our price limit of $1000! However, the comparatively steeper price tag of this camera is certainly justified by the excellent image quality and video quality.

Sporting a 16 megapixel micro four thirds sensor, the camera will preview images for you on the swiveling touchscreen. On the whole, the Panasonic G7 has an excellent focusing system which is quick and sharp even in low light conditions.

You can also touch a spot on the screen to spot focus, a feature that has become standard on digital cameras and even on smartphones!

Aperture and shutter speed can be controlled using a dial on the front of the camera. This is great for being able to access it when you’ve already positioned yourself for a shot.

If you’re into shooting video, the Lumix G7 can do full HD and 4K video. There’s also a microphone input for hooking up external audio sources, which is another huge plus for shooting video.

The battery is OK and does not disappoint, but in all honestly, battery life can always be improved! You’ll get around 350 still photos on a single charge.

Ideally, you’ll want to pick up a couple of spare batteries if you plan on traveling or going on the road much with this camera.

You can also extract high quality 4K photos from within the 4K videos you have shot.

Of course, image stabilization is built in, too. Cameras generally implement image stabilization optically in the lens itself, or digitally through the onboard processor.


  • 4K video and photos
  • Great focus
  • Great low light performance
  • Has a hotshoe for accessories
  • Electronic viewfinder


  • Battery drains quickly when shooting video
  • Fast-paced video has difficulty focusing

Tech specs

  • Dimensions: 4.92 x 3.03 x 3.39 in
  • Weight: 408 grams
  • 10x optical zoom
  • four thirds sensor


Panasonic LUMIX G7 4K Mirrorless Camera, with 14-140mm Power O.I.S. Lens, 16 Megapixels, 3 Inch Touch LCD, DMC-G7HK (USA BLACK)
The Panasonic G7 is a superb mirrorless camera that rivals many higher-end cameras that cost a lot more money. It'es easily the best mirrorless camera in this price range for beginners, advanced amateurs, and even pros.

5. Sony A7 Mirrorless camera

Sony a7 Full-Frame Mirrorless Digital Camera - Body Only

The Sony A7 mirrorless camera is a 24.3 megapixel full frame camera that has professional features packed into a really nice and compact size.

The hybrid autofocus system offers 117 autofocus points, and a BIONZ X processor in the guts of this camera lets you click images very quickly in burst mode: up to 5 photos per second.

More notable features include full HD video, an input for an external microphone, weather-resistance, and being able to charge by USB. This makes it really easy to throw it into your travel bag with a power bank and recharge for your next shoot.

The Sony A7 full frame mirrorless camera has all the features you’d expect in a model of this level and price range. Since it is a full frame sensor, you can capture much better quality images than some of the other four thirds frame cameras.

The battery life is what you’d expect in these kinds of cameras and nothing exceptional. Like most of the other cameras on this list, the battery lasts for about 350 shots or 100 minutes of video.


  • DSLR quality in half the size
  • Full frame sensor
  • Electronic viewfinder shows exactly what the sensor is detecting
  • WiFi and NFC


  • Sony lenses are expensive
  • Other Sony lenses are heavy
  • No image stabilization

Tech specs

  • 24.3 megapixel CMOS sensor
  • 3 inch LCD
  • Dimensions: 5 x 1.89 x 3.7 inches
  • Weight: 453 grams


Sony a7 Full-Frame Mirrorless Digital Camera - Body Only
The Sony A7 is a unique offering among this list as it is a full frame sensor camera. For the price tag and image quality, it's an excellent DSLR replacement that's nearly half the size, and that's why it comfortably makes our list of the best mirrorless cameras.

6. Olympus E-M10 Mark III

OLYMPUS OM-D E-M10 Mark III Camera Kit with 14-42mm EZ Lens (Silver), Camera Bag & Memory Card, Wi-Fi Enabled, 4K Video, US Only

The Olympus E-M10 Mark II mirrorless looks like a classic camera from the 1970s. It looks gorgeous and is sure to draw eyes wherever you go!

Normally companies tend to take shortcuts with aesthetics but this camera is just something else.

Behind the vintage exterior lies a powerful image processing engine that is capable of taking 16.1 megapixel photos and shooting 4K videos.

You can also extract 4K photos from the videos you shoot.

For super-fast burst shots, the TruePic system can do nearly 9 shots per second, which outdoes any other camera on this list.

The 121 point autofocus system will help ensure you never take a shot which is out of focus, and you can tap on the touch screen to spot focus.

This camera just about hits the limit with our price range, but it’s solidly built and takes really great photographs. Video enthusiasts will love the 120 fps shooting that allows you to take really nice slow-mo videos.

Low light performance is pretty stellar as well, and you can choose from a variety of art filters to add effects into the camera as you shoot.


  • Very powerful built-in flash
  • Good battery life
  • Very intuitive auto mode


  • No mic input
  • Does not perform too well above 3200 ISO
  • Slower 4K bitrate

Tech specs

  • 16.1 megapixels micro four thirds sensor
  • Dimensions: 4.8 x 2.9 x 3.3 in
  • Weight: 453 grams


OLYMPUS OM-D E-M10 Mark III Camera Kit with 14-42mm EZ Lens (Silver), Camera Bag & Memory Card, Wi-Fi Enabled, 4K Video, US Only
The Olympus E-M10 Mark III takes excellent photographs and is one of the best mirrorless cameras for beginners and amateurs, perhaps even professionals. However, it's not well-suited for video due to the lack of a microphone input.

7. Sony Alpha a6300 Mirrorless

Sony Alpha a6300 Mirrorless Camera: Interchangeable Lens Digital Camera with APS-C, Auto Focus & 4K Video - ILCE 6300 Body with 3” LCD Screen - E Mount Compatible - Black (Includes Body Only)

Are you looking for a mirrorless camera that can take on larger full-frame cameras and possibly out-perform them? The Sony Alpha a6300 is one such camera. It builds up on the a6000, which was a revolutionary camera and set the standard for mirrorless.

Sporting a 24.2 megapixel Exmore sensor and a 425 point autofocus system, the kind of images you can capture with this camera are phenomenal. The focus and burst speed of 11 frames per second are one of the best on the market.

You can compose your shot using the tilting 3 inch screen or the electronic viewfinder.

The Sony Alpha a6300 is also resistant to the elements as the seals protect it from dust and moisture.

You can shoot 4K video as well as 120 FPS full HD video for slow motion effects. Those of us who want to shoot video will appreciate the sharp focus, high definition video, and option for an external microphone to capture direct line audio.

There is not as much scope for extra features in this camera as you may find in others, but the overall image and video quality is just phenomenal. You still get all the basics, of course, like exposure, focus, shutter, and aperture control.


  • Excellent photo and video quality to rival full-frame DSLR cameras
  • Very well built and durable
  • Very effective silent shutter
  • Great for travel


  • Diffiult to use viewfinder with eyeglasses
  • No touch screen
  • Hard to use spot focusing

Tech specs

  • 24.3 megapixel APS-C sensor
  • Dimensions: 6.20 x 5.70 x 5.20 in
  • 600 grams


Sony Alpha a6300 Mirrorless Camera: Interchangeable Lens Digital Camera with APS-C, Auto Focus & 4K Video - ILCE 6300 Body with 3” LCD Screen - E Mount Compatible - Black (Includes Body Only)
We really like the Sony Alpha a6300 and it is a great all-round camera that does pretty much everything very well. We're kind of bummed Sony skipped out on the touch screen, but otherwise, everything else gets an A+: on the whole, a notable contender for one of the best mirrorless cameras under $1000.

8. Olympus Pen-F

Olympus PEN-F (Body-Only) (Black)

The Olympus Pen F is another really great mirrorless model that has a 20.3 megapixel Live MOS sensor and a special high-res sensor that can take 50 megapixel JPEG and 80 megapixel RAW images.

If you’re looking to capture a lot of detail in wide, sweeping shots, the high-res modes would be ideal. So if you enjoy architecture or landscape photography, the Olympus Pen-F is definitely worth considering. The image stabilization feature is definitely a plus, as some manufacturers tend to skimp out on image stabilization.

Aside from that, it’s very well constructed and looks gorgeous. The swiveling touchscreen LCD makes composing shots very easy.

There is a dial on the front of the camera that allows you to quickly switch between a variety of filters like monochrome, art, and color profiles.

The Pen-F is a rangefinder style camera, where the viewfinder is slightly to the side of the main lens. The comfortable grip allows you to keep your eye in the viewfinder and change the settings on the dial to switch between modes easily.

If you’d like to learn more about rangefinder cameras, click here.

Finally, you can do Full HD video, too.


  • 10 FPS burst mode
  • Superbly built
  • Great photographs
  • Bubble levels in viewfinder for perfect composition


  • Tripod mount is clunky
  • Low light focusing leaves a bit to be desired
  • Not very suitable for beginners

Tech Specs

  • 20.3 megapixel MOS sensor
  • Dimensions: 4.9 x 2.8 x 1.5 in
  • Weight: 427 grams


Olympus PEN-F (Body-Only) (Silver)
Overall, the Pen-F is an awesome rangefinder-style camera that takes superb photos. It's not meant for complete beginners, though.

9. Canon EOS M100 with 15-45MM Lens (best mirrorless camera for beginners)

Canon EOS M100 Mirrorless Camera w/ 15-45mm Lens - Wi-Fi, Bluetooth, and NFC enabled (Black)

The Canon EOS M100 is a compact, lightweight mirrorless camera that can rival the photos taken by DSLR cameras. Armed with a 24.2 megapixel APS-C CMOS sensor, the photos you take are processed through Canon’s proprietary DIGIC 7 image processing engine.

As you frame your shot, you have a variety of autofocus options at your disposal in the Canon EOS M100. You can use the Dual Pixel autofocus system which tracks your subject with speed and accuracy, so you only need to worry about framing the shot while letting the camera take care of the rest.

You can also use the touch screen to tap and focus on any part of the image. The camera can handle up to 49 autofocus points!

The 3 inch touchscreen LCD on the Canon EOS is very bright and easy to view in all conditions. You can swivel it up 180 degrees so you can take photos using interesting angles and still be able to compose your shot properly.

While the Canon EOS M100 is a seemingly compact camera, the lenses are interchangeable! You can opt for ultra-wide zoom lenses, wide-angle lenses, standard zoom lenses, and macro lenses from the EF-M, EF^ and EF-S^ lens lines.


  • Lots of shooting modes
  • You can customize your shot with full manual control
  • Great focusing system


  • There’s no hot shoe
  • There’s no input for an external mic so it will be difficult to get good audio in video recording
  • No viewfinder

Tech specs

  • Megapixels: 24.2
  • Sensor Size: APS-C
  • Dimensions: 4.2 x 2.6 x 1.3 in
  • Weight: 302g
  • WiFi, NFC, and bluetooth enabled


Canon EOS M100 Mirrorless Camera w/ 15-45mm Lens - Wi-Fi, Bluetooth, and NFC enabled (Black)
Overall, the Canon EOS M100 is an excellent entry level camera for those looking to step up their photography game from a smartphone or compact camera to mirrorless cameras.

However, more advanced users will miss the viewfinder and lack of hotshoe and microphone in.


Benefits Of Mirrorless Cameras and buying guide

Mirrorless cameras are the future of cameras: they’re lightweight and have all the features of DSLR cameras, if not more. Because there is no mirror, the distance between the lens and the sensor is much less. This makes it much more compact.

You may even be able to use your old lenses on mirrorless cameras with special adapters.

Here are some things to consider before picking up a mirrorless camera.

Sensor size

Sensor size is actually more important than pure megapixel count when it comes to image quality. The sensor size is why mobile phones can have high megapixel counts but you can still take better photos with a DSLR that has a lesser megapixel count.

Full-frame DSLR cameras have the largest type of sensor, and the smallest sensor is usually found in point-and-shoot cameras.

Mirrorless cameras usually have APS-C sensors, as you have read above. APS-C sensors are common in beginner DSLR cameras.

Other mirrorless cameras have micro four-thirds sensors, which are halfway between APS-C and point-and-shoot.

Then there are full-frame sensors, which are the same as the ones found in professional DSLR cameras.

This guide on B&H has a great image comparing sensor sizes.

Generally speaking, the larger the sensor, the better the camera will perform in low light. For low light photography, you need at least an APS-C camera or a full frame camera for best results.

Aside from one model, all the models on our list of the best mirrorless cameras we listed here do have APS-C or full-frame sensors.


If shooting video is important to you, then you need to consider whether your camera supports full HD, 4K, and if it has a microphone input.

4K is good for future-proofing your investment since videos will eventually become 4K standard.

Either way, though, a microphone input is more important for production-quality video since you can’t get good audio without any direct input.

Viewfinder and LCD

Some of the cameras we’ve listed here just have LCDs, whereas others have both LCDs and electronic viewfinders. Personally, I prefer shooting with a viewfinder rather than the LCD.


Many of the cameras here have WiFi or NFC, or both. This makes it really easy to transfer videos wirelessly from your camera to your phone or laptop for quick editing and sharing.

Feature sets

Finally, think about your current skill level, the amount you intend to grow and practice, and your budget. Even within mirrorless cameras, you have entry level, prosumer, and professional level cameras. Each will naturally be more expensive than the next one.

High end cameras will have more robust burst shooting and continuous shooting, more advanced features, and a larger sensor.


The reason I’ve put resolution as the last thing to consider is because resolution is not as important as sensor size! The cameras we have listed here are all at least 16 megapixels, which is more than enough for 8 x 10 prints, and even larger.


So there you have it. As we noted, we feel the Fujifilm X-T20 is all-around the best mirrorless camera under $1000. Other serious contenders are the Sony Alpha a6000 and Olympus E-M10 Mark III. All of these cameras give DSLRs a run for their money.

The Best Macro Lens for Nikon – Our Favorite Picks and Reviews

Macro photography can reveal some truly breathtaking scenes. With just a little know-how and the right equipment, anyone can start capturing the close-up world in all its glory. If you’re looking for the best macro lens for Nikon cameras, you’ve come to the right place.

This article is dedicated to all things macro and Nikon. We’ll explore how to make sure a lens will work with your camera, what to look out for when shopping, and how to make the most of your gear.

At Chasing Heartbeats, we want to make photography as accessible as possible. That starts with guides like these. Read on to up your macro photography game!

What is a Macro Lens?

It’s worth briefly touching on what the term ‘macro lens’ actually means. Many people think of macro as any image that captures a subject from close range. While this is certainly in the right ballpark, it’s something of an oversimplification.

A ‘true’ macro lens can deliver a reproduction ratio of 1:1. But what does this actually mean? In short, the 1:1 ratio means that a subject appearing on your camera’s sensor is the same size as in real life.

For example, if you took an image of a fly with a 1:1 setup and then printed a photo the same size as your camera’s sensor, the fly would be life-size in your printed photo.

All you really need to remember as a layperson is that macro lenses can keep subjects sharply in focus from a short distance. They make it easy to capture plants, insects, and other small subjects in all their glory.

How to Know if a Macro Lens Works With Nikon

When buying a new macro lens for your Nikon camera, it’s important to make sure that any model you consider will actually work with your existing gear. In this section, we’ll explore how to avoid disappointment when shopping.

Mount Type

The only thing you really need to worry about when shopping for lenses is mount type. When it comes to your Nikon, you’ll probably be using either a Z, E, or F-type mount for your lenses.

This information is usually printed clearly on the side of lenses and near the ring of the sensor on your camera’s body.

Check out this guide from Nikon if you’re still unsure.

Amazon Confirmed Fit

Another great way to get the peace of mind you need when shopping is to use Amazon’s handy Confirmed Fit feature. It’s designed to make sure you never buy an incompatible lens again.

Just choose ‘Nikon’ from the drop-down menu, enter your camera’s model number, and the built-in checker will let you know if the product will work for you!

Best Macro Lens for Nikon – Our Top Picks

Let’s get into it! This section contains some of our favorite Nikon macro lenses in 2021. In our opinion, they all represent fantastic value for money and deliver the performance and reliability you’ll need.

