Best Free GoPro Editing Software For Windows and Mac

There’s a ton of choice when it comes to free GoPro editing software. If you’re struggling to find the best free GoPro editing software, you’ve come to the right place.

The challenge isn’t finding something to download; it’s finding GoPro editing software that actually works. This article will run through some of the best free options for both content creators and casual users.

We’ve considered these options based on performance, feature sets, and accessibility.

Here’s a quick rundown of the best free GoPro editing software:

  • Lightworks
  • DaVinci Resolve 17
  • GoPro Studio
  • Blender
  • Windows Movie Maker
  • iMovie
  • OpenShot Video Editor
  • VSDC

Free GoPro Editing Software That’s Worth Using

Not all GoPro editing software are alike. What you use your GoPro for, and what you expect from your video editing software will determine which option works best for you. Keep your needs in mind when checking out the list below.

1. Lightworks


Lightworks is a powerful piece of video editing software that comes with both a free version and a paid option. The limitations placed on the free software relate to your available export formats; otherwise, the functionality is the same.

This is one of the best GoPro editing software options around in our opinion. While the limitations placed on the free version are frustrating, you get a lot of pro-grade features thrown into the mix. If you can stretch and pay for the full version, it might be worth it in the long run.

Lightworks is built to make pro-grade features accessible to everyone. Whether you’re a complete novice or a professional video editor, this software should serve you well. There’s a lot to love above Lightworks.

Everything from the simple UI, to the low-res proxy workflows for editing 4K shots is remarkably well put together. If you need free GoPro editing software now but wouldn’t mind investing in a more premium option down the line, definitely consider this one.


  • Excellent, pro-grade video editing features
  • Efficient 4K video considerations
  • Access royalty-free audio files for your footage
  • Tons of format options in the paid version


  • Your export options are limited in the free version

Check it out here

2. Davinci Resolve 17


When you use Davinci Resolve, you’re rubbing shoulders with Hollywood video editors. The color correction capabilities of this video editing suite makes it a firm favorite of professional filmmakers and cinematographers.

As with Lightworks, Davinci Resolve comes with both a free software option and a paid version. While the free software is predictably less powerful than the full version, there’s still plenty to sink your teeth into. It might be overkill for some, but software like this can really take your action shots to the next level.

Both colors and distortion are handled very well by Davinci Resolve. A slew of options are available to tweak your videos and photos to your heart’s content. Special effects, automatic “smart” features and laser-accurate trim functions are among the other tools you’ll have at your disposal.

Keep in mind that as Davinci Resolve is designed with professionals in mind, the system requirements are a touch above average; you’ll need a decent computer to take advantage of this video editor.


  • Phenomenal tools for color grading and distortion
  • Handy “smart” features
  • Full featured UI built for professional work
  • The free version is still very powerful


  • The system requirements are pretty high
  • Comes with a steeper learning curve

Check it out here

3. GoPro Studio/ Quik


GoPro Studio is editing software developed by GoPro themselves. It’s designed to make it easy to edit GoPro footage and create “professional quality” videos. As far as GoPro editing software goes, it works very well and covers quite a few bases.

One of our favorite features of this free GoPro editing software is the ability to play and work with your timelapse content as though they were videos. This gives users some welcome flexibility when working with their shots.

Another useful consideration is the export function that makes it trivial to export a still from a video in full-resolution. This takes a considerable amount of pressure off content creators desperate to get the perfect shot; if it’s hidden in a video, you can always perfect the shot later with the editing software.

If your GoPro camera uses the “Dual HERO System”, you’ll be able to create stunning 3D videos with this editing software. Features like this demonstrate how far the GoPro format has matured over the past few years. This is one of the best free video editing options that compliments the format remarkably well.

It’s worth noting that the longevity of this video editor is up for debate. GoPro might not support it forever. That said, it remains as one of our favourite GoPro video editing programs and is completely free!


  • Great video editing software features that are easy to use
  • Takes advantage of the GoPro “Dual HERO System” for awesome 3D videos
  • Custom-made to work with GoPro cameras
  • Capture full-resolution stills from your videos


  • Legacy support appears limited. Check out Quik for GoPro as an alternative.

4. Blender


Blender is a piece of editing software that makes you wonder how on earth it’s free. While there are plenty of features here that suit GoPro editing very well, there’s tons more to sink your teeth into too. If you’re looking for something with a broader scope, Blender is worth considering.

As a video editor, Blender offers quick splicing features with audio mixing, syncing, scrubbing and waveform visualization. Speed control, filters and keyframe options are available too. While there aren’t any GoPro-specific features on offer, Blender does a great job of working with your video footage.

The overall video editing capabilities are best defined as simple but effective. This program doesn’t do everything, but what it does do, it does very well. If you need to rejig your GoPro videos quickly, you won’t encounter any problems using Blender.

While not specific to GoPro users, the rendering and sculpting features of this software are pretty impressive. If you also need to render 3d models as well as edit GoPro videos, go with this option.


  • A fully customizable UI
  • Simple, effective video editor
  • Completely free
  • Runs efficiently and smoothly
  • Extra rendering and sculpting features


  • Relatively limited functions for GoPro users

Get it here

5. Windows Movie Maker and Alternatives

windows movie maker

Another piece of free software worth considering is the Windows Movie Maker. You’re not going to get the pro-grade features of, say, Adobe Premiere, but you will get free GoPro editing software that gets the job done.

For quick, efficient splicing of clips and stills, this video editing software is no slouch. It’s worth noting, that while Movie Maker was part of the Windows 2012 “essentials” package and is therefore still available on many PCs, it’s discontinued for newer desktops.

Don’t worry though, the built-in Windows Photos app works great in a pinch. GoPro editing software doesn’t always have to be super-powerful. If your needs are relatively straightforward, this option won’t let you down.

If you’re wondering how to import your footage from your GoPro to your PC, check out our guide here.