We’ve tried to find options for a variety of different use cases and price points, so there should be something for everyone here!

How We Make Product Recommendations

When looking for products to recommend on this site, we scour the internet for online reviews, product comparisons, and general customer reception. If it’s featured on this page, we genuinely believe it’s worth the money.

We consider the following when researching online:

  • Performance
  • Reliability
  • Price point
  • Durability
  • Compatibility
  • Consistency
  • Much more

Nikon AF-S DX Micro NIKKOR 85mm f/3.5G ED

Nikon AF-S DX Micro NIKKOR 85mm f/3.5G ED Vibration Reduction Fixed Zoom Lens with Auto Focus for Nikon DSLR Cameras

First up is this spectacular Nikon lens. One huge thing to consider when taking macro photos is the amount of camera shake you’re going to be dealing with. When shooting from such short distances, even a tiny amount of wobble can quickly distort your photos.

Fortunately, lenses like this one do a great job of tackling this issue. This lens features Nikon’s legendary vibration reduction technology. Other companies like Canon call this image stabilization; they both achieve the same results.

Your images should feature significantly less noise, blur, and other distortions. While we’re on the subject, you should definitely consider a decent tripod when taking macro photographs.

Something else that really stands out with this option is its autofocus performance. The whole point of a good macro lens is that it can keep subjects sharply focused at short ranges. This NIKKOR locks onto your scene very quickly and holds on tight.

All things considered, we think this is an excellent Nikon macro lens that should serve you very well for many years to come.


  • Great vibration reduction
  • Excellent autofocus system
  • Reasonably priced considering the performance
  • Strong macro results


  • It’s a little bulky

Nikon AF-S 105mm f/2.8 G IF ED VR Micro

Nikon AF-S VR Micro-NIKKOR 105mm f/2.8G IF-ED Lens

Next on the list is another AF-S lens from Nikon. Like similar lenses in this lineup, it’s been designed from day zero to deliver fantastic macro results much more consistently than less premium options on the market.

For razor sharp scenes, gorgeous image processing, and snappy auto settings, it’s hard to go wrong with this one. The fixed, 105mm focal length on this lens brings with it a whole host of options for your photographs.

This focusing distance is great for macro photography, but it’s also flexible enough to tackle much more than that. Portrait photography, outdoor scenes, and much more are all within your grasp here.

You’ll be working with a reasonably wide FOV that should have more than enough room for most people. Add this to Nikon’s excellent vibration reduction and anti-aberration features, and you’re looking at a seriously compelling package if you ask us.

With an asking price of less than $600, this one’s very reasonably priced.


  • 105mm focal length is very versatile
  • Great macro results
  • Decent focusing features
  • Reasonably priced


  • Can be a bit slow with moving subjects

Nikon AF-S DX Micro-NIKKOR 40mm f/2.8G Close-up Lens

Nikon AF-S DX Micro-NIKKOR 40mm f/2.8G Close-up Lens for Nikon DSLR Cameras

Macro photography is an interesting category in the sense that many of the ‘cheaper’ options still deliver exceptional results. This NIKKOR lens is certainly a great example of this. With a price tag that’s comfortably under $300, you’d be forgiven for expecting this lens to deliver mediocre results.

The good news is that this couldn’t be further from the truth. This little shooter packs a whole lot of punch. It’s an absolute steal in our opinion. 9 lens elements work together in 7 groups to deliver the breathtaking macro results you need.

The fixed focusing distance of 40mm offers a reasonable amount of flexibility when working. You’ll be able to get super close for your macro subjects while maintaining great flexibility for other scenarios like portraiture.

One thing to mention is that vibration reduction isn’t quite as impressive on this lens when compared to the options listed above. However, the upshot here is that this lens is remarkably compact and lightweight. You won’t think twice about adding this thing to your kit bag for your next shoot.


  • Very affordable at under $300
  • Still delivers great macro results
  • Versatile 40mm focal length


  • Image stabilization is just ok

Sigma 105mm F2.8 EX DG OS HSM Macro Lens

Sigma 258306 105mm F2.8 EX DG OS HSM Macro Lens for Nikon DSLR Camera

For many years now, Sigma has maintained a formidable reputation in the world of camera equipment, and for good reason. The company has an exemplary track record when it comes to delivering the results you deserve. This 105mm f2.8 macro lens is no exception.

The first thing to mention about this option is that it does things a little differently to other products on this page. As this is a telephoto macro lens, you’ll be standing much further away from your subjects than you might expect. In certain scenarios, this can be a very good thing.

The ability to zoom in and out on your scene can lend a wealth of versatility to your approach. Telephoto lenses are typically better for moving subjects, so you’ll also have a bit more wiggle room available in this regard.

One thing that the Sigma brand is known for is spectacular optical engineering. The design of lenses like this one is really quite something. A 9-blade diaphragm, hypersonic motor, and anti-aberration features all work in tandem to deliver exceptional results every time.

This is a very powerful lens in the right pair of hands.


  • Versatile telephoto shooting
  • More forgiving for moving subjects
  • Signature Sigma performance


  • The telephoto format won’t be for everyone

Tamron AFF017N700 SP 90mm F/2.8 Di VC USD 1:1 Macro

Tamron AFF017N700 SP 90mm F/2.8 Di VC USD 1:1 Macro for Nikon Cameras (Black)

This lens from Tamron would be a welcome addition to any macro photographer’s kit. It comes with great image stabilization, excellent versatility, and an overall build quality that puts some other brands to shame.

Issues like ghosting and flare can ruin photos in any shooting environment, but they can be especially noticeable with macro photography. The glass elements of this lens come with special coatings that are designed to dramatically reduce this kind of issue.

Your images should be distortion-free much more often when shooting with a lens like this. Another area where this product really shines is its weatherproofing. A lot of macro photography takes place outdoors in nature.

For this reason, it’s important to double-check the water and dust resistance of any model you pick up. Fortunately, this Tamron lens does a great job of standing up to the elements. It should serve you well for many years to come.


  • Great build quality
  • Dramatically reduced aberrations and image noise
  • Excellent macro results
  • Affordable


  • Focus hunting can sometimes be an issue

Venus Optics Laowa 25mm f/2.8 2.5-5X Ultra-Macro

Venus Optics Laowa 25mm f/2.8 2.5-5X Ultra-Macro (Nikon F Mount)

If you’re looking for something that can get in super close and personal with your subjects, this option from Laowa is worth considering. It’s ideally suited for “shooting between 2.5X – 5X life size” and offers significantly more working distance than some other lenses.

For ultra close-up shots, great overall optical performance, and impressive versatility, this is the lens to go for. You know those breathtaking macro images that capture tiny subjects in impossible detail? This is the type of lens you need for these results.

It’s been built from the ground up with extreme close-up imaging in mind. This is worth remembering if you’re actually looking for something a little less ambitious in scope. Those who also want to take portrait shots may be better served elsewhere.

The price for this option regularly fluctuates between $300 and $500, so it’s worth checking back frequently to get the best deal. Provided you need extreme close-up results, this is an excellent choice in our opinion.


  • Excellent for ultra macro photos
  • Strong optical performance
  • Works seamlessly with F-mount cameras


  • Will be a little too extreme for some use cases

Things to Consider With Nikon Macro Lenses and Macro Shots

Camera lenses represent a significant investment no matter what kind of photographer you are. For this reason, it’s important to be as clued up as possible about what you’re looking for and how to find it.

In this section, we’ll run through some of the main things to consider when shopping for a new Nikon lens. A savvy shopper can save hundreds of dollars if they know where to look! Read on to learn more.


We touched on this higher up the page but it’s worth reiterating. It’s important to double-check the mount type used by any lens you consider. The last thing you want is to get home with a brand-new lens only to realize that it doesn’t even work with your gear!

Amazon Confirmed Fit is a great way to check compatibility. You’ll find it toward the top of most site listings for lenses and similar equipment. Just choose ‘Nikon’ from the drop-down box, enter your camera’s name, and you’ll get instant confirmation of compatibility.

Your Requirements

Another important factor to keep in mind is your individual needs as a photographer. The results you’re hoping to achieve with a new lens will determine the product that will work best for you. There’s no point in splashing out thousands of dollars on a lens that isn’t right for you.

Depending on your skill level, you might not even be able to fully take advantage of some pro-grade features. It all comes down to the type of macro photography you’re hoping to achieve. The clearer you are about what you expect from a Nikon macro lens, the easier it will be to find a product that fits your workflow.

Check out our macro photography guide for more info.

Lens Ratios

If all you care about is maintaining focus at a close distance, this one might not be an issue for you. However, those looking to produce true macro photographs should look for lenses that offer a 1:1 reproduction ratio.

This ratio is what you need to create macro images that are ‘macro’ in the truest sense. If a company doesn’t specifically mention a product’s ratio, it’s probably not a true macro product.

Image Stabilization

This is a big one that many newbies overlook. In practically all types of photography, camera shake can add significant amounts of blur and distortion to your scene. In macro photography, however, these distortions can be far more detrimental to your final results.

All of the Nikon lens options we’ve listed above come with at least adequate image stabilization (most of them go much further than adequate, though!). This will go a long way in keeping your images crisp, clear, and distortion-free.


The close-up nature of macro photography means that shadows cast by the photographer are much more common. This is why it’s worth considering the focal length of your lens closely. Some photographers prefer telephoto macro setups that allow them to zoom in on their subject from a distance.

This can do a great job of reducing shadows. Others prefer ultra close-up lenses and simply work around issues like shadow casting. It all comes down to your preferences as a photographer!


A tripod is practically a must-have purchase for lots of macro photography. The vast majority of camera shake comes from photographers shooting in handheld mode. A sturdy tripod base offers the consistent stability you need to eliminate noise from your final photograph.

We’ve got tons of tripod recommendations throughout this site – check them out.


The best macro lens for Nikon cameras is going to look a little different for everyone. Our main advice is to spend as much time as possible considering what you actually expect your new equipment to achieve for you.

The clearer you are about your requirements, the easier it will be to find a product that’s perfect for you. Whichever lens you go for, we hope it serves you well!

Best Camera For Makeup Artists(10 picks for 2021)

Since makeup can involve a lot of detail, it can be difficult to determine the best camera for makeup artists. From taking photographs to videos that will be uploaded on YouTube, there are many reasons why makeup artists could be looking for an appropriate camera.

Today, we take a closer look at the cameras that can be used by makeup artists. Of course, all these cameras have their benefits for specific types of makeup artists, so be sure to read through our entire guide to find the best option.

Best Cameras For Makeup Tutorials (Youtube As Well As Instagram Photography)

You can find an endless amount of beauty videos and makeup tutorials on Youtube. Since there are great quality videos out there, your beauty videos or makeup tutorials must match where quality is concerned. Fortunately, there are plenty of cameras that will enable you to film with exceptional video quality.

1. Canon 70D

The Canon 70D provides the best price-quality ratio around. In fact, professional vlogger Zoella is known to use this camera for her Youtube videos.

As you may have guessed, the Canon 70D comes with a bunch of features that ensure video quality for makeup artists. The first feature is the 20MP sensor, which contributes to the overall quality you are getting to a whole new level.

Aside from outstanding videos for Youtube, the Canon 70D provides makeup artists with lots of convenience too. This camera has a flip screen, which makes it easier to check your videos on the go before uploading them to Youtube.

Canon EOS 70D Digital SLR Camera with 18-55mm STM Lens
  • 20.2 MP APS-C CMOS sensor and DIGIC 5+
  • 19 point cross-type AF System
  • Up to 7 fps shooting
  • ISO 100-12800, expandable to 25600
  • Dual Pixel CMOS AF for fast focus in live view and video

2. Canon Rebel T6i

This camera is one of the best cameras for makeup artists, so if you want the best money can buy at the moment, the Canon Rebel T6i is the best camera on our list and a definite recommendation for even the most advanced makeup artist.

The Canon Rebel T6i comes with a 24.2 MP APS-C CMOS sensor and a DIGIC 6 image processor. The combination of these two components makes this the best camera for makeup artists who need to take video on a regular basis. The processor and sensor enable you to shoot in low light, but also a variety of other conditions. To complement the sensor and the image processor, Canon also include a whopping 19 cross-type autofocus points. It doesn’t get much better to make your Youtube makeup artist videos.

We do need to mention that this camera does not come with a body stabilization feature. Even though we would usually recommend this for quality videos, this problem is easily remedied by using a good tripod.

So, why do we recommend the Canon Rebel T6i when it does not come with its own body stabilization feature? Well, this makeup artist camera has a video snapshots mode, enabling you to make Youtube videos quicker and easier than ever.

Canon EOS Rebel T7i US 24.2 Digital SLR Camera with 3-Inch LCD, Black (1894C002)
  • 24.2 Megapixel CMOS (APS C) sensor
  • Built in Wi-Fi, NFC and Bluetooth Lens used: EF S 18-55 millimeter f/4-56 IS STM (at focal length of 55 millimeter)
  • High Speed continuous shooting at up to 60 fps Weight Approx 1877 ounce/532 grams (including battery pack and SD memory card) Approx 1711 ounce/485 gram (body only)
  • Metering Range: EV 1-20 (room temperature, evaluative metering)
  • Use the EOS Utility Webcam Beta Software (Mac and Windows) to turn your compatible Canon Camera into a high-quality webcam

3. Canon Powershot G7X Mark II

When you are a makeup artist that travels frequently, you may want to invest in a camera that is travel friendly. There are plenty of options out there when it comes to portability, but one of the best is none other than the Canon Powershot G7X Mark II.

As we mentioned already, the Canon Powershot G7X Mark II is relatively lightweight and compact; this makes it easier to get shoot yoru Youtube makeup videos and photographs on the go.

Despite its portability, do not be fooled when it comes down the functionality of this handy little camera. The Canon Powershot G7X Mark II comes with a 20.1MP 1″ CMOS sensor as well as a DIGIC 7 image processor. It also records your video in 1080p at 60fps which is more than decent for a portable video camera such as this one.

In addition to providing superior quality for your video through a good sensor and image processor, the Canon Powershot also comes with an intelligent image stabilization. Thanks to this feature, you are able to shoot quality video that is much sharper and clearer while holding your camera.

While the Canon Powershot G7X Mark II has countless features that will benefit the quality of your video and photographs, it lacks in one particular department. In fact, the battery life of this camera is not the best. However, you can replace the battery, so simply charge an additional one if you worry about running out.

Canon PowerShot Digital Camera [G7 X Mark II] with Wi-Fi & NFC, LCD Screen, and 1-Inch Sensor - Black, 100 - 1066C001
  • The advanced video capabilities of the PowerShot G7 X Mark II camera can capture moments in the quality they deserve
  • Features a large 1.0 inch, 20.1 Megapixel CMOS sensor that helps capture high quality images and videos with a wide dynamic range. Autofocus system features tile autofocus and manual focus. Operating temperature is 0 to 40 degrees Celsius. Note charging time varies considerably depending on the remaining battery power
  • An aperture value of f/1.8 at the wide angle and f/2.8 when fully zoomed to a factor of 4.2x (24-100 millimeter), this lens equipped to capture a variety of situations with precision
  • High resolution, 3.0 inches LCD monitor that tilts up 180 degrees and down 45 degrees is ideal for self portraits and capturing pictures at high and low angles with ease
  • Built in WiFi for on the go convenience and the ability to easily post your images to select social networking and media sites

4. Canon 80D

We already mentioned the Canon 70D, which is one of the best makeup camera options out there. Of course, the 80D is considered the upgraded version of the 70D, so it does not have some of the negative features the 70D has. Of course, that upgrade does come with a higher price tag.

One of the known issues of the Canon 70D is that it can overheat a little once it has been used for a longer period of time. Fortunately, you do not have to worry about overheating when taping your makeup video with the Canon 80D, as it does not have the overheating problem the Canon 70D sometimes encounters.