  • No-nonsense, simple controls
  • Built into older Windows PCs free of charge
  • Has a very small footprint
  • Exports in a variety of formats


  • Not supported on newer PCs. The Windows Photos app works well as an alternative, though.

iMovie for Mac Users

This one’s limited to Mac users, but it’s a surprisingly powerful tool if you have access to it. Many Mac users don’t realize they already have free GoPro editing software built into their computers. While iMovie is comparatively bare-bones compared to something like Davinci Resolve, it’s no slouch either.

The usual Apple polish can be found throughout the available effects and editing features. As a general rule, Mac software is designed with usability in mind and this GoPro video editor is no exception. Expect slick animations and a video editing process that’s refreshingly intuitive.

A killer feature of iMovie is its connectivity features with iOS. If you collect action shots with both a GoPro and your iPhone, this easy-to-use software makes it simple to access the footage you’ve captured when on the go. Your iPhone files can sync seamlessly with iMovie on your Mac.

It’s a shame that Windows users have to sit this one out, but iMove is one of the best software options for editing GoPro footage for free.


  • Familiar Apple simplicity
  • Slick effects and user friendly UI
  • Killer iOS connectivity
  • Edit your videos on a Mac, iPhone or iPad
  • Share direct to social media


  • Not available on Windows
  • Lacks a few advanced features like color grading and color correction

OpenShot Video Editor

This is one of the best GoPro video editors that doesn’t cost a penny. OpenShot is an award-winning solution that makes it easy to edit your videos from a GoPro quickly. The UI is wonderfully easy to use and comes with a number of more powerful, professional level features thrown in for good measure.

One of our favourite things about OpenShot is that there’s no limit on the number of tracks you can use. This makes layering up things like watermarks and multiple shots a trivial process.

The video effects, keyframe options and cross-platform functionality of OpenShot makes it one of our favourite video editing apps. It’s available for Linux, Windows and Mac users and hasn’t let us down to date.

If you’re a bit of a tech-head, you might be pleased to learn that this software is also completely open source. In many contexts, this gives users some added peace of mind, as the internal code of the editor can be viewed by anyone with the knowhow to understand it.


  • Award-winning free software
  • Available for Linux, Windows and Mac
  • The best GoPro video editor for Linux users
  • Open source


  • While the UI is very user friendly, it’s not the best-looking thing in the world



Last, but certainly not least, is the VSDC video editor. Throw your video clips together effortlessly with VSDC’s versatile, easy-to-use UI. This app supports a broad range of formats and video codecs, making it a great option for both GoPro and other camera shots.

As a non-linear editor, VSDC is designed to make it easy to compile multiple stills or clips into a single composition. If you need a GoPro video editor that can create picture-in-picture or split screen effects, VSDC is a good option.

While we’re on the subject of video editing, it’s worth mentioning that VSDC also offers convertor software for audio and video files. If you regularly need to change the formats of your more obscure clips, solutions like this can save you a fair bit of headache.

If you use both a GoPro and other cameras for your action shots, they may well capture content in different formats that don’t necessarily work well together. Using software that can convert your work into the same format might be a worthwhile approach.


  • Non-linear design for easy compiling
  • Easy to use
  • Completely free GoPro editing software
  • Options for converting audio and video files


  • Lacking some pro-grade tools


We hope this article has demonstrated that when it comes to free GoPro editing software, you don’t have to compromise as much as you might think. While there are some idiosyncrasies that come with using a GoPro, GoPro video editing isn’t an entirely unique process.

The main thing to worry about is how easy your chosen program is to use and whether a free app will have the feature set you need for your videos. If your main concern is splicing some clips together, a free option will be more than enough.

If you need professional color correction or other more in-depth tools, either Lightworks or Davinci Resolve is probably the way to go.

The free versions for both of these apps are surprisingly fully fledged. It’s worth noting, though, that it’s worth investing in a paid option if your requirements are a little more complex. The intentional convenience limitations like fewer export formats can prove frustrating if you use the software all the time.

Consider your personal requirements closely and choose an option from this page that you think works best. Whichever option you go with, we hope it serves you well!

The Best Place to Rent Lenses – Our Photography Guide

Wondering where to rent camera lenses? You’re in the right place. This page is our guide to renting lenses online. The cost of camera equipment can be pretty crazy. You don’t have to buy much before you’re putting a serious dent in your bank account.

If you only need a certain lens once – or even just occasionally – renting can be a good option. The good (and potentially frustrating) news is that there’s a ton of choice out there when it comes to which rental site you go with.

While this is certainly a good thing, it can make pulling the trigger a little harder. How do you even know where to get started? What’s the best place to rent lenses anyway? Further down this page, we’ve rated some of our favorite options out there.

We also discuss some of the things to consider when renting to avoid disappointment.

Best Lens Rental – Things to Consider

We make some pretty good suggestions lower down. That said, it’s still worth knowing what you should keep in mind when shopping. The more prepared you are when renting, the easier it will be to avoid the sharks. Read on to learn more.

Check for Hidden Fees

Unfortunately, the hourly rate you’ll be paying isn’t the only cost you’ll have to consider. It’s worth checking what other hidden fees you might have to deal with. Checking which party covers insurance, for example, is a big one that some people overlook.

Most sites offer insurance as part of the experience, but it’s definitely worth double-checking this before pulling the trigger. Shipping and subscription costs are also part of the experience on some sites. A little due diligence can go a long way here.

Look at the Returns Policy

No one enters into a rental agreement expecting to be late when returning things, but sometimes life happens. Be sure to double-check the late fees that each seller or site uses when you’re browsing online.

It’s best to know how much you’d be burnt before actually having to deal with it in real life.

Daily Cost VS Memberships VS Subscriptions

Most people will go with a small daily or hourly payment when renting. This often works out as the best deal, but it can sometimes be more cost-effective to choose other means to pay.

For example, some sites offer membership schemes that significantly reduce the cost of renting over time. Other owners offer subscription models that unlock different perks and savings.

Shop around a little and see what works best for your circumstances.

Insurance Coverage

If you break or damage the equipment you’re renting, will you be personally liable? This is the first question you should ask yourself before renting. To be honest, the answer is usually no, but it’s definitely worth making sure.

Is insurance covered by the rental site, the lender, or by you? This is another big one. Most sites advertise their insurance coverage pretty clearly. Read it closely before pulling the trigger.

Know Exactly What You Need

The world of camera accessories is chock full of different brand names, lens mounts, and proprietary connection systems. Renting a lens that isn’t actually compatible with your gear can be very frustrating.

Some inexperienced lenders can even mistake which product they’re offering (check previous reviews to work against this problem). Your best bet is to know exactly which lens model you’re looking for to reduce confusion as much as possible.

Best Lens Rental Company – Our Top Picks

Right – let’s get into it. The list below contains some of the best camera lens rental sites available in 2021. We’ve considered availability, price, and convenience when curating the list below.

Read on to find the best option for you!

BorrowLenses.come is probably the most popular option for renters in the USA. It offers a sizable collection, easy-to-understand renting options, and a level of availability that some other sites just can’t match.

If you’ve ever rented lenses online before, chances are you used this site.


In terms of brand coverage, BorrowLenses does a pretty great job here. Options are available from the following:

  • Canon
  • Sony
  • Nikon
  • DJI
  • Panasonic
  • Others

This coverage may vary from month to month, but it seems pretty decent. If you’re not near a local seller, there are shipping packages available. In fact, if your rental comes to more than $149, you’ll get free standard UPS shipping thrown in for good measure.

‘Risk-Free Rentals’

One thing we like about this option is their ‘risk-free’ rentals policy. It’s possible to cancel or completely change your order at any time as long as it hasn’t shipped yet. This kind of flexibility can add a great deal of peace of mind when renting.

Backed by Experts

The BorrowLenses team is a little different from some other rental sites out there. Their staff is intimately familiar with camera equipment and how to use it. They regularly make video and visual content themselves.

This means you’re renting from a company that actually values the products that you’re looking for. When renting from an independent lender, this can be tough to find.


The selection, free shipping, and expert backing that come with BorrowLenses all seem great. If you’re going to cancel or change your order, just make sure you do it before it’s actually shipped.



Next up is another fantastic site called Lensrentals. These guys feature an impressive selection of camera equipment that can all be rented for way less than you might expect. If you’re new to lens renting, they might just be worth checking out.


As with the other sites featured on this page, Lensrentals has a ton of choice when it comes to both camera lenses and existing brands. They offer products from the following:

  • Canon
  • Nikon
  • Sony
  • Fujifilm
  • Leica
  • Micro 4/3 lenses
  • Pentax
  • More

Remember that this collection is changing all the time and your mileage may vary slightly. Shipping with this site is reasonable, but a little more expensive than some other options. Prices start at $25 and increase in increments of $5 per extra item.

Smart Packages

One thing that stood out to us when reviewing Lensrentals is the site’s ‘packages’ feature. In short, this makes it possible to rent curated bundles of useful equipment. Let’s say you’re a wedding photographer who needs to rent all the necessary gear – there’s a package for that.

Doing an underwater shoot? There’s a package for that. You get the idea.

Buying Options

If you rent something through Lensrentals and decide you love it enough to buy, we’ve got some good news for you. Their sister site,, makes it super easy to make things official.


These guys have been operating since 2006 and their experience really shows. The size of their catalogue and the breadth of their offerings make this site one of the best places to rent lenses in 2021.



Now for something a little different. ShareGrid is community-driven. Lenders can create a profile on their site and offer their products to prospective renters. ShareGrid claims to be the “largest, most trusted camera sharing community” in the world.

While the selection here is sizable, your specific location may impact what’s available to you.


The strength of a community-driven service can also be its downfall. Your area and its local sellers will determine what you’re able to rent through this platform. Usually, it’s possible to find options from the following brands:

  • Canon
  • Sony
  • Fujifilm
  • Pentax
  • Leica
  • More

If you’re somewhere like New York, you’ll probably be fine. Living somewhere more rural? Don’t hold your breath.

Insurance Options

As you’ll be renting from individuals rather than a big company, the insurance options here are worth a little scrutiny. Luckily, ShareGrid provides access to a range of coverage options to suit a variety of different needs.

Be sure to check out this support page before renting if you’re unsure.

Used by Industry Titans

The ShareGrid service is trusted by some pretty huge names in the content creation industry. The likes of Disney, AmazonStudios, HBO, and Facebook have all used the site to source equipment or other services.

This kind of trust from big names usually indicates a consistent track record and at least a decent level of quality.


It all comes down to your location with this one. Community-driven sites are often amazing, but they definitely work better if you’re in a big city. At any rate, it’s worth checking out what’s available no matter where you are – you may just strike gold.



This is an excellent option for working professionals who need access to a constantly changing array of camera equipment. As a subscription-based service, things work a little differently here. It’s likely too expensive for more casual users, but might be just what the pros are looking for.

Subscription Tiers

Three subscription tiers are available at this rental site. Tier 1 costs around $250 a month and gives basic access to some equipment. If you’re just after lenses, this option might be ok.

The good news is that your gear can be kept without any return dates, just keep paying your subscription for as long as you need the gear. Tier 2 unlocks some more advanced gear and costs $399.

For around $500 a month, you’ll have access to the complete Parachut catalogue. If you need the latest and best equipment, this might be the only subscription level that makes sense.

Shipping Included

While the monthly cost associated with this option is certainly expensive, you won’t have to pay a penny more for shipping. If you plan on renting a ton of equipment every month, you can save a fair bit of money with a service like this.

Optional Insurance

Unfortunately, insurance doesn’t come as standard with Parachut. However, it can be purchased as an optional extra that starts at $50. We recommend at least considering this option as renting without coverage can be very risky.


The monthly cost of this site will put a lot of more casual users off, and that’s ok. Parachut is designed for pros who need access to a huge catalogue of cutting-edge equipment. If this sounds like you, we recommend giving it a go.

FatLama (UK Customers)


Last, but certainly not least, is FatLama. If you’re based in the UK – especially in London – this will probably be the best site to check out when looking for camera lenses. This is another community-driven platform.