With the Canon 80D also comes an upgraded sensor in the form of the 24.2MP APS-C CMOS sensor combined with the DIGIC 6 image processor. There is also an upgrade in autofocus points, going to a total of 45 points now.

On the flipside, an upgrade for the Canon camera also comes with an increased price tag. However, the increased price tag does give you better video and picture quality, even in low light. In other words, the Canon 80D has become a bit of a standard among makeup artists.

Canon EOS 80D Digital SLR Camera Body (Black) (Renewed)
  • 45-point all cross-type AF system* allows for superb autofocus when shooting with the optical viewfinder and focusing area selection modes.
  • Intelligent Viewfinder with approximately 100% viewfinder coverage. Approx. 730g / 25.75oz. (Based on CIPA Guidelines),Approx. 650g / 22.93oz. (Body only)
  • 24.2 Megapixel (APS-C) CMOS sensor helps provide impressive, high-resolution results. Shooting speed of up to 7.0fps makes it an excellent choice for capturing moving subjects
  • Improved Dual Pixel CMOS AF helps you shoot video with smooth, fast and accurate autofocus, and stills with instant and precise autofocus.

5. Sony Alpha a5100

Searching for something a little more affordable? If so, consider taking photos and video with the Sony Alpha a5100. While considerably cheaper than more advanced makeup camera options, there is still much to like when it comes to video and picture capabilities.

The Sony Alpha a5100 is designed with a 24.3MP APS-C Exmor HD CMOS Sensor. It also has a BIONZ X Image Processor, which you might not be familiar with so let’s elaborate on it.

A camera with a BIONZ X Image Processor has loads to offer. It delivers some outstanding textures and depth, but it coincides with a so-called Exmor CMOS sensor. The latter actually reduces noise that can be created during data conversion and image processing. In other words, this is a solid camera to take some amazing pictures.

One of the few downsides to the Sony Alpha a5100 is a lack of an external microphone output. So, getting compatible additional audio equipment for the Sony Alpha a5100 is a little trickier.

Sony a5100 16-50mm Interchangeable Lens Camera with 3-Inch Flip Up LCD (Black)
  • Ultra-fast auto focus with 179 AF points and 6Fps
  • Capture life in high resolution with 24MP APS-C sensor.Lens compatibility Sony E-mount lenses
  • Instant sharing via smartphone with Wi-Fi and NFC1
  • Record Full HD 1080/24/60P video3 up to 50MB/s. Compatible OS - Windows Vista SP2-6, Windows 7 SP1, Windows 8, Windows 8.1, Mac OS X (v10.7-v10.9)
  • Contains- Rechargeable Battery (NP-FW50) AC Charger (AC-UB10) Lens cap Shoulder strap Micro USB cable. BIONZ X engine for superb detail and noise reduction

6. Panasonic HC-V180K

Not all makeup artists have a huge amount of budget to purchase the best camera for their video uploads, especially those that are just getting started in the world of vlogging. For those makeup artists, we recommend a camera like the Panasonic HC-V180K.

The Panasonic HC-V180K is considerably more affordable compared to some of the other options mentioned today. Of course, as we have proven time and time again, affordability does not mean a lack of features. It is actually quite the opposite for the Panasonic HC-V180K.

This nifty video camera is an outstanding choice for new vloggers, as it is one of the most affordable options out there. It comes with a backside illuminated sensor, which enables you to shoot better video in low light conditions. So, getting great quality 1080p video at 60 fps is a real doddle with this option.

Another brilliant feature of the Panasonic HC-V180K is the inbuilt wifi. If you like to upload on the go, then look no further than this camera. Simply use the inbuilt wifi to upload your makeup files directly to YouTube or your preferred social media platform.

Like some other more affordable models, the Panasonic HC-V180K is unfortunately missing an external microphone jack. While this is not a true hindrance for the starting vlogger, it might be a hindrance for anyone who already uses specific audio equipment for their video.

Finally, we must mention that the Panasonic HC-V180K does not deal with low light conditions as well as some of the other makeup camera options we mentioned here today. As a result, you may need some additional camera lighting to ensure the right balance during recordings or image capturing.

Panasonic Full HD Video Camera Camcorder HC-V180K, 50X Optical Zoom, 1/5.8-Inch BSI Sensor, Touch Enabled 2.7-Inch LCD Display (Black)
  • 50X and 90X Optical Zoom: Long 50X zoom and 90X intelligent zoom draws in the scene from far away. The focal length is 2.06 - 103 millimeter
  • Wide-angle Lens: A 28mm wide-angle lens is convenient for capturing group images in small spaces, such as weddings, reunions and vacations
  • 1/5.8-Inch BSI Sensor: The Back Side Illumination Sensor has a large effective area with 2.20M effective pixels, suppressing noise even when shooting in dimly lit conditions
  • Creative Controls: Creative filter effects like 8mm Movie, Silent Movie, Miniature Effect and Time Lapse Recording add more personality to your high-definition recordings
  • Crisp, Clear Audio: A 2-channel zoom microphone automatically adjusts recording volume higher or lower synced to the camcorder's active zooming capability for crisp, clear audio


7. Canon 5D Mark IV

Once you have quite the following on your makeup vlog, it may be time for a bit of an upgrade. You can find that upgrade in the form of the Canon 5D Mark IV. Be warned though, this camera will be a serious investment.

The Canon 5D Mark IV is packed with premium features, which is definitely needed for the price of this makeup camera. Still, the premium features you do get with this makeup camera definitely do not disappoint.

Firstly, you will get a whopping 30.4 MP full-frame CMOS Sensor and a DIGIC 6+ image processor. The result of this upgraded combination of image processor and sensor gives you the ability to process images faster than ever before. The sensor also makes sure that the results you obtain are always great, even in low light conditions.

In addition to a great sensor and an image processor, the Canon 5D Mark IV is also quite durable. The camera has a strong magnesium alloy housing, which is also completely weatherproof. Another feature that could be worth the money for some makeup vloggers.

With the Canon 5D Mark IV, you also get a 61-point high-density reticular AF system. The system basically ensures the camera can focus really quickly and produce even better images. In other words, the Canon 5D Mark IV is a great choice for both image and video capturing.

Of course, the one big downside to this makeup camera is the overall price tag. Compared to most options in this overview, the Canon 5D Mark IV is a lot more expensive. Still, if you are a successful makeup vlogger, it may be worth the investment.

Canon EOS 5D Mark IV Full Frame Digital SLR Camera Body
  • New 30.4 Megapixel full-frame CMOS sensor for versatile shooting in nearly any light, with ISO range 100-32000; expandable up to 50-102400 (equivalent ISO).
  • 4K Motion JPEG video (DCI cinema-type 4096 x 2160) at 30p or 24p; in- camera still frame grab of 4K 8.8-Megapixel images; multiple video options include Full HD up to 60p, and HD up to 120p.
  • Superb Dual Pixel CMOS AF for responsive and smooth AF during video or live view shooting; LCD monitor has a full touchscreen interface, including selection of AF area.
  • Excellent performance - up to 7.0 fps continuous shooting speed with high-performance DIGIC 6 plus Image Processor for improved speed and excellent image quality.
  • Use the EOS Utility Webcam Beta Software (Mac and Windows) to turn your Canon camera into a high-quality webcam, or do the same using a clean HDMI output.

8. Nikon COOLPIX S6900

If your makeup pictures consist of many selfies, you could consider adding the Nikon COOLPIX S6900 to your collection. While it is a model that is a little more difficult to get a hold of these days, it is still worth searching for.

While the Nikon COOLPIX S6900 may look like a basic point and shoot camera, it is so much more than that. As you may expect already, the Nikon COOLPIX S6900 is easy to use, even for those who have little experience with taking makeup photographs.

In addition to its user friendliness, the Nikon camera also comes with inbuilt wifi. It also comes with tons of selfie features, ensuring you can upload great photos with a minimum amount of file transfers.

If we would have to choose a downside to the Nikon COOLPIX, it would have to be its limited battery life. Of course, there are worse negative points when it comes to cameras and we think the benefits far outweigh the negatives.

Nikon COOLPIX S6900 Digital Camera with 12x Optical Zoom and Built-In Wi-Fi (Black)
  • 12x optical zoom; 24x dynamic fine zoom, an enhanced zoom function that effectively doubles your reach
  • Vari-angle display and built-in kickstand
  • Target Finding AF for accurate, intelligent autofocus
  • 19 Scene Modes plus full HD 1080p videos with stereo sound
  • Built-in Wi-Fi and Near Field Communication technology allow you to wirelessly share photos to a compatible smartphone.Please refer user manual attached below for instructions and troubleshooting steps.

9. Blackmagic Design Cinema Camera

If you want top of the line and don’t mind investing a great deal of cash to get the best money can buy, then you absolutely need the Blackmagic Design Cinema Camera as a makeup vlogger.

When you speak to camera aficionados, you will find it difficult to hear them say anything bad about this particular options. As you may expect because of its accompanying price, the Blackmagic camera can record 4K video. It also comes with various recording options, including Blackmagic RAW, Cfast 2.0, external media and ProRes to SD. There are few cameras that provide you with that many recording options.

Aside from a great number of features, the Blackmagic can be combined with lenses from other brands. If you have invested in some lenses in the past and don’t want them going to waste because of a new camera, why not choose the Blackmagic Design Cinema Camera.

If we would have to pick the biggest downside to this camera, it would be the poor construction of the battery door. While you will have little trouble in the first couple of months, the battery door is known to be subject to premature wear and tear. While you are right to expect more for a camera of that price, the advanced features of this camera might be worth the risk.

  • Effective sensor size 23 10 x 12 99 millimeter (super 35)
  • Shooting resolutions 6144 x 3456 (6K) up to 50 fps/ 6144 x 2560 (6K 2 4 1) up to 60 fps/ 5744 x 3024 (5 7K 17 9) up to 60 fps/ 4096 x 2160 (4K DCI) up to 60 fps/ 3840 x 2160 (Ultra HD) Up To 60 fps/ 3728 x 3104 (3 7K 6 5 anamorphic) up to 60 fps/ 2868 x 1512 (2 8K 17 9) up to 120 fps/ 1920 x 1080 (HD) Up To 120 fps
  • Maximum sensor frame rate Dependent on resolution and codec selected Project frame rates of 23 98 24 25 29 97 30 50 59 94 and 60 FPS supported off-speed frame rates up to 60 fps in 6K 2 4 1 120 fps in 2 8K 17 9 and 1080H
  • Video inputs None/ video outputs 1x HDMI type a
  • Active EF mount lens not included

10. Fujifilm FinePix S8600

Our last suggestion in this overview is none other than the Fujifilm FinePix S8600. While Canon and Nikon are often the first cameras people look at, Fujifilm should not be underestimated when it comes to great videos and photos.

Like a lot of the other cameras in our overview, the Fujifilm FinePix S8600 is a compact camera that is quite affordable to boot. Of course, it also comes with heaps of features, from a collapsible lens to a 16MP CCD sensor and ISO sensitivity of 6400.

There is also an option to record in hi-definition, more specifically 720/30p in a widescreen cinematic format. Because of this option, any recorded makeup video will be of great quality.

Fujifilm FinePix S8600 16 MP Digital Camera with 3.0-Inch LCD (Black)
  • 16MP 1/2.3in CCD sensor
  • FUJINON lens with 36x optical zoom (25-900mm equivalent)
  • 3in LCD monitor (460k dots)
  • HD movies at 720p/30fps
  • Powered by 3×AA alkaline batteries with an approx. 250-shot battery life

What Features Does A Camera For Makeup Artists Need?

Shooting makeup videos and photographs requires a great camera. Of course, this great camera also needs quite a few features to deliver outstanding Youtube videos or high-quality Instagram photos. So, what features must a camera for makeup filming and photography have?

An ability to cope with different lighting conditions: This one is pretty straightforward. Whether you are focussing on videos or photographs, shooting makeup tutorials can happen in all kinds of environments; this includes in low light. To ensure your videos and photographs remain sharp and detailed, always choose a camera that can cope with variable lighting conditions.

Optical zoom: To ensure you capture every detail of your lovely work as a makeup artist, you must be able to zoom into your work. Fortunately, most cameras come with a decent optical zoom these days, enabling you enjoy superior quality.

Check DSLR camera options first: Even though DSLR camera options are more expensive, they do tend to provide better results across the board. Most makeup artists prefer DSLR cameras for both videos and photography, this due to the large range of interchangeable lenses and the ability to manually change setting to maximise the quality of makeup videos and photography.

Lighting is key: Now this is the part where close attention should be paid by all makeup artists reading this article. Even if you have a decent camera for makeup videos and photographs, sometimes lighting is so bad you cannot get the quality videos or photographs you are after. To counter this particular problem, you may want to invest in some lighting equipment too.

Audio features: The best cameras for makeup artists also tend to have decent audio features. While this does not apply to those who solely take photographs for Instagram or another social media channel, it most certainly applies to anyone who needs to take quality videos for Youtube.

The best cameras for makeup artists tend to have the ability to capture decent audio, but this is not the case for all of them. If your current camera is not up to the task of taking decent audio for your makeup artist videos, perhaps it is time for some additional audio equipment?

Autofocus: When you do not have much experience shooting videos, you definitely want to look at an autofocus feature, preferably with an image stabilization feature.

Battery life: Professional bloggers and vloggers tend to shoot long videos or an astronomical amount of photographs. Since you don’t want to be interrupted while taking your video or photos, make sure that your camera has a good battery life.

Some of the more advanced makeup artist cameras come with a replaceable battery. If you have a full day of shooting makeup videos ahead, make sure to have a fully charged spare battery laying around.

How To Film A Makeup Tutorial

There are a number of things you need to think about when you film your first tutorial. If you have no idea where to start, here are some of the essentials you need to know.


Filming a tutorial with a busy background is never a good idea. After all, clutter in the background will distract from the tutorial.

While not everyone has the room to set up a customised backdrop, simply make sure that there isn’t any clutter in the background. Also, make sure that the background is even; for example, in the same wall colour.


Even those with a really good camera and lens might encounter problems because of low light. Therefore, having some additional lighting equipment will come in handy sooner or later.

Some people also like to record their videos later on during the day, during which you need lighting equipment as well. Fortunately, most lighting equipment is quite affordable and there are even some homemade equipment options out there.

Write A Script

While you do not need to write lines for yourself, you should write yourself a general outline of the topics you are looking to cover. Once you have your outline, create a transcript that you will use for your voice over.

Find The Most Suitable Video Editing Software

To make your videos even better, it is necessary to get some video editing software. There is much video editing software out there, this goes from paid software and subscription software to free software.

Please note that much video editing software can be cloud-based these days as well. With cloud-based video editing software, you can upload your video straight to the cloud. So, if your computer should fail before a YouTube upload, you always have a backup available.

If you are looking for some free video editing software, you could consider VSDC. The video editing software is suitable for windows computers and laptops. It runs pretty smoothly and creates professional results. So, if you do not have the budget for video editing software, then you can still create your first vlog with this free software.

Prepare Your Makeup Beforehand

The last thing you want to do is look for your makeup in the middle of filming, so make sure your makeup is laid out in front of you before you get started. Make sure your makeup brushes and palettes are clean, as this will make the result look more professional.

Test Video

We always recommend doing a test video before you start the actual recording of your makeup video. Ensure your face is always in the frame and that you only film things that you want in the frame.

Don’t get disheartened if your first test video does not turn out the way you want it too. Beginners often need to experiment a little before their frame is just right.


Whether you are looking for a Youtube makeup camera or one for instagram, the required features are pretty similar across the board. Once you are familiar with the features that make your video and photo attempts great, you will have little problem finding a camera that suits your needs.

To choose the perfect camera for your needs, use the overview of features we described in this article. Be sure to also check out our recommended cameras, as this gives you easy and quick access to some of the best photo and video cameras out there.

6 Best Boom Mics For Filming and Videography(Shotgun Mics)

A boom mic can be a magnificent tool for all your audio needs. Whether you are a hobby filmmaker or a professional, there are many options that can be the best boom mic for you.

But what is the difference between a camera microphone and a separate boom mic? And are certain options better than others? This article will answer all those questions for you.

Best Boom Mics For Hobbyists and Professionals

Our picks: 

  1. Sennheiser Pro Audio: best for hobbyists
  2. Rode Videomic Pro: best for interviews
  3. Rode Videomic Go: best for vloggers
  4. Schoeps CMIT 5U: best for professionals
  5. Audio Technica AT897: best high end
  6. Sennheiser MKH-60: best top of the line

1. Sennheiser Pro Audio

Sennheiser Pro Audio Wireless Microphone System, Black (MKE600)
  • Pronounced directivity
  • Maximal rejection of side noise
  • Switchable "Low Cut" filter minimizes wind noise
  • Phantom or battery powering
  • Supplied with foam windshield and shock mount. Frequency response - 40 Hz to 20 kHz

This boom mic comes with quite the famous brand name, as some of the more advanced models are often used by professionals. A prime example of a famous Sennheiser microphone is the Sennheiser MKH, often used by the pros. Fortunately, there are more affordable versions for the aspiring filmmaker too.

The Sennheiser Pro Audio reduces side noise unlike any other of the more affordable boom mics for film. It also comes with handy accessories such as a foam windshield and a shock mount, which are bound to help you get even better sound quality.

Tech specs

  • Dimensions: diameter 20 mm, length 256 mm
  • Weight: 128 g (without battery)
  • Frequency response: 40 Hz to 20 kHz
  • Max. sound pressure level: 132 dB SPL at P48; 126 dB SPL with battery powering
  • Sensitivity in free field, no load (1kHz): 21 mV/Pa at P48; 19mV/Pa with battery powering
  • Equivalent noise level: 15 dB (A) at P48; 16 dB (A) with battery powering

2. Rode Videomic Pro

Rode VideoMicPro Compact Directional On-Camera Microphone with Rycote Lyre Shockmount
  • A true shotgun microphone designed for camcorders, DSLR cameras and portable audio recorders as primary and reference audio
  • The 1/2" condenser capsule provides broadcast-quality audio via a 3.5mm connector with an incredibly low self-noise of just 14db
  • The Rycote Lyre based shock mounting system provides isolation from external factors that may cause unwanted rumble and vibrations

The Rode Videomic Pro is a favorite amongst hobbyists and it is not difficult to figure out why. While this shotgun microphone is only available from, this shotgun mic is labelled as one of the best.

When you choose this Rode shotgun mic model, you can count on a 1/2″ condenser capsule, delivering sound quality that is ready for broadcasting. It also has incredible low self-noise at just 14db.

If you are looking for a good boom pole to go with your new Rode shotgun mic, be sure to look for the accompanying Rode boom poles.

Tech specs

  • Dimensions: 100mmH x 75mmW x 170mmD
  • Weight: 85g
  • Frequency response: 40Hz – 20kHz (selected HPF @80)
  • Max. sound pressure level: 134dBSPL
  • Sensitivity: -32.0dB re 1 Volt/Pascal (20.00mV @ 94 dB SPL) +/- 2 dB @ 1kHz
  • Equivalent noise level: 14dBA

3. Rode Videomic Go

Rode VideoMic GO Lightweight On-Camera Microphone with Integrated Rycote Shockmount
  • Delivers clear, crisp, directional audio with incredible ease of use
  • Rode designed the videomic go with a tight pickup area that focuses directly in front of the mic
  • Reduces other surrounding sounds, ensuring that your subject is isolated from background noise
  • The integrated Rycote lyre shock mount isolates the video mic go from bumps and vibrations
  • No complicated switches or settings and is powered by your camera's external microphone input, required

If you are looking for an on camera microphone that weighs a fraction of its competitors, then you need to look into the Rode Video Mic Go. This model from Rode is lighter than the pro version, and somewhat easier to use too.

Despite the lighter weight of the Rode Go, it still comes with the Rycote Lyre shock mount most Rode microphones. Therefore, you won’t get any sound problems due to vibrations or bumps.

Finally, the Rode Go is delightfully simple as well. If you are worried about using a complicated boom mic, then you will be happy to know that the Rode go does not have any complicated switches or settings. Simply use the external microphone output on your camera and this Rode microphone is ready to go for your film projects.

Tech specs

  • Dimensions: 79.00mmH x 73.00mmW x 167.00mmD
  • Weight: 73.00g
  • Frequency response: 100Hz – 16kHz
  • Max. sound pressure level: 120dBSPL
  • Sensitivity: -35.0dB re 1 Volt/Pascal (17.80mV @ 94 dB SPL) +/- 2 dB @ 1kHz
  • Equivalent noise level: 34dBA

4. Schoeps CMIT5U Shotgun Microphone: Best boom Mic For Professionals

Schoeps CMIT 5U Shotgun Microphone - Blue
  • Schoeps CMIT5U Shotgun Microphone - Polished Wood Carrying Case - SG20 Swivel Joint - W140 Foam Windscreen - Schoeps 1 Year Warranty
  • Frequency Range: 40Hz - 20kHz
  • Sensitivity: 17mV/Pa
  • Equivalent Noise Level (A-weighted): 14dBA
  • Equivalent Noise Level (CCIR): 24dB

This shotgun microphone is an outstanding choice for professionals, but it comes with a hefty price tag. However, if you don’t mind paying a little more, then the sound quality you will get is unmatched!

The Schoeps CMIT5U is a staple in the movie industry and beats most shotgun microphones by a mile where features are concerned. The shotgun microphone has an outstanding frequency response with a range of 40 Hz – 2 kHz. It also comes with low self-noise features, making this one of the best shotgun microphones in the business.

Tech specs

  • Dimensions: diameter 21 x L: 251 mm
  • Weight: 95 g
  • Frequency response: 40 Hz to 20 kHz
  • Max. sound pressure level: 131 dB SPL
  • Sensitivity: -35 dBV/Pa
  • Equivalent noise level: 13 dB A-Weighted

5. Audio Technica AT897

Compared to other professional shotgun microphones that can be attached to a boom pole, the Audio Technica is a preferred choice for producers and broadcast professionals.

The Audio Technica AT897 stands out because of its classic shotgun mic design and a rather effective supercardioid pattern, which makes directional sound recording easier than ever.

Tech specs

  • Dimensions: diameter 21 x L: 279 mm
  • Weight: 145 g
  • Frequency response: 20 Hz to 20 kHz
  • Max. sound pressure level: 115 dB SPL Battery, 129 dB SPL Phantom
  • Sensitivity: -40 dBV/Pa

6. Sennheiser MKH 60

Sennheiser Pro Audio Condenser Microphone (MKH 60-1)
  • RF microphone (supercardioid/directional condenser)
  • switchable -10 dB pad, switchable low cut filter (-5 dB @ 100 Hz
  • High sensitivity
  • High directivity throughout the whole frequency range
  • Infra-sonic cut-off filter

Amazing is the only word we know to describe the Sennheiser MKH 60. Compared to most shotgun mics, the Sennheiser MKH has a much shorter interference tube. It also contains an RF-condenser microphone, which means it has a natural immunity against moisture but also low self-noise levels.

Tech specs

  • Dimensions: diameter 25 x L: 280 mm
  • Weight: 150 g
  • Frequency response: 50 Hz to 20 kHz
  • Max. sound pressure level: 125 dB SPL, 134 dB SPL with pad
  • Sensitivity: -28 dBV/Pa at 1 kHz

What Is A Boom Mic

The boom mic is nothing more than a microphone that is attached to a long adjustable arm. This long adjustable arm is referred to as the boom, hence the name boom microphone.

To avoid confusion, the boom mic is actually any microphone that can be added to a boom. In other words, a shotgun microphone can be added to a boom and it becomes a boom microphone.

We will further elaborate on the difference between the boom mic and the shotgun mic to make this a little clearer.

Even if you have little knowledge about microphones, you may be familiar with the boom mic already.

If you ever watched a behind the scenes film, you may have notice a man or woman holding a large boom pole with a microphone. Evidently, this is done to record audio during the making of a film.

How To Choose A Boom(Shotgun) Mic That’s Right For You

In this article, we have covered many aspects of choosing shotgun microphones and other mics. To choose the best however, it is necessary to think about the following features:


This is one of the most important features to get decent sound from shotgun mics. While it is important in general, it becomes even more important for filmmaking.

Good directionality is based onto a simple principle, so even beginners can select the best shotgun mics a little easier.

The best shotgun mic will capture the sound of your subject, not the sound that is coming from the side or the rear. In other words, you need to look for features that promote the directionality of your mic.


When you attach a microphone to a pole, it is quite evident that the weight of the microphone cannot be too much. The pole is often held upright for longer periods of time, which is much harder to do with a heavy shotgun mic.

The best shotgun microphone will be quite lightweight and compact, making it much easier to handle for longer periods. The Rode Pro version is a really good example, as it only weighs a mere 85 grams.


Microphones come in many shapes and sizes, so you may wonder if shape is all that important.

The answer is yes, because your mic must fit into additional and common accessories such as a shock mount or a blimp-style windscreen.

As you know already, these accessories can promote a high-quality sound, so it is a good idea to choose a microphone for your camera that accommodates for these accessories.

Flat frequency response:

A flat frequency response ensures you are able to capture natural sounds. If you have some experience with recording sound, you already know that low frequencies are not very desirable.

If you choose a mic with a flat frequency response, much of those low frequencies are left out of your sound.

Sensitivity levels:

While you may believe that sensitivity is a bad thing for your sound, the opposite is actually the case. Remember, your mic will not be right in front of the subject’s mouth, so it must be able to pick up the subject’s sound from a little distance away.

What is the best boom microphone for filmmaking?

If we had to pick one from our overview, it would have to be the Rode Videomic Pro. While the Videomic Pro is one of the most compact shotgun mics and weighs only a mere 85 grams, it comes with the trademarked shock mounting system and a supercardioid pickup pattern that reduces noise pickup from the side and rear of your shotgun microphone.

Rode VideoMicPro Compact Directional On-Camera Microphone with Rycote Lyre Shockmount
  • A true shotgun microphone designed for camcorders, DSLR cameras and portable audio recorders as primary and reference audio
  • The 1/2" condenser capsule provides broadcast-quality audio via a 3.5mm connector with an incredibly low self-noise of just 14db
  • The Rycote Lyre based shock mounting system provides isolation from external factors that may cause unwanted rumble and vibrations

In addition to being transportable, the Rode Videomic Pro comes with a 9 volt battery, delivering a whopping 70 hours of uninterrupted recording time.

It is also important to note that you do not have to mount this microphone on a pole necessarily. In fact, this microphone can be added to any DSLR camera. Since the Rode is also one of the simplest models out there, beginners will have little trouble mounting it on their DSLR camera.

When you use the Rode Pro, you might want to combine it with a primary microphone as well for the best results. In other words, you can mount the Rode Pro to your camera, but use another microphone on an adjustable arm to get the most from your audio.

If you are interested in capturing dialogue flawlessly, but don’t want to break the bank to do it, you can consider the Audio-Technica ATR 3350. This handy little microphone only weighs a mere 6 grams and can be placed on the subject directly. As it is compact and light, it records audio flawlessly without interrupting the subjects movement.

Those who do not mind spending a little bit more can also look at the Sennheiser MKE 400, which can be added to the camera directly or mounted on an adjustable arm depending on your preferences.

The battery life of the Sennheiser MKE 400 is a whopping 300 hours, which makes it unlikely that you will run out of battery power during some vital filmmaking. The microphone has also a very durable construction, as the housing is completely made of metal.

When you choose the Sennheiser MKE 400, you can also count on features that contribute to noise reduction, including a trademarked integral shock mount. And the best feature of all? This microphone fits on all cameras that are equipped with a standard hot shoe mount.

What’s the difference between a shotgun mic and a boom mic?

Many people find themselves confused about the difference between a shotgun mic and a boom mic. However, the difference is actually quite simple. A boom microphone is any microphone that can be added to a boom. A shotgun microphone on the other hand, can be mounted on a boom, but also directly on a video camera.

The shotgun microphone is characterised by its directional nature. To ensure the sound records properly, the shotgun microphone must be aimed directly at the source of the sound.

So, to summarize, the boom microphone is a generalized term for any microphone that can be added to an extended arm or a pole. So, the shotgun microphone falls under that umbrella. Since these terms are so closely related, it is no surprise that they are often confused and used interchangeably. When you browse for microphones, you may want to use both terms to view the full range of options that are available to you online.


The Main Takeaways For Hobbyists And Professionals

You may have already noticed that the most expensive boom and shotgun mics are not always the most expensive. In fact, even the more affordable options cna provide superior sound. So, not matter if you are professional or a hobbyist, choosing a shotgun mic should be done by evaluating the features, not the price.

We also discussed a number of important features to look at when you choose your microphone. With the features, it is important not to prioritise one feature over another. Instead, you should choose a mic that combines directionality, lightness, shape, frequency response and sensitivity perfectly.

Our recommendations provide you with prime examples of good microphones for a variety of purposes. You could choose one of these mics, but you could also choose another option based on the features we described today. Just remember, take your time to evaluate features and don’t be afraid to read customer reviews to get the best option for your needs.

The Best Lens for Concert Photography: Reviews and Top Picks

Concert photography comes with its own unique set of obstacles and potential pitfalls. Finding the right lens for this kind of work can be tough if you’re a newcomer to the artform. If you’re looking for the best lens for concert photography, this page is definitely for you.

We’ve been on a deep dive through product reviews, customer feedback, comparison pages, and feature sets to find our top picks for the best concert lenses. For the uninitiated, we’ve also included a buyer’s guide to help you get to grips with what you should be looking out for when shopping.

Read on to find your new concert photography powerhouse.

you need a good lens for concert photography

What Makes a Lens Best for Concert Photography? Our Buyer’s Guide

Before we get into any specific recommendations, we wanted to touch on what actually makes a lens good for concert photography in the first place. There’s no point spending money on a new lens until you know why it’s worth buying.

Even the cheapest lenses available today represent a significant investment. For this reason, it’s important to get clued-up. The more you know about what sets a lens apart, the easier it will be to find a product that works for you.


Wherever possible, look for lenses with fast, smart autofocus features. Concerts and music performances are dynamic – a given moment for a photo won’t be around for long. This means you’ll need to bring gear that can adapt quickly to its environment.

A speedy autofocus that’s good at keeping your scene sharply in focus is the best way to go. Look for things like the number of focus points, focus tracking, and other intelligent features. Sony makes some very fast lenses for this kind of work.

Low Light Performance

When first starting out as a concert photographer, one of the first things you notice is how poor your lighting conditions can be. Many concert halls tend to be quite poorly lit and even brightly lit spaces can be unpredictable.

Flashing lights, changing stage scenes, and myriad other factors can make the lighting for your concert photos tricky. Lenses with high max apertures tend to be a good way to go. Products that can still perform well across a broad range of lighting conditions are much more likely to get the job done.

Image Stabilization

We’ve already established that music performances are dynamic, often unpredictable environments. Movements from the crowd, vibrations from the speakers systems, and many other factors can quickly render your images a shaky mess.

Look for decent image stabilization features wherever possible. The steadier your image, the more likely it is to deliver the results you need. It’s also worth considering a tripod for this type of work. Check out our in-depth guide here if you’re new to this.

Zoom Range

This will depend on the size of the venue you’re working at, but it’s usually a good idea to at least consider a zoom lens for concert photography. The ability to maintain sharp focus from longer distances can prove indispensable for this kind of work.

Look for high-quality telephoto options that maintain strong levels of performance across their entire variable focal length.


Versatility is key with this kind of photography. The rapid, unpredictable nature of live performances means that you’ll want a setup that can adapt in the blink of an eye. Choose lens systems with rapid autofocus and other settings.

The faster you can take a decent shot, the better. It can be all too easy to miss golden opportunities if you’re using the wrong lens. Make the right choices to avoid disappointment.