This means that the selection could be phenomenal, but it could also let you down. It all depends on where you live.


If you’re based in London, the selection on FatLama seems to be pretty great. Expect to find lenses from the following brands:

  • Canon
  • Sony
  • Leica
  • Red
  • Fujifilm
  • Much more

Just remember that if you’re in a smaller town or city, a community-driven page might not be what you’re looking for.

Lender Guarantee

In terms of insurance coverage, you shouldn’t have much to worry about here. The site’s ‘lender guarantee’ covers each individual rented item up to the value of £25,000. This means that in the unlikely event that you damage what you’ve rented, you won’t have to fork out hundreds in damages.

Best Camera Lens Rental Site – Our Verdict

We hope you found our tips and recommendations on this page useful. The best option for you is all going to come down to where you live. If you’re in a big city, a community-driven site can offer some pretty great deals.

Those in quieter areas will benefit from the free shipping options on sites like Pros who need access to a ton of equipment should definitely consider checking out Parachut.

Whichever site you choose, be sure to double-check things like hidden fees, insurance coverage, and returns policies. The more you know before pulling the trigger, the easier it will be to avoid disappointment.

Best Tripod for Overhead Shots and Food Photography – a Buyer’s Guide

Finding the right angle for your photoshoots can be difficult at the best of times. When it comes to product or food photography, the stakes get pushed up a notch. Taking photos for clients and your audience takes a huge amount of attention to detail. Finding the right tripod for product photography is an absolute must.

Fortunately, your options are far from limited; there’s a ton of choice out there with a broad spectrum of different brands to choose from. The trick is knowing what exactly you should look out for when shopping.

In 2021, the amount of choice can actually be fairly overwhelming. How are you supposed to know when a tripod is right for your setup? Different photographers have different goals and means when it comes to food/products shots. How do you even make sense of it all?

Don’t worry, help is at hand. This page is our guide to the world of overhead tripods and product photography accessories. We’ve trawled through Amazon listings, considering customer reviews, feature sets, and prices to find the best options available online.

Be sure to check out our tips for finding the right tripod too!

Manfrotto MT190XPRO4 Aluminum 4-Section Tripod ,Black

So Why Do You Need a Tripod?

If you’re wondering why you even need a tripod, this section is definitely for you. Many newcomers overlook the utility of a good overhead or standard tripod. In our opinion, they’re basically indispensable if you want to take your photography seriously.

We outline the main benefits to using a tripod below.

Guaranteed Stability

Taking photos handheld provides a degree of flexibility, but it means that camera shake and motion blur are inevitable. This can quickly undermine the quality of your food photography. A good tripod will guarantee you some stability when working.

Taking the time to find the right angle, set it with your tripod, and then getting to work can dramatically elevate the final results of your images. If you’ve never worked with an overhead tripod before, we strongly recommend giving it a go.

Consistent Results

One key to product photography is consistency. If you can’t guarantee that you’ll get similar quality results every time, you may struggle to keep or even find clients. The tripods that we recommend below are all designed to improve your chances of getting the results you need every time.

When it comes to shooting professionally, flexibility and consistency will be two of your most important assets. A tripod can help improve both!

They Provide the Vantage Point you Need

Getting killer food or product photos calls for more inventive vantage points than you may be used to. Overhead shots are very popular in these photography categories. This angle makes it easy to capture your chosen subject in all of its glory.

Without a decent overhead tripod, you’ll really struggle to take this kind of photo. You can of course ‘cheat’ by holding the camera yourself, but this will be very difficult to maintain without any camera shake getting in the way.

They Boost the Rest of Your Skills

Working with a high-quality tripod means you have one less thing to worry about when shooting. Once you’re familiar with your equipment, the stability of your setup will require far less attention than before.

This frees up valuable energy that you can focus on the more important aspects of your shoot. The increased degree of control you’ll have at your disposal will also make it much easier to fine-tune the composition of your food photography.

Sharper Focus

As mentioned earlier, camera shake can quickly impact the quality of your product photos. When taking photos professionally, it’s important to make sure that your subject really ‘pops’ in your images.

Editing software can certainly help with this, but the best approach is to make sure every aspect of your shooting environment is well optimized for success. This includes maintaining a sharp focus for your shots.

A tripod is the best way to do this in our opinion.

How to Find the Best Tripod for Overhead Shots and Food Photography

We’ve found some excellent recommendations for the best overhead tripods. They’re featured a little further down this page. Before we jump into our suggestions, however, it’s worth exploring how to find a high-quality product on your own.

The more you understand about this kind of tripod, the easier it will be to find an option that works for you. Check out our tips below to become a savvy shopper!


How much did you spend on your camera and lenses? Are the tripods you’re considering priced proportionately? There’s no point going over budget on a tripod until you have a very good reason to buy a specific model. There are plenty of excellent options out there that won’t break the bank any time soon.

Take some time to consider your own circumstances. How much are you willing to spend on a new accessory? Set a max limit for yourself before shopping to keep costs down. Your specific requirements will also influence this decision.

A professional working with clients will need a more expensive tripod than a beginner, for example.

Weight Capacity

This is an important one that many newbies overlook. The max weight capacity of a tripod tells you how much weight it’s able to hold before it starts to topple over. Consider the weight of your camera body and the lenses that you use for your food photography.

Make sure that any overhead tripod you consider can handle the weight of your existing gear. The last thing you want is to damage your expensive equipment – trust us!

Other Accessories – Tripod for Shooting Straight Down

For product photography and food photos, there are a few extra accessories that can come in handy when working with your tripod. For overhead shots in particular, you may need some of the extras listed below.

Extending Arms

An extending arm is usually designed to fit universally with most pro-grade tripods. They make it much easier to achieve the overhead vantage point you may be looking for. Good models are easy to adjust and fit securely in place once you’ve found the angle you need.

Weighting Equipment

Things like sandbags and weighted bags can be critical in professional shoots. They can either be hooked onto some tripods or placed around the feet of your accessory. This makes it possible to add even more weight to your setup.