While speedy auto functions are super important, you’ll also want to make sure you still have decent control over your manual mode. Depending on a concert hall’s environment, you might just need every last ounce of control you can muster to get the results you need.

Poor manual controls will only let you down in this kind of situation. You’ll want both for maximum performance.

Edge-to-Edge Sharpness

Some less premium lenses can be a little finicky when it comes to the edges of your frame. Objects in your camera’s periphery can become distorted or ‘blown out’ if you’re not careful. To avoid this issue, look for options that advertise “edge-to-edge sharpness”.

You stand a much better chance of getting the results you need with this kind of lens.

Primes VS Zooms

The primes VS zooms debate is an ongoing one within the world of photography. It’s worth thinking about which type of lens you’ll need when shooting. We go into this subject in more detail in this article.

All you need to know now is that:

  1. Primes offer exceptional sharpness and quality but can’t zoom in or out
  2. Zoom lenses deliver better versatility but can lead to compromises in terms of quality and light performance

The format that works best for you will all come down to your specific venue and goals when shooting. Having a decent prime and a flexible zoom in your kit is the perfect option for those who can afford both!

Weather Proofing

Plenty of modern music performances happen outdoors. For this reason, it’s critical that any lens you choose comes with the protection you’ll need. Double-check how well any lens you’re considering stands up to the elements.

Damage from things like fungus and dust are no fun at all – trust us. Decent waterproofing is important in our opinion.

What’s the Best Lens for Concert Photography (Our Top Picks)

Enough talk – let’s get into it! This section contains some of our favorite lenses for concert photography. We’ve tried to include options for a broad range of price points, requirements, and experience levels so there should be something for everyone here.

These recommendations were influenced by online reviews, comparisons, and customer reception on sites like Amazon. If you see it suggested on ChasingHeartbeats, we genuinely believe it’s worth the money.

Read on to find your new favorite concert lens.

Sony E 55-210mm E-Mount Lens

Sony E 55-210mm f/4.5-6.3 OSS E-Mount Lens, Silver/Black - Bundle with 49mm Filter Kit (UV/CPL/ND2) - Soft Lens Case - Lens Wrap (15x15) - Cleaning Kit - PC Software Package

First up is this exceptional E-mount lens from Sony. The Sony brand has become well-known in the world of photography for producing some seriously speedy lenses. Fortunately, this cheap-and-cheerful option is no exception.

Considering its budget-friendly price tag, this thing is no slouch. You’ll be working with a satisfyingly responsive autofocus and more-than-modest image stabilization.With a variable focal length of 55-210mm, you’ll also have a decent amount of flexibility when it comes to composing your concert photos.

Low-light performance is also pretty respectable across the whole zoom range on this lens. This impressed us. Whether you’re getting video footage of your favorite singer, or capturing a killer still photo at your next concert – this lens should serve you well.


  • Very reasonably priced
  • Decent low-light performance
  • Speedy and responsive autofocus


  • Durability is just ok

Best Nikon Lens for Concert Photography – Nikkor 70-300mm f/4.506.3 Lens

Nikon AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED Lens for Nikon DSLR Cameras

When it comes to striking a balance between performance and affordability, this is probably the best Nikon lens of the bunch. There’s another exceptional Nikkor lens further down this page, but this option is significantly more budget-friendly if price is a priority for you.

Don’t let the sub-$400 price tag fool you – this thing still packs a whole lot of punch. This is a remarkably lightweight and portable telephoto product. You’ll have tons of reach for getting in close and personal for your concert images and you won’t think twice about adding it to your kit bag.

The 70-300mm variable focal length of this option brings with it a whole lot of versatility. You’ll be able to adapt quickly to sudden performance changes or composition tweaks. As with most of the products on the Nikkor line, this lens delivers exceptional levels of optical performance, especially when you consider the price.

All things considered, this is a great telephoto lens for concert photography.


  • Super versatile
  • Excellent optical performance
  • Smooth, speedy autofocus
  • Decent low-light performance


  • Image stabilization isn’t what it should be

Tamron 18-270mm F/3.5-6.3 Di II VC PZD TS for Nikon APS-C

Tamron 18-270mm F/3.5-6.3 Di II VC PZD TS for Nikon APS-C DSLR Cameras (6 Year Tamron Limited USA Warranty)

If you’ve never heard of Tamron before, you’re in for a treat – they produce some pretty nifty lenses and they’re often significantly more affordable than equivalents from other brands. This 18-270mm APS-C lens comes with 15X magnification for versatile concert shooting.

One thing that really stands out with this one is image stabilization. Unwanted noise and image blur are much less likely to occur with a product like this. This is achieved, at least in part, by Tamron’s exceptional “vibration compensation” system that adapts to your environment on the fly.

In busy music venues with booming loudspeakers, considerations like this can be an absolute godsend. Other honorable mentions include the respectable low-light performance that comes with this shooter. Even in dimly lit halls, your photos should still look at their best.


  • Great anti-vibration features
  • 15X magnification
  • Strong low-light performance
  • Excellent portability


  • Manual settings take a bit of getting used to

Best Budget Option – Yongnuo YN50mm Lens

YONGNUO YN50mm F1.8 Lens Large Aperture Auto Focus Lens Fixed Standard Prime Lens YN50mm F1.8C Compatible with Canon EF Mount EOS Camera

We’ve included this option for beginners because the asking price is tough to ignore. At comfortably under $100, this thing is an absolute steal. It can even be found for as little as $50 so it’s definitely worth checking back regularly if you want a real bargain.

We’d recommend this as an excellent starter lens for those who are brand-new to this kind of photography. It comes with a surprisingly high max aperture and decent compatibility with the autofocus modes of your camera.

This means that provided your camera body is reasonably powerful, this thing can still take some pretty excellent shots once you get the hang of things. The ‘nifty fifty’ prime focal length (50mm) of this lens is plenty versatile. It will do a great job of most concert shots, even in lower lighting conditions.


  • Exceptionally low price
  • High max aperture
  • Autofocus and auto-modes compatible
  • A great starter lens


  • Definitely not suitable for professionals

Sigma 35mm Prime f/1.4

Sigma 35mm F1.4 Art DG HSM Lens for Canon, Black, 3.7 x 3.03 x 3.03 (340101)

Sigma maintains a legendary reputation in the world of camera equipment – and for good reason. The brand consistently produces phenomenal lenses that can be surprisingly affordable if you know where to look. This 35mm fixed lens is no exception.

It delivers phenomenal levels of versatility, speed, and great overall performance. This thing can be fantastic for concert work if you know what you’re doing. Even if you’re a newbie, it’s reasonably forgiving too.

The autofocus system here deserves a fair bit of praise. It’s satisfyingly responsive and locks onto your chosen subject with ease and refuses to let go. Even for reasonably dynamic shots, this product is a great choice.

Your performance photos will definitely see an improvement when upgrading to a lens like this.


  • Remarkably versatile
  • Speedy autofocus
  • Comparatively affordable


  • Focusing is a little rough for videography

Canon EF 70-200mm f/2.8L IS II USM Telephoto Zoom Lens

Canon EF 70-200mm f/2.8L IS II USM Telephoto Zoom Lens for Canon SLR Cameras

For those who need a premium telephoto lens for concert photography, this EF-mount Canon lens is tough to beat. It comes with a ton of versatility and the high-level performance you’ll need when working professionally.

23 lens elements in 19 different groups work in tandem to deliver exceptional optical performance with reliable consistency. We wouldn’t think twice about bringing this thing along for a concert shoot. The 70-200mm zoom range gives you loads of room to work with.

For quick adjustments on the fly, this thing is no slouch. Weatherproofing is another area where this lens excels. Expect above-average protection from debris, dust, water, and shocks. For durability when shooting outdoors, choose products like this one.


  • Tons of reach
  • A very high-quality lens
  • Great weatherproofing
  • Consistent versatility


  • Definitely not a budget option

Sony FE 24-70mm f/2.8 GM (G Master) E-Mount Lens

Sony FE 24-70mm f/2.8 GM (G Master) E-Mount Lens - Bundle with 82mm Filter Kit, Flex Lens Shade, Cleaning Kit, Capleash II, Lens Cleaner, Software Package

This wide-angle zoom lens from Sony gets a lot of things right. Even at shorter distances, you’ll still have plenty of room to fit everything into frame. For more versatile concert shooting, it can focus up to 70mm no problem. We’re big fans of this one.

It’s designed to work flawlessly with Sony’s line of E-mount mirrorless cameras. If you’re using a camera from this line, a lens like this is an excellent choice. You’ll be able to take full advantage of the company’s legendary autofocus and tracking features.

For rock-solid auto-settings and post processing options, choose this kind of lens for your mirrorless Sony camera. Another area where this shooter performs very well is portrait photography. For those candid on-stage shots of performers, this Sony product is a great choice.

Its versatility, performance, and auto-compatibility are tough to beat.


  • Works with Sony’s excellent focus features
  • Very versatile
  • Great for on-stage portraits
  • Strong zoom range


  • Not the cheapest option out there

Tokina 11-16mm f/2.8 AT-X116 Pro DX II Digital Zoom Lens

Tokina 11-16mm f/2.8 AT-X116 Pro DX II Digital Zoom Lens (AF-S Motor) (for Nikon)

This is another excellent option for those using a Nikon camera. If you’re buying from the USA, you’ll be able to benefit from Tokina’s 3-year limited warranty. This should lend some much-needed peace of mind to your purchase.

The wide-angle FOV of this lens means it works very well in a concert environment. You’ll be able to fit the entire stage into frame without much trouble. Your subjects should look razor-sharp with vivid details, rich colors, and great overall results.

This is a very impressive lens considering the price point. It’s a great blend of performance and affordability. Practically anyone could make good use of options like this. The only exception would be if you’re a high-level pro who needs something a bit more premium.


  • Above-average 3-year warranty (USA customers)
  • Great balance of performance and affordability
  • Wide-angle FOV

Sigma 258306 105mm F2.8 EX DG OS HSM Macro Lens

Sigma 258306 105mm F2.8 EX DG OS HSM Macro Lens for Nikon DSLR Camera

Rounding things off is this great mid-level option from Sigma. It’s available in both Nikon and Sony DSLR variants and provides a comfortable macro focal length for some wonderful concert photos.

The reasonably high max aperture means that this lens can deliver consistent performance across a broad spectrum of lighting conditions. Even during unpredictable lighting displays, your photos should still come out great.

If you’re shooting without a tripod, the image stabilization on this product will also serve you well. It does an excellent job of reducing image blur and overall distortion. It gets a big thumbs up from us.


  • High max aperture
  • A great mid-level option
  • Available for Sony and Nikon


  • Manual focus is excellent – autofocus is just ok

Final Thoughts

We hope you’ve found the recommendations on this page helpful. Whichever option you go with, be sure to double-check that it’s actually compatible with your camera!

Best Landscape Lens for Canon: A Buyer’s Guide

Looking for the best landscape lens for Canon cameras? You’re in the right place. The Canon name has maintained legendary status in the world of lens equipment over the past several years, but this can be something of a double-edged sword. There’s so much choice out there that it can be difficult to know where to start!

We’ve scoured the internet for online reviews, comparisons, and customer responses to find our recommendations for the best landscape lenses that will work with your Canon device. We’ll also explore some of the main things to look out for when buying this kind of lens.

Read on to become a Canon lens pro!

Things to Look out for When Buying a Landscape Lens

Before we dive into our specific recommendations, it’s worth briefly exploring what makes a lens right for landscape photography in the first place. The more you know about what makes a lens great, the easier it will be to find an option that works best for you.

It’s also important to take some time and consider what you’re actually hoping to achieve with your new landscape lens. The ‘best’ option in the world is going to look different for everyone. It all comes down to the type of photographer you are and the photography you get up to.


Your field of view, or FOV as it’s also known, is a super important stat to think about when buying a new landscape lens for your Canon. Wider angles usually work best for landscape photography, but the specific FOV will depend on your preferences. Do you want an ultra-wide? Something ‘crazy’ like a fisheye?

Do you need to be able to zoom in and out of your subject(s). Finding your answers to these questions will go a long way in narrowing down your search. The FOV of a given lens is determined by its focal length. If you want to learn more about the subject, check out our article here.

Zooms VS Primes

Remember that question about zooming into your subject? You’ll need to know the answer if you’re deciding between a fixed lens or a prime. As a very general rule, prime lenses offer superior levels of sharpness and optical performance but they’re fixed at one focal length.

Conversely, zoom lenses come with a variable focal length that allows the user to zoom in or out of their scene within a certain range. The trade-off here is that optical performance takes a hit. If you like to shoot wildlife or dynamic subjects, though, a zoom is often the right way to go.

Focus Tracking

While we’re on the topic of moving subjects, features like focus tracking can be an absolute must as far as wildlife and unpredictable scenes are concerned. It makes it much easier to lock into what you’re shooting and keep it sharply in focus.

For landscape photos of flying birds, for example, this can prove indispensable.

Image Stabilization

It goes without saying that you should probably be using a tripod for your landscape shoots. That said, image stabilization features can give your work a much-needed boost. Look for video and photo features designed to reduce vibration and eliminate image noise.

When it’s time to start shooting, you’ll be glad you have them.


A huge chunk of landscape photography takes place outdoors. For this reason, it’s important to double-check that any Canon lens you consider comes with the weatherproofing you’ll need.

The last thing you want to do is splash out $1000+ on a new lens only for it to break down on you because of fungus invasions or other damage. Look for adequate protection from dust, water, and debris.

Anti-Aberration Features

Most modern lenses come with at least reasonable anti-aberration features. In short, they help to maintain color accuracy, eliminate image noise, and keep your final photograph looking exactly as you’d like it,

Look out for these features when shopping, especially if you’re considering a more premium option.

How to Know if a Lens Will Work With Your Canon

It should come as no surprise that the best landscape Canon lens will be compatible with your camera. We run through the main things to consider in this regard to avoid disappointment.

Mount Types for Canon Lenses

It all comes down to the mounting system your camera uses.

Canon cameras use three main mounting systems for compatible lenses. These are as follows:

  • EF
  • EF-S
  • EF-M

One of the simplest ways to check this is to look for indicators/ markings on the lens mount at the front of your camera body. This should tell you which mounting system you’ll need to look out for. Check out Canon’s helpful guide here if you’re still unsure.

If you’re dead set on an ‘incompatible’ lens, you could consider lens mount adaptors. Just remember that you may encounter compatibility issues and disappointment if you don’t do your research.

Amazon ConfirmedFit

If you’re using any of the affiliate links on this page, Amazon has a super handy compatibility checker called “ConfirmedFit”. At the top of most camera lens listings, it lets you fill out your camera’s specific make and model for some much-needed peace of mind.

Use it before buying to guarantee you get what you need!

The Best Landscape Lens for Canon – Our Top Picks

Let’s get into it! This section contains our top picks for the best landscape Canon lenses money can buy. We’ve trawled through online reviews, comparisons, and feature lists to come up with the suggestions below.

We’ve included options for a broad range of budgets and requirements so there should be something here for almost everyone.

Canon EF-S 15-85mm f/3.5-5.6 IS USM Zoom Lens

Canon EF-S 15-85mm f/3.5-5.6 IS USM UD Standard Zoom Lens for Canon Digital SLR Cameras

Right at the top of our list is this EF-S mount lens from Canon. It comes with an excellent zoom range for those who need versatility when taking landscape photos. With an aperture range of f/3.5-5.6, this lens should perform very well across a broad spectrum of lighting environments.

Even your night-time shoots will turn out great! Remarkable levels of precision have gone into the overall design of this zoom lens. Image stabilization in particular deserves a whole lot of praise. Handheld shooting will still look stable and noise-free.

The comfortable, wide-angle FOV delivered by this shooter should give you more than enough space to fit your scene into frame. With prices regularly falling below the $800 mark, we think this one is an absolute steal. Check it out if you haven’t already.


  • Great optical performance
  • Broad variable focal length
  • Wide FOV for landscape shooting
  • Excellent image stabilization


  • It’s a bit bulky and heavy for our tastes

Sigma 18-35mm F1.8 Art DC HSM Lens for Canon

Sigma 18-35mm F1.8 Art DC HSM Lens for Canon, Black (210101)

Next up is this fantastic option from Sigma. It comes with a similar zoom range to the lens listed above, only this time it’s $100 cheaper to sweeten the deal. This is a particularly good choice for landscape photographers and videographers – it comes with a slew of features that make it a great fit for these kinds of work.

The unique f/1.8 aperture is maintained at a constant throughout the full zoom range of this shooter. In fact, this was the first lens of its kind ever produced. The result is levels of speed and precision that remain unrivalled by lots of the competition. We’re big fans of this one.

For outdoor shoots, this product should stay nice and comfortable for longer than you might expect. It’s surprisingly lightweight and compact for a lens of this size and shouldn’t take up much extra room among your existing gear.

The versatility and design of this option make it the best canon lens for landscape and portrait work if you’re an average Joe.


  • Unique, constant aperture of f/1.8
  • Super speedy and accurate
  • Great zoom range for landscapes
  • Very versatile


  • Can have focus problems in some cameras

Canon 17mm f/4L TS-E Tilt-Shift Lens

Canon 17mm f/4L TS-E Tilt-Shift Lens

This option won’t be for everyone, but it will produce some incredible results in the right pair of hands. If your landscape photography involves a lot of architecture photos, this is probably the best suggestion for you on this page.

It comes with some impressive tilt-shift features to help you squeeze every last drop of ‘oomph’ out of your landscape shoots. Two areas where this lens really shines are distortion reduction and edge-to-edge sharpness.

The entire frame will stay razor-sharp no matter what you throw at it. When it comes to tilt-shift magic, this lens definitely delivers. The vertical and horizontal shifting mechanisms can be operated independently. This lends a welcome boost to your versatility when working.

You’ll be working with a 104° FOV when taking landscape shots. This should be more than enough room to display buildings and cities in all their glory. We know this lens won’t be for everyone, but it’s perfect for the right buyer.


  • Excellent tilt-shift features for architecture
  • Edge-to-edge sharpness
  • Unique FOV


  • Tilt-shift isn’t for everyone

Canon EF 16-35mm f/2.8L III USM Lens

Canon EF 16–35mm f/2.8L III USM Lens, Black (0573C002)

This EF-mount lens ticks a lot of the landscape photography boxes. At $2000+, it’s far from cheap. For the right buyer, however, it more than justifies its price tag – this thing is something of a beast!

Expect exceptional levels of sharpness, color accuracy, and overall optical performance. Your landscape shots stand to get a significant upgrade with a lens like this. One of the things that really stands out with this option is how consistently sharp your landscape photos will be.

Right at the very edges of your frame, everything will remain crystal-clear. With a reasonable zoom range and exceptional overall performance, this is a seriously versatile piece of kit in the right pair of hands.


  • Brilliant edge-to-edge sharpness
  • Great zoom range
  • Very versatile for landscape shoots


  • Definitely not a budget option

Best Canon Lens for Nature Photography – EF 70-200mm f/2.8L IS III USM

Canon EF 70-200mm f/2.8L is III USM Lens for Canon Digital SLR Cameras (Renewed)

If you’re looking for the best Canon lens for nature photography, we think this EF-mount option is definitely worth a look. It comes with a killer zoom range, ultra-quiet operation, and staggering levels of optical performance. Your wildlife photos have never seen anything quite like this.

One thing that can really get in the way of wildlife shoots is a noisy lens. Wild animals are notoriously skittish, with even the slightest noise frightening them away. Fortunately, the ultrasonic motor on this Canon lens is nice and quiet.

Add this to the fact that you’ll be able to maintain exceptional sharpness from very large distances, and you’re looking at a product that’s basically perfect for nature photography. For landscape and wildlife work, it’s hard to go wrong with this one.


  • Exceptional reach
  • Focus motor is quiet and super fast
  • Brilliant optical quality


  • More than $2000

Canon EF 24mm f/1.4L II USM Wide Angle Lens

Canon EF 24mm f/1.4L II USM Wide Angle Lens - Fixed - 2750B002 , Black

This fixed prime lens comes with a comfortably wide FOV. If you’re going for big, sweeping landscapes for your photography, this one’s definitely a good way to go. It’s a touch more affordable than the previous two options but still packs quite the punch.

Even when working with a full-frame camera, you shouldn’t have to worry about distortions at the edge of your frame. This lens delivers spectacular levels of edge-to-edge sharpness, speed, and color accuracy. We’re huge fans of its overall design.

This all comes down to the decades of experience behind the Canon name. They’re legends in the world of photography equipment for a reason. If you’re looking for a great Canon prime lens for nature photography, we strongly recommend taking a look at this one.


  • Nice wide FOV
  • Great edge-to-edge sharpness
  • Legendary Canon quality


  • Low-light performance is just ok

Canon EF 100-400mm f/4.5-5.6L IS II USM Lens

Canon EF 100-400mm f/4.5-5.6L IS II USM Lens, Lens Only

Do you find yourself shooting a lot of sports subjects or wildlife scenes? Need a far-reaching telephoto with remarkable levels of versatility? This option will certainly cost you, but we think it’s well worth it. In terms of raw performance and flexibility, this EF-mount lens is tough to beat.

Its 100-400mm zoom range provides a ton of reach for getting the close-up results you need. The rotation-type zoom ring provides incredible levels of precision when adjusting your setup on the fly. This thing gives you a whole lot of control over your final landscape image.

Canon’s new ASC coating does a fantastic job here. It dramatically reduces the likelihood of issues like backlit flaring and ghosting. Anti-distortion features like these should be expected at this price point so they’re great to see here.

If you can stretch to the price tag, we think this is one of the best Canon telephoto lenses available in 2021.


  • Brilliant levels of reach
  • Effective ASC coating for virtually no ghosting
  • Very precise zoom ring and manual controls
  • Super speedy focusing


  • Some users found it a touch too heavy

Canon EF 70-200mm f/4 L IS USM Lens

Canon EF 70-200mm f/4 L IS USM Lens for Canon Digital SLR Cameras, Lens Only

Last, but certainly not least, is this EF-mount lens from Canon. It’s another fantastic telephoto option that’s perfect for dynamic subjects such as sports and wildlife. For any landscape work that needs a little reach, this could be your new favorite lens.

It’s great to see that this lens comes with above-average dust and waterproofing as standard. A significant chunk of landscape photography takes place outdoors. For this reason, it’s critical that you double-check how well a given lens can stand up to the elements.

This 70-200mm lens should do just fine outdoors. It also comes with some pretty brilliant image stabilization features. Even if you’re shooting without a tripod, your landscape work should still be rock-solid.

This is a versatile high performer that’s a great fit for any landscape photography that needs a little extra reach.


  • Fast, quiet autofocus for outdoor shooting
  • Exceptional reach with high levels of sharpness
  • Great dust and waterproofing
  • Durable overall build quality


Best Canon lens for Sports photography

Best tripod for landscape photography

Best Landscape Lens for Canon – Last Word

We hope our tips and suggestions on this page have helped you begin narrowing down your search. Remember that the best landscape lens in the world is going to look a little different for everyone.

Take some time to think closely about the type of work you’re hoping to accomplish with your new lens. The clearer you are about the kind of landscape photos you’re hoping to take, the easier it will be to find a product that works for you.

The Best Micro 4/3 Lenses and Reviews– The Ultimate Guide

The micro four thirds format has reached a strong level of maturity over the past few years. It’s a firm favorite of photographers everywhere. Olympus and Panasonic in particular continue to produce some of the best products out there in this category. Despite its popularity, 4/3 setups can be tricky to buy for.

There’s loads of choice out there from a few key names that crop up again and again. If you’re a newcomer to this pocket of photography, it can be easy to feel overwhelmed. If you’re scratching your head wondering which 4/3 lenses to buy, you’re in the right place.

On this page, we’ll run through the best micro four third lenses available today. We’ll discuss options from most of the big manufacturers and cover a broad range of shooting scenarios. Whether you’re a professional videographer or a casual newbie, we’ve got options for everyone here.

Read on to become a four thirds pro!

What is a Micro 4/3 Lens? The Format Explained

In case you’re unsure, it’s worth briefly touching on what ‘4/3’ actually refers to when talking about camera lenses. The type of sensor your camera uses will determine the lens that’s right for you. The last thing you want to do is pick up a product that won’t actually work with your gear!

The four thirds standard was originally invented by Olympus/ Panasonic in 2008 as a more portable, lightweight format. Unlike older camera formats, the standard was designed from day one to be fully digital. The name comes from the fact that micro 4/3 cameras use sensors that are roughly 32% smaller than the older APS-C standard.

Confusing jargon aside, all you really need to know is the following:

  • Micro four thirds lenses work with smaller (by 32%) camera sensors
  • Micro four thirds lenses work best with micro four thirds cameras
  • They’re smaller and lighter, with a touch less room and ‘oomph’ than a full-frame setup (but they’re still excellent in the right contexts)

If you hear someone trash talking micro 4/3 products and claiming that full-frame options are always better – they’re wrong. It’s just not that simple. It all comes down to the kind of photographer you are and the work you like to do.

Check out the pros and cons listed below to see if these lenses are right for you.

Micro 4/3 Advantages

We think micro four thirds products are great for the following reasons:

  • Great portability – they’re much smaller and lighter than DSLRs
  • Typically more affordable overall
  • Less operational heat and therefore less image noise
  • They tend to have snappier autofocus than older DSLRs

Micro 4/3 Drawbacks

It’s worth noting that this format isn’t for everyone. You might like to keep the following in mind:

  • You’ll be working with a cropped area that’s 75% smaller than a full-frame sensor
  • Your image quality and resolution will be less than more expensive full-frame options
  • Some users with larger hands can find the smaller size unergonomic

Best Panasonic Lenses – Micro 4/3

Right, let’s jump into it! Below are our two favorite micro 4/3 lenses available from Panasonic in 2021.

Panasonic LUMIX Professional 12-35mm Micro Four Thirds

Panasonic LUMIX Professional 12-35mm Camera Lens G X VARIO II, F2.8 ASPH, Dual I.S. 2.0 with Power O.I.S., Mirrorless Micro Four Thirds, H-HSA12035 (2017 Model, Black)

When we first took a look at this 12-35mm micro four thirds lens, two things stood out to us immediately. These were the lightning-fast autofocus and spectacular optical image stabilization. Expect your photos to be sharp and steady every time. A 240fps linear motor powers the focus tracking features of this lens.

Even with fast-moving subjects, you should find it much easier to keep things sharply in focus. The zoom range on this option from Panasonic gives users a reasonable amount of wiggle room to crop in and out of their chosen subjects. For a sub-$800 lens, this thing delivers great levels of optical performance.

We’re huge fans of the color accuracy, sharpness, and ease of use that comes with this one. Overall, it gets a big thumbs up from us.


  • Great optical performance
  • Fast, reliable autofocus with tracking
  • Decent zoom range


  • Not the cheapest option on this list

Panasonic 35-100mm Micro Four Thirds

Panasonic H-HSA35100 F2.8 II ASPH 35-100mm Mirrorless Micro Four Thirds Mount POWER Optical I.S. LUMIX G X VARIO Professional Lens

If you’re looking for significantly more flexibility when it comes to your zoom range, this second option from Panasonic is unlikely to disappoint. With a variable focal length of 35-100mm, you’ll have plenty of wiggle room to get your shot looking perfect. If you do a lot of shooting outdoors, you shouldn’t have much to worry about if you’re using this lens.

It comes with weather, dust, and freeze protection that’s significantly more impressive than a good chunk of the competition. This is a big factor to consider and is overlooked all too often by newbies. The best way to extend the life of your expensive equipment is to buy options with decent weatherproofing in the first place. If your existing lens has already succumbed to things like fungus damage, check out our repair guide here.

As with the other Panasonic option listed above, this lens comes with great OIS, autofocus, and focus tracking right out of the box. It’s hard to go wrong with a zoom lens like this.


  • Great weatherproofing
  • Durable build
  • Takes excellent photos with a great zoom range


  • Not ideal for video work

Best Olympus Lenses – Micro 4/3

This wouldn’t be a guide to the best micro 4/3 lenses if we didn’t mention some options for Olympus cameras! For our money, the two recommendations below are the best of the best in 2021. Read on to learn more.

Olympus M.Zuiko Digital ED 40-150mm F2.8 Micro 4/3

Olympus M.Zuiko Digital ED 40-150mm F2.8 PRO Lens, for Micro Four Thirds Cameras

We’ll level with you – this one isn’t cheap. For the right photographer, however, it packs more than enough punch to justify its price tag. Expect exceptional optical performance across the entire zoom range with vivid colors, sharp focus, and crisp details that far surpass some of the competition. This lens really impressed us when we first looked at it.

Despite its size, this lens is pretty darn lightweight at just under 2lbs. Compare this to an equivalent DSLR zoom lens and there really is no competition in terms of portability. You won’t think twice about the extra weight this thing adds to your kit bag.

The dual VCM autofocus system on this lens has two separate lens groups controlled by individual drive motors. What this means in layman’s terms is that autofocus performance is extremely snappy and whisper-quiet. For quick setups on the fly, this option is tough to beat.


  • Excellent autofocus system
  • Surprisingly lightweight for the size
  • Vivid details across the whole zoom range


  • It’s pretty expensive

Olympus 60mm Macro Micro 4/3 Lens

OLYMPUS M.Zuiko Digital ED 60mm F2.8 Macro Lens, for Micro Four Thirds Cameras

For those who need a killer macro lens, this is an excellent choice in our opinion. It ticks a lot of boxes, including price. You can easily pick this thing up for under $500. Considering the optical performance and detail you get with it, this is an absolute steal!

We’re big fans of the 60mm focusing distance when it comes to macro products. It lets you get close enough to achieve the close-up shots you need while giving you enough space to avoid unwanted shadows and similar concerns. It’s not for everyone, but it’s definitely the one we’d choose. Check out our macro guide if you’re new to the subject.

When working outdoors, you’ll benefit from reasonable levels of splash and dust protection with this Olympus shooter. Overall, this thing is a great performer with decent durability and a super enticing price tag.


  • Versatile macro distance
  • An affordable option
  • Still performs very well


  • Not ideal for moving subjects (autofocus is just okay)

Best Micro Four Thirds Lenses for Video

If you’re a videographer, you’ll understand full well that a lens that takes great photos isn’t necessarily a good fit for video work. There’s a different set of specs to keep an eye on. This section contains some of our favorite micro four thirds lenses for taking videos in 2021. Check them out.

Olympus Digital ED 8mm F1.8 Fisheye

Olympus M.Zuiko Digital ED 8mm F1.8 Fisheye PRO Lens, for Micro Four Thirds Cameras

The fisheye FOV isn’t for everyone, but it can produce some absolutely stunning results if you know what you’re doing. This Olympus option knocks it out of the park on several fronts. When it comes to flare and ghosting, this is a very well accomplished design. Small changes in lighting environment or movement can quickly ruin your videos.

It’s far less likely you’ll encounter this kind of issue when using a lens like this. It’s not absolutely foolproof by any means, but it’s much more reliable than some other options. Another important consideration when it comes to video work is how quietly a lens operates.

The autofocus system on this lens is completely silent, making it a great candidate as a new videography tool. Sharpness is another area where this product really shines. With edge-to-edge sharpness across the entire frame, you won’t have to worry about blurry subjects toward the edges of your scene.

If you’re into the fisheye style, definitely give this option a look.


  • Silent autofocus system
  • Great anti-aberration and flare design
  • Edge-to-edge sharpness


  • The fisheye FOV isn’t for everyone

Panasonic LUMIX G Vario Lens 7-14mm F4.0 4/3 Lens


Another brilliant option for video work, this time from Panasonic. When using this product with your micro four thirds camera, you’ll be working with a 14-28mm equivalent focal length. This should be more than enough wiggle room for a broad range of video requirements, including those with less-than-perfect lighting conditions.