If you want to take photos with a particularly heavy lens, for example, you’ll need an accessory like this.

L Brackets

L brackets, as you may have guessed, are L-shaped plates that fit onto an existing tripod. They make it much easier for users to shoot in both vertical and horizontal orientations with ease.

More importantly, they make it much simpler to switch between both orientations. For tweaking your setup effortlessly on the fly, an L-bracket might just be the answer. They can be super helpful.


When taking photos of food or other products, you’ll likely be making tweaks constantly as you work. For this reason, any tripod you consider should be as easy as possible to adjust. Our recommendations below are all effortless to tweak to your heart’s content.


There’s no point picking up a new accessory if it’s just going to break down on you a couple of months down the line. While most tripods out there are at least reasonably durable, there are definitely options out there that will disappoint quickly.

Look for high-quality materials and build qualities that are made to last.

Max and Min Height

Much like weight capacity, this is one factor that some new photographers fail to consider. The maximum and minimum height of your tripod will determine the kind of work you’re able to do with it. What are you looking for with your overhead shoots?

Choose a tripod with the heights that fit your requirements.


Rubber feet are a must with most tripods in our opinion. The whole point of buying this kind of camera accessory is to improve the stability of your shoot. This put stable, ‘unshakeable’ tripods at the top of our list.


When buying a new tripod arm for overhead shots, it’s important to make sure that it’s actually going to work with your existing gear. Most camera accessories are fairly universal, but manufacturers like Sony and Canon sometimes use proprietary systems for their hot switching plates.

Double-check the compatibility of any model you consider.

Quick Food Photography Tips

When taking photos of food, there are a few basic principles to keep in mind. Check out our tips in this section to keep your photos looking awesome.


Lighting is the most important aspect of practically all photography. If you can nail your lighting environment, you’re much more likely to nail your final scene. Experiment with how you light your food, use as much soft diffused light as you possibly can.

Spot lighting and reflectors can also help to boost your available light when shooting.

Use the Right Gear

Do you want to use a macro lens for super close-up shots? Maybe a versatile 50mm lens instead? It all comes down to the specific results you’re looking for. Whatever your goals, make sure you’re using the right gear for the job.

For overhead shots, you’ll want a sturdy tripod with a high weight capacity and compatibility with extendable arms/ L brackets.

Think Twice About Flash

For food photos, flash shouldn’t ever be necessary. It can make meals look quite ‘washed out’ and unappetizing. Whenever possible, try to ensure that your shooting environment is bright enough that you don’t need to rely on flash.

Take Advantage of Food Hacks

Remember that the food you see in most commercials and posters isn’t as real as it seems. If you want to keep your subject ‘photo ready’ for longer, you’ll have to take advantage of some common hacks.

Practice Your Composition

Composition is everything when it comes to taking a great photo. Remember the rule of thirds when working and frame your food to make it look as delicious as possible. How can you draw attention to the meal you’re shooting?

What’s the best way to make the food really shine? If you want more in-depth composition tips, check out our guide here.

The Best Tripod for Food Photography and Overhead Shooting

Let’s get into it! We’ve curated a list of seven awesome tripods that we think would be amazing for both food and product photography. They would also come in useful for any kind of overhead shoot you might be involved with.

We’ve picked options from a range of brands and price points, so there should be something for almost everyone here! Read on to find your new shooting companion.

How We’ve Found These Recommendations

At Chasing Heartbeats, we’re dedicated to writing reviews with genuinely useful recommendations. The products featured on this page were found by comparing online reviews, comparisons and customer feedback.

Each listing is very highly reviewed on Amazon and offers a tripod that’s excellent for overhead shooting.

Manfrotto MT190XPRO4 Aluminum 4-Section Tripod

Manfrotto MT190XPRO4 Aluminum 4-Section Tripod ,Black

First up is this fantastic option from Manfrotto. If you haven’t encountered the Manfrotto name before, you’re in for a treat here. The brand has an excellent track record for producing some of the best camera tripods the industry has to offer.

They’re not the cheapest options out there, but they are some of the best. This model is compatible with a ton of L brackets and extending arms so you can shoot your overhead food shots to your heart’s content.

One thing we love about this calibre of tripod is how sturdy and stable it feels. Even a clumsy photographer should have little to worry about here. It’s also remarkably simple to adjust your setup with this tripod. You’ll be able to tweak your equipment with ease.

Why We Love it:

  • Easy to adjust
  • Compatible with overhead accessories
  • Sturdy design
  • Reliable Manfrotto brand

Some Drawbacks:

  • Quite expensive

Overhead Tripod for DSLR Cameras

Overhead Tripod for DSLR Cameras, Heavy Duty Camera Desk Mount Stand with Flexible Articulating Boom Arm, Camera Holder Table Clamp for Canon Nikon Sony Fuji SLR Mirrorless Cam Video Photography

This cheap and cheerful option won’t be perfect for everyone. For those on a budget, though, it could prove indispensable. It’s designed to clip onto most desks and gives your DSLR camera the overhead vantage point you’re looking for.

The adjustable crane arm doesn’t have quite the versatility that some pros will need, but it should be more than enough for most overhead food shots. With a max load of 5lbs, most mid to small camera setups should be just fine.

If you make content for TikTok or produce cooking content for YouTube, this kind of mount can be super useful. Throw in the fact that it costs comfortably less than $40 and you’re looking at an absolute steal in our opinion.

Why We Love it:

  • A great budget option
  • A simple way to get an overhead shot
  • Clips onto basically any desk

Some Drawbacks:

  • Not quite as versatile as a pro-grade tripod
  • The max load could be a bit higher

Geekoto Tripod for Food Photography

GEEKOTO Tripod, Camera Tripod for DSLR, Aluminum Tripod with 360-Degree Ball Head and Rotatable Center Column, 75-Inch Professional Tripod for Travel and Work

We’re huge fans of this premium tripod from Geekoto. It’s versatile, easy to adjust, and very sturdy when working. For overhead product photography, there’s a ton of compatibility with L brackets and extending arms. The 360° swivel base will also come in handy here.