One thing that definitely stands out about this lens vs some of the competition is its image stabilization. Provided your camera comes with reasonable built-in OIS, this thing should keep your videos rock-solid, even if you’re relatively clumsy while you work.

Another thing that makes this lens great for video work is its super smooth aperture transitions when adapting to your changing scenes. Some lenses can jump between auto-settings too abruptly, resulting in sections of your video that become over or under exposed. This is much less common with a lens like this.

Tracking performance, too, is great with this lens. Your moving video subjects will stay sharply in focus almost every time.


  • Great Lumix camera image stabilization
  • Smooth aperture changes for video
  • Strong tracking performance


  • HDR performance could be better

Best Wide Angle Lens for Micro Four Thirds

Let’s say you’re a landscape or nature photographer at heart – which micro 4/3 lens will be right for you? In this section, we’ll find out. The recommendations below are some of our absolute favorites in 2021. We recommend checking them out if you need a wider FOV.

Rokinon Cine DS DS35M-MFT

Rokinon Cine DS DS35M-MFT 35mm T1.5 AS IF UMC Full Frame Cine Wide Angle Lens for Olympus and Panasonic Micro Four Thirds,Black

Rokinon maintains a great reputation for producing some of the best lenses around. The brand’s micro 4/3 offerings in particular deserve a fair bit of praise. This fixed 35mm lens gets a lot of things right. If the wide-angle FOV is right for your photography work, this option should serve you well for many years to come.

With an angle of view of 33.4 degrees, you’ll have plenty of room to fit everything into frame. For landscape work, nature photography, and big group selfies, this thing is great. Low-light performance is particularly noteworthy with this lens. Your evening videos and photos will still come out great, even if it’s dark.

This is one of our favorite 4/3 wide-angle lenses. Check it out today.


  • Strong low-light performance
  • Plenty of space to fit everything into frame
  • Good durability


  • Weatherproofing isn’t great

Meike Mini Fixed Prime Wide-Angle Lens for Micro 4/3

Meike 8mm T2.9 Mini Fixed Prime Manual Focus Wide-Angle Cinema Lens for M43 Micro Four Thirds MFT Mount Cameras BMPCC 4K Z CAM E1 E2 Black

This option from Meike comes with a 108-degree viewing angle. This should give you tons of room to work with. 12 lens groups with 17 different elements work in tandem to produce some pretty spectacular results. For a sub-$500 lens, we were quite impressed.

If you’ve encountered ‘focus breathing’ before, you’ll know how frustrating it can be to retweak your setup on the fly. Fortunately, the design of this lens does a great job of eliminating this issue. You’re far less likely to have your focal length or angle of view thrown off as you work. This gets a big thumbs up from us!

For a spacious viewing angle, attractive price, and surprisingly good performance, give this Meike product a go.


  • Quite affordable at under $500
  • Very little focus breathing
  • Still performs well


  • Sharpness is ok but could be better

Best Micro Four Thirds Zoom Lens

We’ve already touched on a few zooming options higher up this page, but we’ve saved the best zoom products for this section. In our opinion, the recommendations below represent a great blend of affordability, performance, and reliability. Read on to find your next micro four thirds zoom lens.

Panasonic LUMIX G X 45-175mm F4.0-5.6

Olympus M.Zuiko Digital ED 40-150mm F4.0-5.6 R Zoom Lens, for Micro Four Thirds Cameras (Black)

This is a pretty stunning all-rounder lens for those who can afford it. If you do a lot of video, sports, or portrait work, this one is definitely worth a look. The almost silent focusing motor is great for videography, and the macro-style focus range is perfect for taking photos of people.

With a range of 45-175mm, this thing comes with a ton of versatility. It should be able to handle basically anything you can throw at it. Whether you’re outside, indoors, close-up, or far away – this thing can do it all. What’s more, the impressive onboard OIS will keep your work nice and steady, even without a tripod.

We’re huge fans of this one.


  • Fantastic all-rounder
  • Very good for portraits and sports
  • Strong OIS


  • Not the cheapest option on this page

Rokinon Telephoto Micro Four Thirds Lens

Rokinon 135mm F2.0 ED UMC Telephoto Lens for Olympus & Panasonic Micro Four Thirds Interchangeable Lens

Next up is another great telephoto option, this time from Rokinon. It’s available for a broad variety of cameras and formats, including micro 4/3. Rokinon works hard to associate itself with pro-level performance at a fraction of the cost. While this lens won’t be perfect for everyone, it does a great job of most tasks in our opinion.

Expect impressive reach, great optical performance, and a level of durability that far surpasses a good chunk of the competition. Take a look today and see if it’s right for you.


  • Excellent performance for the price
  • Nice and durable
  • Pretty versatile


  • Not quite as sharp as we’d like

Best Portrait Lens for Micro Four Thirds

For stunning portrait photos, it’s hard to go wrong with the option below.

Olympus 45mm F1.2 for Portraits

Olympus M.Zuiko Digital ED 45mm F1.2 PRO Lens, for Micro Four Thirds Cameras

The fixed 45mm focal length of this shooter from Olympus provides a comfortable middle ground for portrait photography. You’ll be able to get the close-up results you need while still having the option to take a step back if you need to. We’re really impressed by how well this thing handles portraiture.

We also love the customizable function key on the side of the body. It’s user-programmable and can be tweaked to your heart’s content. For exceptional optical performance, killer portraits, and versatile features, this one’s a great option if you can afford it.


  • User-programmable button
  • Takes excellent portraits
  • Very good optical performance


  • Well over $1000

Best Micro Four Thirds Lenses for Travel

For a lens to be a good fit for travel, it must be at least some of the following:

  • Lightweight and compact
  • Versatile
  • Good in low light

The two options listed below definitely perform well on these fronts. Check them out.

Olympus 12-40mm Travel Lens

OLYMPUS M.Zuiko Digital ED 12-40mm F2.8 Pro Lens, for Micro Four Thirds Cameras

In our opinion, this Olympus lens is a fantastic travel companion. It’s super portable, offers a versatile variable focal length, and is much more affordable than you might expect. When looking at some of the results of this product, you’d be forgiven for expecting it to cost much more.

When travelling, you’re likely to encounter a whole host of different shooting scenarios. This thing can tackle basically anything you throw at it. From architecture photos, to close-up portraits – it’s very impressive considering the price. In fact, it’s one of the best budget micro four thirds lenses around.


  • Super versatile
  • Nice and affordable
  • Lightweight and portable


  • The LN button doesn’t work on Panasonic cameras

Laowa Micro 4/3 Travel Lens

Laowa VE7520MFTSTBLK 7.5-mm Lens for Micro 4/3 Cameras (16.9 MP, HD 720 P), Black

This is another very versatile lens that comes with a palatable price tag. While it’s not ideal for sports photography or fast-moving subjects, it can handle most other scenarios with impressive levels of versatility. When travelling, the best lens will be one that can adapt to new environments in a heartbeat.

This Laowa shooter is more than capable of holding its own in more situations than you might expect. The wide viewing angle gives users tons of room to fit sweeping city skylines and group travel selfies into frame. While it might not impress the top level pros, we absolutely love this option as an everyday travel lens.


  • Excellent versatility
  • Very manageable price tag
  • Nice wide FOV


  • Not ideal for sports photography

The Best Micro 4/3 Lenses – Last Thoughts

We hope you’ve found the recommendations on this page helpful. Remember that the best micro four thirds product looks a little different for everyone. Take the time to consider what you’re actually hoping to achieve with your new gear. The clearer you are about your goals as a photographer, the easier it will be to find options that work for you.

Whichever lens you choose, we hope it serves you well for many years to come!

What to do With Old Camera Lenses – Your Best Options

No matter how long you try to make each piece of your gear last, a lens upgrade is inevitable from time to time. This raises the question – what should you do with your old camera lenses once they’ve outlived their usefulness?

If you’re anything like us, you might find the thought of passing with such an important piece of kit quite difficult. After all, you invested a ton of money in it at one point and it’s likely served you well over the past several years. This page is designed to take the stress out of repurposing your old lenses.

We’ll run through some of your best options, including some ways to earn a bit of money back on your gear. Read on to learn more.


Where to Recycle an Old Camera Lens(if it’s Working)

If your lens is still functional, there are plenty of ways to find it a new home. The specific option you go with will depend on the value of your equipment and how much effort you’re willing to put into any reselling or exchanges.

Sell Your Camera Lens via Facebook and Online Groups

Places like Facebook Marketplace and similar sites can be a great way to find a new home for your lens. Depending on the condition of your gear, you can make a fair bit of money back when reselling. It’s important to set clear boundaries for yourself and potential buyers on platforms like these.

Learn to weed out time-wasters quickly. What’s the minimum $ amount you’re willing to accept for your equipment? Stay firm to that amount when negotiating.

Use Lens Resale Websites

This approach may garner a touch less money, but involves far less hassle from negotiating and waiting on a random buyer. Sites like Keh and MPB will happily take old lenses off your hands. Just keep in mind that if you were hoping to make your fortune on sites like these, you may be disappointed with their offerings.

Trade-In Schemes for Camera Lenses

There’s a decent chance your lens manufacturer runs its own trade-in scheme. This of course will depend on the specific model and date of your product, but it’s always worth getting in touch to see what’s on offer.

If you already have a specific brand in mind for your new lens, you can save a substantial amount on the new purchase if you trade in your old model when buying. For a more universal approach, stores like Best Buy run their own schemes too.

If you have the time, get some quotes from a few options and see if you can leverage competitors against each other. Can’t hurt to try!

Go Local

Sometimes it can pay to go the old-school route. It can take significantly more effort and time, but the rewards can often pay off. If you choose the right yard sale, your negotiating skills can earn you tons more than an online sale. Newspaper listings and newsletter postings might seem old-hat, but some collectors still check them frequently.

Your mileage may vary, but use your best judgement and see what you can find in your area.

Donate Them

Not everything has to be about cold, hard cash. If your equipment is decent quality and performs well enough, a donation can make a world of difference to the right people. See if your area has any schools, universities, charities, or charity shops that could benefit from your old camera lenses.

Imagine if someone had been kind enough to lend you a freebie when you were first starting out. While we’re on the subject, it’s worth thinking about any family or friends you know who might like to get into photography. Gifting old equipment can be a great way to get a younger sibling into a new hobby, for example.

Retro Film Cameras

Some people assume that their old film lens will automatically be worth a small fortune because of the format. While there has been a resurgence in film popularity in recent years, you’ll need a pretty choice lens if you want to make a big sale.

If it was manufactured before the 50s/60s and still performs well, a collector will be your new best friend. Otherwise, don’t set your hopes too high. It always pays to check, though!

Other Uses for Old Camera Lenses

So what if you don’t feel like selling or donating your old lenses? This section will run through some other ways to repurpose old camera equipment.

Experiment With Expired Film

If you’ve got an old film lens, there’s tons of fun to be had with various photography experiments. Picking up some good quality expired film, for example, can give you a chance to really get creative with your shoots. Check out ebay or local markets for expired film options that work with your old lens.

Keep Them as Backups

You might not think you need it now, but having a backup is almost always useful. Saving an old lens for a rainy day can really pay off in certain contexts. Of course, this all depends on how much equipment you already own so use your best judgement when deciding what you’d like to do.

Build a Hobby Project

This one’s not for everyone but we wanted to mention it just in case. If you’ve got access to decent tools and a good shop, old lenses can be turned into a bunch of different hobby projects. Coasters like these are just one example of this. When you know you don’t need to use a lens anymore, why not get creative with it?


When in doubt, a well-maintained lens can look great on a bookshelf or coffee table. It’s not the most inventive use for old camera lenses in the world, but it’s a heck of a lot easier than finding a local buyer!


Best Canon FD Lenses

What to do with Old Camera Lenses – Final Thoughts

We hope you’ve found the suggestions on this page useful. In an increasingly junk-filled world, it’s a good idea to think closely about how we repurpose our old photography gear. If at all possible, try to donate or recycle your lenses whenever you can.

Happy clicking!

Fungus in Lens – How to Fix it With Step-by-Step Instructions

Great camera lenses are super expensive – there’s no real way around that fact. For this reason, finding invaders like fungus within your equipment is a terrible experience. Most standard warranties don’t cover lens fungus damage and it can significantly affect the performance of your gear.

It goes without saying that the longer you can make your lens last, the better. On this page, we’ll explore the fungus-in-lens problem. We’ll explain how to fix a lens that’s already been damaged but, more importantly perhaps, we’ll discuss how to prevent the problem from happening in the first place.

Read on to protect your gear.


What is Lens Fungus?

Dust and similar particulates are everywhere. No matter how careful you are, it’s inevitable that at least a small amount will make it onto and into your equipment over the years. Fungus can start to grow if this dust contains any fungus spores.

The annoying thing about spores is that they can stay dormant for a very long time. They can sit undetected for months and years, waiting for favorable conditions to arrive. Once things are just right, they start to grow and ruin your expensive camera lenses.

How to Avoid Fungus on Lens – Can You Prevent Lens Fungus?

Absolutely. There’s no method that’s 100% sure to prevent all damage, but fungus can be avoided fairly easily if you keep a few basic principles in mind. In short, fungus relies on the following elements:

  • Heat
  • Moisture
  • Darkness

It stands to reason, then, that your main line of defense against lens fungus will be to keep these three conditions at bay. If your lens ever becomes damp for any reason, be sure to dry it out fully and as quickly as possible.

Consider silica gel packs to help with storing your equipment. Just remember that their effectiveness as a solution to water damage is questionable; they’re designed to absorb moisture from the air. For this reason, they’re best used as a preventative measure rather than something that can fix water damage.

Keeping things nice and cool won’t hurt either. Also be sure to wipe down your equipment regularly and use your lens caps as often as possible when you’re not taking photos. If your lens stays cool, dry, and is regularly exposed to UV light, the chances of lens fungus reduces dramatically.

How to Clean Fungus From Lens Without Opening it

So, is it possible to clean fungus from a camera lens without actually opening it up? There are a few things that can definitely help. Just keep in mind that the only way to completely remove fungus from a lens is to open it. If you’re not comfortable doing this, consider sending it in for repair.

Repair costs can be a tough pill to swallow, but when weighed against the cost of a new lens, they’re usually worth it in our opinion. That said, let’s get into a few ways to clean lens fungus without opening it up.

Fungus Cleaning Option One – UV Exposure

Be careful with this one – too much direct sunlight can damage camera lenses. However, UV exposure is a fungus spore’s worst nightmare. Shining some UV light on your lens can eliminate fungus invasions pretty effectively.

You might like to follow these steps:

  1. Remove the front and rear caps from your lens
  2. Take out any UV filters if you’ve been using them
  3. Expose the lens to your UV light source for at least several hours

With this method, you stand a decent chance of killing the fungus, but it won’t remove it from your lens. Hardened residue may still affect your equipment’s performance. Using a UV lamp will help you to avoid exposing your lens to further dust and contaminants outdoors.

Never look directly at a UV light source.

Lens Fungus Option Two – Copper Coin Moisture Removal

Check out this great YouTube tutorial here:

The driving principle behind this method is that copper has antifungal properties. You’ll be using some towels and copper coins to draw moisture from your lens and kill off any fungus that’s inside.

You’ll need the following:

  • Some copper coins – roughly 50-cents worth per towel
  • Some hand towels
  • A dryer

Follow these steps:

  1. Put a good handful of copper pennies into a few small towels. Wrap them up tightly and secure with a rubber band.
  2. Dry out the towels thoroughly in your dryer. Just a quick 10-minute cycle will do.
  3. Place your lens and the towels in a sealed ziploc bag. This will eliminate moisture and hopefully kill your fungus.

As with method one, this option can be pretty effective at killing fungus but it won’t remove hardened residue from your glass.