Photographers who need a tripod that can handle anything will love what this tripod has to offer. It comes with a huge height range of 19-79 inches and can function as both a tripod and detachable monopod mount.

If you work in a studio that’s constantly changing its approach, you may want to consider this option closely. With a weight limit of 26.9lbs, this thing can handle practically anything you throw at it. It gets a huge thumbs up from us.

Why We Love it:

  • Very versatile and adjustable
  • Sturdy when working
  • 360° swivel head
  • Great for overhead accessories

Some Drawbacks:

  • Not the cheapest option out there

Vanguard Alta Pro 263AP Aluminium Tripod with Multi-Angle Column and PH-32 Pan Head

Vanguard Alta Pro 263AP Aluminium Tripod with Multi-Angle Column and PH-32 Pan Head

Vanguard is one of those names that just keeps delivering results time after time. The brand’s line of camera accessories has reached legendary status with photographers around the world. This multi-angle option certainly lives up to the hype.

The central column of this tripod is what makes it so special. It can be adjusted through a huge spectrum of different angles. In simple terms, this makes it possible to achieve vantage points with your camera that other tripods just can’t match.

For overhead food shots or experimental photographs, this one is a no-brainer in our opinion. The height range, max load, and durability here also all seem excellent. We strongly recommend checking this one out if you’re a professional or enthusiast.

Why We Love it:

  • Super versatile central column
  • Very durable and stable
  • Legendary Vanguard quality

Some Drawbacks:

  • It’s pretty expensive

Peak Design Travel Tripod

Peak Design Travel Tripod (5 Section Aluminum Camera Tripod)

This is our suggestion for those who prioritize portability when working. This tripod offers pro-grade performance while maintaining the ability to fold away to practically nothing. If your equipment bag is already packed full, you won’t think twice about adding this accessory.

If you’re hoping to add an adjustable arm for overhead shots, you’re in luck. The built-in weighting hooks with this model make it trivial to stabilize your setup for more experimental shots. Your product photography is about to get a welcome boost!

With a max load capacity of about 20lbs, this thing can handle most shooting equipment with ease. For portable, versatile shooting on the go, it’s hard to go wrong with this one. It gets a big endorsement from us.

K&F Concept TM2515T Professional 67 inch Camera Tripod

K&F Concept TM2515T1 Professional 67 inch Camera Tripod Horizontal Aluminum Tripods Portable Monopod with 360 Degree Ball Head Quick Release Plate for DSLR Cameras

This is another fantastic option that features a 360° swivel base. If you’ve never worked with this range of movement before, it can really elevate your work in certain circumstances. The ability to effortlessly adjust your gear to any angle can be a real Godsend.

K&F makes tripods that are tough and sturdy – it’s as simple as that. Even if you’re lugging this thing around from set to set, you shouldn’t have too much to worry about. The quick-release hot switch works well with most common DSLR brands and makes adjusting things much simpler.

At around $125, this isn’t the cheapest option on the list. In our opinion, though, it’s well worth the investment. If you’re looking for something that can take your food photography to the next level, we think this option is worth considering.

ChromLives Overhead Video Stand Phone Holder Articulating Arm Phone Mount

Overhead Video Stand Phone Holder Articulating Arm Phone Mount Table Top ChromLives Scissor Boom Arm Articulating Phone Stand Tablet Phone Holder for Streaming Phone Baking Crafting

Last, but certainly not least, is this overhead phone stand from ChromLives. Listen, this thing isn’t going to fare very well with most bulky DSLRs. The thing is, a huge amount of contemporary video content is filmed with smartphones at home.

Plenty of professional studios making web content make use of high-end smartphones rather than more traditional cameras. If this sounds like you, we think this tripod clamp is worth a look.

It’s designed to fit seamlessly onto most tables and provides an adjustable overhead vantage point for your food or product photography. The anti-slip rubber pads seem to grip very well and the construction seems reasonably well made.

At comfortably less than $30, we think this one’s a steal.

Best Tripod for Overhead Shots

We hope you’ve found our tips and recommendations on this page helpful. Remember that everyone’s needs are different. The goals you have as a photographer will determine the tripod that works best for you.

Consider your requirements, budget, and shooting environment closely when shopping. Whichever option you choose, we hope it serves you well for many years to come! Happy clicking.

How to Use a 50mm Lens for Portraits – Make the Most of Your Existing Gear

Wondering how to use a 50mm Lens for portraits? You’re not alone. This is one of the most common queries we encounter online when it comes to this type of lens. The ‘nifty fifty’ format is immensely popular for a broad spectrum of shooting environments, including portraiture.

In this guide, we’ll dive into the world of portrait photography and offer some tips for how to make the most of your existing gear. Even the most ‘budget-friendly’ setup can cost hundreds of dollars. For this reason, it’s important to make sure you’re squeezing every last bit of usefulness from your equipment.

Read on to elevate your portraits and start taking photos with impact.

portrait photo

Why People Use 50mm Lenses

If you’re brand new to the world of photography, it’s worth exploring exactly what makes 50mm lenses so popular. If you’re looking for a format that will keep delivering the results you need, this format is usually an excellent choice.

It’s a firm favorite of photographers everywhere, and for good reason. Read on to learn some of the reasons why.

They’re Versatile

The FOV and light sensitivity of most 50mm lenses makes them remarkably versatile. For those who need a lens that can tackle practically anything you throw at it, this is a great format to go for.

In more specific circumstances, there are of course lenses that will do a better job. If you need a good ‘Jack of all trades,’ though, it’s hard to go wrong with a good 50mm. In fact, these lenses have grown such a strong reputation that they’re often referred to as ‘nifty fifties’ by photographers around the world!

They’re Ubiquitous

Versatile lenses are usually very popular. This is certainly the case with 50mm products. For this reason, they’re very easy to find no matter where you are. For a lens that’s easy to maintain, affordable, and compatible with your existing gear, this might just be the best format around.

They Take Great Portraits

It’s worth mentioning that this one is at least a little bit subjective. That said, 50mm lenses can take absolutely incredible portraits. Their focal length and ability to take in lots of light make them excellent accessories for portrait photographers.

The main thing is to make sure that you’re using the equipment properly. We’ll get into this a little further down the page.

They’re More ‘Human’

Many people talk about 50mm lenses as having “the same effective focal length as the human eye.” It’s important to note here that people say the same thing about 35mm lenses too.

Either way, many people prefer ‘nifty fifties’ for their natural, ‘human’ viewing angles which can make for some absolutely gorgeous shots. To get the results you need, however, you’ll have to make sure you know a thing or two about taking portrait photos.

Read on to learn more.

How to Make the Most of a 50mm Lens – Things to Consider

So, you’ve bought yourself a shiny new 50mm lens and are wondering how on earth to take decent portraits with it. Don’t worry – help is at hand. The tips below are designed to help you make the most of the gear you have available.

Keep in mind that much of this guidance will be useful no matter what kind of lens you’re using. We’ll also give specific 50mm advice throughout.


If you take one thing away from this article, it should be that your lighting environment is the most important aspect of taking a good photo. This is true of portrait photography, but it’s universally important no matter what kind of photo you’re trying to take.

When it comes to taking portraits, the specific lighting setup you use will depend on your intended result. Generally speaking, you’ll want to be using plenty of soft diffused light that’s angled to flatter the face of your model.

50mm lenses usually come with great ISO ranges and can let a ton of light into your camera. You shouldn’t usually have to compensate much in terms of shutter speed or aperture setting.

If you nail your lighting, you’re much more likely to nail your photo. Looking for more lighting guidance? Check out our in-depth guide here.


Many newcomers to photography overlook composition when it comes to portrait photos. The reality is that composing your scene correctly is just as important with portraiture. As mentioned earlier, 50mm lenses have a very ‘human’ FOV.

It’s worth keeping this in mind when composing your shot. The scene around your model should be designed to draw attention to them. How can you position your camera and scene to best capture the person you’re working with?

Consider color, shape, framing, and your background for best results. Want to take your composition skills to the next level? We have a free guide on the subject here.


So how close should you stand to your subject when taking portraits with a 50mm lens? The good news is that the 50mm format is pretty resistant to both distortion and blur. This means that the best approach to determining the right distance is to experiment!

It’s a good idea to start about 1.5-2 metres away from your model and then adjust your distance accordingly. Do you want the background to be blurred out? How much of your model’s face do you want in your frame? Are you going for a close-up shot or a half-length photo?

Asking yourself these kinds of questions will make it much easier to find an appropriate distance when shooting.

Your Model

The model you’re working with should be one of the first things you consider when setting up for your shoot. The human face is an astonishingly varied subject so each person will take a different approach to shoot correctly.

Different faces will look better with different lighting setups. Experiment and tweak your setup appropriately for each new person you’re shooting with. Take advantage of your 50mm lens’ versatility; change your settings to adapt to each new model you encounter.

Eye and Face Detection

It should come as no surprise that the eyes and face are two of the most important visual elements of portrait photography. Most good 50mm lenses come with built-in eye and face detection these days.

If you’re looking for a specific brand recommendation, Sony tends to perform very well in this department (be sure to shop around though!). Eye and face detection works by adjusting your camera’s focus to better capture the face of your model.

If you’ve never used it before, it’s worth experimenting with it a few times to get to grips with how aggressive your specific lens can be. Remember that sometimes it’s best to stick with manual settings.

It will all come down to your specific lighting environment and model.


The focus results you’re aiming for with your portraits will likely change from scene to scene and model to model. As a general rule, however, you’ll want your subject’s face to ‘pop’ and appear sharply in focus in front of a soft background behind them.

An f-stop of f/1.8 usually works quite well for this when shooting with most 50mm lenses. Remember that your specific model will determine the settings that work best for you so you’ll almost definitely have to tweak this slightly.

Most 50mm lenses worth their salt come with at least half-decent autofocus modes. Depending on your scene, it can be very beneficial to experiment with manual settings to push things up a notch.

Consider a Tripod

We’ve already mentioned that 50mm lenses are usually pretty tolerant of things like distortion, camera shake, and image blur. That said, even the steadiest of hands could benefit from a decent tripod.

It’s just one less thing to worry about when it comes to shooting. If you can guarantee that your equipment will stay steady, you can focus your efforts on more important things like lighting and composition.

Some photographers prefer to shoot handheld and that’s fine. If you’ve never tried portraits with a tripod, though, we think it’s worth the extra setup time. Wondering which tripod to use? We have a handy guide on the subject here.

How to Make the Most of a 50mm Portrait Lens – Our Verdict

Making the most of a specific lens takes a little bit of know-how to get right. If you leave this article remembering just one thing, we think it should be that lighting is everything when it comes to taking a great photograph.

50mm lenses are typically very versatile and can handle a broad variety of different lighting conditions. With this in mind, the environment you shoot in should be considered as just as important as the equipment you’re shooting with.

If you can nail down your lighting, composition, and overall framing, a huge amount of the ‘heavy lifting’ has already been done for you. Remember to take advantage of your lens’ ‘human’ FOV and start taking photos that make a lasting impression.

Happy clicking!

How to Store Camera Lenses – Keep Your Equipment Safe

Knowing how to store camera lenses is one of the most important bits of knowledge for a new photographer to get to grips with. Even the more budget-friendly camera accessories cost hundreds of dollars. Damaging your equipment isn’t exactly kind to your wallet.

As with most unwanted things in life, prevention is miles better than fixing things after the fact. Dealing with things like water damage and dust breaches is no fun – trust us. On this page, we’ll explore lens storage tips to help you keep your equipment in tip top condition.

After all, the better condition your lens is in, the more value it will retain over time!