Lens Repair Specialists

We wanted to mention that it really is only worth dismantling a lens if you’re absolutely sure you know what you’re doing. You can end up doing more damage if you’re not careful which can quickly turn a small repair job into a much larger one.

The following online repair sites might be able to help for less money than you might think:

Many of the big lens manufacturers like Sony and Canon also offer their own in-house solutions. Check them out first before taking your lens apart

How to Clean Fungus from Lens – Our Guide

The first thing to mention is that every lens is a little different. It’s impossible for us to provide detailed instructions that will be exactly the same for every lens. That said, the same basic principles apply to most lenses, especially the older manual varieties.

The items you will need are listed below.

Cleaning Solution

We recommend using a solution of equal parts household ammonia and hydrogen peroxide. These can be picked up from your local pharmacy or online. You’ll be using this solution to clean the glass and metal elements of your lens and eliminate all those irritating fungus spores for good.

It doesn’t hurt to have a small dish around to help with soaking your different components. This could be a bowl you no longer need or anything else you can find.

Dismantling Equipment

You’ll most likely want a set of JIS screwdrivers (if your lens is Japanese-made) and a lens spanner to take your equipment apart. These tools are perfect for working with lenses and are much less likely to cause damage. Also make sure you have some very clean microfiber lens cloths to hand as well as some decent tweezers.

The Right Environment

You will need plenty of bright light and ventilation in equal measure. Your cleaning solution isn’t something you want to breathe in directly. Finicky projects like lens repair demand plenty of light so you can see things clearly while you work. Consider a good lamp if you haven’t already.

A pair of protective gloves and glasses won’t go amiss either. Pick some up if you haven’t already.

Lens Air Blaster

A “poofer” or blaster like will make it much easier to remove solution and debris from your equipment without rubbing it too much.

The Dismantling Method

If you value your lens, keep the following in mind:

  • Any step you take will have to be reversed when putting your lens back together. Keep a record of each step so that you know which way everything fits in place.
  • Be very careful with the smaller glass elements – they can be super fragile
  • Find specific dismantling instructions for your lens if at all possible
  • Work slowly, patiently, and with certainty

In a Nutshell

In short, you’ll be doing the following:

  1. Carefully dismantling your lens
  2. Soaking the ‘infected’ elements and carefully removing debris
  3. Cleaning the rest of the unit if required
  4. Drying off each element
  5. Putting everything back together

Remove the Lens Mount

Use your JIS screwdrivers to remove the screws holding your lens mount in place. The number of screws you’ll be dealing with will vary but it should be at least 4 or 5. Put them in a safe place and remember where you removed them from.

Remove the Aperture Ring (Watch Out!)

When doing this step, look for a series of notches somewhere on the aperture ring. This shows you where you’ll need to be extra cautious. Behind these notches is a tiny ball and a tightly wound spring that will shoot it across the room if you’re not careful. Be ready to catch this ball when you take the ring out.

Take Out the Rear Element

Use your lens spanner for this and very carefully remove the rear element from your lens. Be sure to set your spanner to the appropriate width when doing this. Refer to your tool’s user manual if you’re unsure. Place all your elements that you’ve removed so far onto one of your very clean microfibre cloths.

Remove Each Glass Element and Clean

You’ll now be able to carefully remove each glass element from your lens. Pay close attention to the correct orientation for when you’ll be putting it back together. Soak each ‘infected’ element in your cleaning solution and then gently rub it with some cotton wool.

This shouldn’t take more than a couple of minutes per element, but some heavier invasions can take a fair bit longer. Rinse each element under clean water once the fungus has gone. Then use your air blaster to blow away the remaining water droplets before finally drying with a microfiber cloth.


Carefully reassemble your lens following the photos or notes you took while working. Well done – you did it!

Lens Fungus Cleaning Conclusion

We hope you found this page helpful. Our advice is to only attempt dismantling a lens if you’re very sure you know what you’re doing. There’s no shame in hiring a professional in situations like this.

Best Lens Filter Brand and Reviews

Searching for the best lens filter brands? Wondering what the difference is between all the key names? You’re in the right place. This page is dedicated to turning lens-filter newbies into seasoned pros.

In this article, we’ll explore some of the main names to look out for when shopping as well as how to find the products that you actually need. Read on to up your photography game!

Main Lens Filter Types

In order to understand what sets each of these brands apart, it’s necessary to explain the different types of lens filters and what they’re used for. This section will run through the most common filter variants and bring you up to speed on their main pros/ cons.

Keep in mind that not all of these filters are useful if you’re using a modern camera. The type(s) that may prove beneficial for you will depend wholly on the kind of photographer you are and the equipment you’re already using.

Polarizing Filters

Photography that captures a lot of reflective surfaces can benefit very well from a polarizing lens filter. This can be anything from landscape photography to photos of architecture and other man-made structures.

While editing can tackle a chunk of the glare that these subjects produce, using a filter on the day is a much better way to handle the root cause of the issue.

UV Filters

Back in the days when film photography reigned supreme, UV filters were super popular. They protected sensitive film from ultraviolet light when shooting. Without this protection, an unwanted blue haze could quickly enter into users’ photographs.

While digital cameras don’t suffer from the same UV sensitivity, these filters can still offer reasonable amounts of protection when used correctly.

GND Filters

Graduated Neutral Density (GND) filters darken one half (either the top or bottom) of your frame. This can be useful when one half of your scene is too bright for your camera’s film or sensor.

Say you’re capturing a scene on a particularly bright day. Without this kind of filter, it can be much harder to tweak your setup so that it’s properly exposed. This is one example where a GND filter is a great choice.

ND Filters

Neutral Density (ND) filters follow the same general principle of GNDs, only they darken the entire frame. This can be useful for a number of reasons. Anything from controlling for movement, better tweaking the exposure triangle, or controlling for excess brightness can be made easier with an ND filter.

Warming/ Cooling Filters

As you may have already guessed, warming and cooling filters are designed to change the color temperature of your images. If you know you want a colder or warmer result, they can enhance your images with much less editing required.

They can also come in handy in certain lighting environments that affect your color temperatures in ways you don’t like.

Clear Protective Options

Even the most premium lenses can scratch fairly easily. A small amount of sand or other debris can quickly damage your lens elements if they’re not adequately protected. A good clear protective filter can add a much-needed layer of protection for your equipment.

The best filter brands produce options with minimal optical interference.

Filters for Special Effects

This one is fairly straightforward. There are a number of lens filter brands producing filters that help create interesting effects for your images. This includes soft focus effects, split focal lengths, and many more creative opportunities.

Best Lens Filter Brand and Reviews

This section runs through some of the biggest lens filter brands out there. Our reviews will touch on their main strengths, potential drawbacks, and which options you might like to choose for your own photography.

Read on to become a lens filter pro!

Tiffen Filters

Link – here.

Lens Filter Brand Cheat Sheet:

  • Produces a range of lens products for the US market
  • Big on cinematography and video work
  • Broad range of filters designed for hobbyists and pros
  • Has won Academy awards and Emmys

Tiffen Filters Overview

If you’re a cinematographer or regularly do video work, you may have already heard about this filter manufacturer. Tiffen produces a ton of excellent lens accessories including ND, contrast, and polarizing filters that are perfect for screen work.

The brand has been going since 1945 and has a great track record for producing phenomenal camera equipment. Their work has been so successful that they’ve even been recognized at both the Academy and Emmy awards.

These Filters are Great for:

  • Cinematographers
  • Video work in general
  • Pro-level photography

Lee Filters

Link – here.

Lens Filter Brand Cheat Sheet:

  • One of the very best lens filter brands in 2021
  • Great for a huge range of photography types
  • Handmade, quality products
  • A range of architecture-ready products

Lee Filters Overview

For our money, this brand is one of the best out there for lens filters in 2021. They offer a stunning range of products for hobbyist photographers, cinematographers, interior designers, and much more. They prevail as one of the leading names in the industry.

If color accuracy and control is your thing, these guys are definitely worth checking out. They offer a number of excellent filters that can make it much easier to get the results you’re looking for. Their diffusion comparator app also makes a handy companion for interior designers.

These Filters are Great for:

  • Interior designers
  • Practically anyone who can afford them
  • Pros or serious hobbyists


Link – here.

Lens Filter Brand Cheat Sheet:

  • Killer range of general use lens filters
  • Great polarizing options
  • Plenty of specialty filters too
  • Operating since 1949

Heliopan Overview

“Perfecting perfection” has been at the center of this brand’s ethos since 1949. In our opinion, this attitude really shines through in their broad range of accessories. If you’re looking for some good general use options, this company is a particularly good choice.

There are a fair few reasonably priced products to be found among the Heliopan catalog as well as some decent pro-level accessories. If infrared or other specialty filters are more your speed, they’ve got plenty of choice in this department too.

These Filters are Great for:

  • Beginners looking for a good general use lens filter
  • Pros who know which specialty products they’re looking for
  • Those on a budget

Kenco Filters

Link – here.

Lens Filter Brand Cheat Sheet:

  • Super varied range
  • Some great astrophotography options
  • Prices for most requirements

Kenco Filters Overview

From astrophotography to beginner’s accessories, there really is something for everyone with Kenco. Drone shooting in particular can be made much easier with a good filter from this brand. These filters are made to remarkably high standards and are trusted by professionals around the world.

If you’re a beginner, you haven’t been left out here either. There are plenty of more affordable options to choose from too. For entry-level filters, the Kenco line of “Air II” products is probably for you.

These Filters are Great for:

  • Astrophotography
  • Drone shots
  • Beginners

B+W Filters (Schneider Kreuznach)

Link – here.

Lens Filter Brand Cheat Sheet:

  • Fantastic balance of performance and price
  • Range of polarizing, protection, ND, and close-up filters
  • German-made since 1949
  • Manufactured in house

B+W Overview

Precision German engineering goes into every one of these lens filters. This brand is particularly good for polarizing and ND filters. If you’re looking to up your color correction game or better tackle bright outdoor environments, these guys are worth checking out.

A phenomenal level of value can be found in the B+W catalog. These accessories offer the perfect blend of both performance and affordability. Whether you’re looking to experiment and get creative or have very specific color goals, this is one of the best lens brands in 2021.

These Filters are Great for:

  • Those on a budget
  • Those who value precision
  • Black and white filters

Filters for Nikon Lenses – Nikkor Filters

Link – here.

Lens Filter Brand Cheat Sheet:

  • Perfect filters for Nikon lenses
  • Reasonable range of options
  • Relatively affordable
  • Nikon’s rich history of optical performance

Nikkor Filters Overview

Nikon is one of the biggest names in camera equipment – and for good reason. The brand’s line of filters are ideally suited to its broad range of camera lenses. Close-up, protective, and other options can all be found at fairly reasonable prices.

Just keep in mind that these products are designed for Nikkor lenses specifically. Your mileage may vary considerably if you’re using lenses from other manufacturers. You might want to look into a step-up ring if you’re set on going with Nikkor.

These Filters are Great for:

  • People who own Nikon lenses
  • Those on a budget
  • Those who need an extra level of protection


Link – here.

Lens Filter Brand Cheat Sheet:

  • Premium filters built for professionals
  • Great for Sony and Fujifilm users in particular
  • Killer filter cases also available

NiSi Filters Overview

If you’re a pro looking for something a little more premium, this awesome brand might be for you. They first made their name by producing excellent cinematography filters. They now stock a huge range of options mostly geared toward professionals.

For those who know they need options to cover all bases, NiSi offers a great selection of 100mm and 150mm systems along with finely tuned carrying cases to go along with them. While newbies might like to look elsewhere, pros around the world trust this brand every day.

These Filters are Great for:

  • Sony and Fujifilm users
  • Professionals
  • Those who want a full filter system

Hoya Filters

Link – here.

Lens Filter Brand Cheat Sheet:

  • Seasonal options for all weathers and environments
  • Great for astrophotography
  • Massive selection of products
  • Light pollution correctors are great

Hoya Filters Overview

This brand stocks perhaps the biggest collection of filters in the world. Name a use case and these guys probably have a filter for it. Of particular interest is the manufacturer’s line products designed to tackle light pollution.

If you’re into astrophotography, these will definitely come in handy. Don’t worry if you’re just looking for budget options, there’s plenty of choice here for you too. The company’s Alpha line in particular is probably for you.

These Filters are Great For:

  • Basically anyone (their catalog is huge)
  • Astrophotographers
  • Nature photographers

Best Lens Filters for Canon – Canon-Made Options

Link – here.

Lens Filter Brand Cheat Sheet:

  • Perfect for Canon lenses
  • Reasonable selection of filter types
  • Great for protective options

Canon Filters Overview

If you use Canon lenses and are unsure where to get compatible filters, the company produces a reasonable selection of options that are worth considering. They’re especially good if you’re just looking for some added protection.

Keep in mind that these products won’t necessarily play nicely with non-Canon lenses. It all depends on your lens diameter. Read our section on step-up/down rings further down this page if you want to know how to ensure cross-compatibility.

These Filters are Great for:

  • Canon customers
  • Those looking for some added protection
  • Pros who know exactly what they’re looking for


Link – here.

Lens Filter Brand Cheat Sheet:

  • Some excellent budget filters
  • Plenty of polarizing options
  • Perfect for newbies

Opteka Lens Filters Overview

We haven’t featured this brand for outstanding performance but for its incredible value. While the Chinese manufacturer might not win many awards for cutting-edge results, it is definitely a great option for beginners looking for an entry-level lens filter.

For polarizing and protective products in particular, this brand stands out. If you’re mainly looking to try out filters for the first time but don’t want to spend a ton of money until you’ve got some experience, give these guys a try.

These Filters are Great for:

  • Beginners
  • Those on a budget
  • Those using budget cameras

Lens Filters and Their Brands – Some Pointers

We believe the lens filter brands listed above are some of the absolute biggest and best names in the industry. When doing your own shopping and research, it’s important to keep a few things in mind to avoid disappointment.

Image Quality and Lens Filters

The reality is that some image quality will always be sacrificed when using a lens filter but please don’t let this discourage you from using them. A small decrease in quality on paper does not necessarily translate to a poorer overall image.

This is especially true when using filters to correct for excessive brightness or color temperature issues; the corrections you make can actually improve your final results. Just remember that a small amount of compromise on quality is inevitable with this kind of accessory.


So how do you know if a specific filter will be a good fit for your lens? The good news is that most lens filters are fairly universal. The main measurement to look out for is diameter.

It’s worth keeping in mind that some manufacturers do make proprietary filters for their own lens lines so it’s always worth double-checking to make sure. If in doubt, check the user manual for any product you’re considering or contact their customer support.

If the diameter of a filter is the same as your lens, though, you’re probably good to go.

Step-Up Rings

If you realize your old filters aren’t compatible with a new lens, it’s not the end of the world. A simple step-up/down ring is what you need. They’re affordable accessories that screw on to the front of your lens to make incompatible filters fit properly.


The world of lens filters can be pretty daunting to the uninitiated. Pro-level options can easily run you hundreds of dollars. While professional photographers can really benefit from these products, you might be wasting your money if you’re new to all this.

Our advice is to start with a budget option first to see if it meets your requirements. As you grow as a photographer and become more familiar with what your specific needs are, then it’s time to branch out into the more expensive stuff!

Protection Matters

Even if you don’t have any specific filtering needs as a photographer, we strongly recommend considering a clear protective filter for your work, especially if you take a lot of photos outdoors.

Damage from scratches, dust, and water can quickly ruin a lens if you’re not careful. A high-quality protective lens filter can save you hundreds of dollars on repairs down the line. The last thing you want to do is spend money on lens replacements after just a few months – trust us.

Best Lens Filter Brand – Conclusion

The best brand for lens filters will look a little different for everyone . Your specific requirement, skill level, and equipment will determine the kind of product that will be the best fit for you.

Remember that a low-cost clear protective filter can save you hundreds of dollars in damages in the long run. Considering that decent protective options can be found for under $15, it’s well worth the investment in our opinion.

Whichever lens filters you choose, we hope they serve you well when shooting.