Are things too late for your lenses? Wondering how to fix things like water and fungus damage? Check out our guide here.

camera lenses

Our Camera Lens Storing Guide

Before we dive into the details, we wanted to make a video recommendation. This overview from Chris Winter on YouTube is fantastic in our opinion. Check it out:

In this section, we’ll explore the main things that can damage lenses and how to avoid them when storing your gear.

The Main ‘Lens Enemies’

In order to store your lenses properly, it’s worth understanding the main things that can cause lens damage and impact your kit’s performance. Check out our overview below.


Moisture is probably the number one cause of lens damage for most people. This can come from rain when shooting outdoors, but it can also come from humidity in the air. Condensation from quickly changing ambient temperatures is another common culprit.

Once water has entered your lens, you’re looking at a big headache in terms of repairs and replacements. This means that any storage method you use should prioritize keeping things nice and dry.

Extreme Temperatures

Extreme temperatures and sudden temperature changes are not great for the overall health of your lenses. Movements between hot and cold temperatures can cause unwanted condensation.

What’s more, electronic circuits can short when placed in extreme conditions. Camera sensors in particular are very sensitive parts of your gear. Your storage environment should maintain a comfortable, consistent temperature.


Dust is another big thorn in the photographer’s side. Tiny particulates can easily make their way into the body of your lenses. Once this happens, the optical performance of your equipment can quickly deteriorate.

Once you throw moisture into this mix, things only get worse. Fungus spores are fairly common in some household dust. They remain dormant until they make contact with water, at which point they begin to spread.

When storing your lenses, dust should be kept to an absolute minimum.

Tension and Pressure

Tension and pressure both from inside and outside your lenses can cause inconvenient damages if you’re not careful. Springs and similar mechanisms within your gear can put undue pressure on the unit.

Storing your lenses underneath heavy objects is also a bad idea. The pressure and potential for collisions here are far from ideal. The glass in most lenses is reasonably hard-wearing, but it’s best not to test its strength if you can avoid it.

Tension and pressure should be reduced wherever possible.

The Pro-Grade Approach

We’ll jump into some more general tips a bit further down the page. For most people, these should be more than enough. If you’re a professional or enthusiast, however, you’ve likely already invested thousands of dollars into your equipment.

If this sounds like you, it’s worth considering something called a dry cabinet. These are essentially dehumidifying storage units that are designed to keep electrical equipment safe for extended periods of time.

They’re not super cheap, but they can save you hundreds in the long run and offer a substantial amount of peace of mind. Check out our recommendations below.

Ruggard Electronic Dry Cabinet (80L)

This option from Ruggard is a great example of what we’re talking about here. This dry cabinet comes with a roomy 80L capacity which should be more than enough for most people. You’ll be able to fit in a couple of cameras and accompanying lenses with ease.

Your gear will be kept nice and dry thanks to this unit’s dehumidifying design. Dust and similar debris will also be kept at bay by this cabinet’s airtight construction.

At less than $300, this might be a compelling option for some professionals out there.

Why We Love it:

  • Reasonably priced
  • Anti-moisture design
  • 80L capacity

Forspark Camera Dehumidifying Dry Cabinet 125L

If you’re someone with a ton of camera equipment, the listing above probably isn’t going to cut it. For more sizable collections, you’ll want something like this 125L cabinet from Forspark.

This thing has a ton of room for even the largest camera collections. As with the cabinet described above, everything will be kept nice and dry and dust and other contaminants kept safely away from your gear.

It’s not the cheapest product in the world, but for professional photographers, it might just be worth it.

Why We Love it:

  • Excellent dehumidifying features
  • Massive 125L capacity
  • Works quickly and efficiency

General Lens Storage Tips

But what if you’re just a hobbyist wondering how to store camera lenses? If this sounds like you, a dry cabinet will probably be overkill. The tips below are designed to help you maintain the value of your gear for many years to come. Read on to learn more.

Close to the Smallest F-Stop Possible

The springs and small mechanical elements of your lenses can place your gear under a lot of tension. When you’re not using your camera, this tension is useless and can even cause long-term damage.

When storing your lenses, close your aperture ring down to its smallest setting possible. This will help to reduce the amount of pressure placed on your lens when not in use.

Pelican Cases

Pelican cases are a slightly more affordable and portable version of a dry cabinet. They can’t actively reduce humidity, but they can certainly reduce the amount of moisture and dust that make their way onto your gear.

Cases like this one do a fantastic job and are relatively easy to pick up online.

Silica Gel/ Desiccants

You know those little ‘do not eat’ sachets that come with a lot of electronic products? These silica gel sachets offer a budget-friendly way to reduce the humidity of your storage environment.

Remember that while this kind of solution will reduce humidity to a degree, it’s far from the best option out there.

Store Lenses With the Front Element Down

As long as your storage surface is level (and ideally, padded), it’s a good idea to store your lenses with the front elements facing down. This prevents the oils on your aperture blades from slipping to where they’re not supposed to be.

Consider Your Environment

The location you choose to store your lenses is critical. Ideally, any area you choose should have all of the following:

  • Low humidity
  • Very little dust
  • Padded and level surfaces
  • A consistent, non-extreme temperature

It’s a good idea to vacuum and dust your storage area regularly. Take great care that this doesn’t displace dust onto your gear.

Lens Storage – Our Verdict

We hope you’ve found our tips on this page helpful. For most people, a budget-friendly pelican case is more than enough to get the job done. If you shoot professionally, it’s definitely worth considering a decent dry cabinet for your home.

Whichever method you choose, we hope your lenses stay perfect for years to come!

What is a Fisheye lens? A Photography Nerd’s Guide

We think photography is one of the best pastimes there is. It’s why we continue to write about the subject; we want as many people as possible to feel comfortable getting started. One thing that can be overwhelming about the hobby is all the equipment. For example, what is a fisheye lens?

When would you even use one VS the other lens options out there? On this page, we’ll explore the world of fisheye lenses. We’ll discuss what they’re for, when they’re useful, and how to get great results with them.

Read on to up your photography game.

What Does a Fisheye Lens do?

When you want to fit more of your subject or scenery into your final image, you need a lens with a wide angle or FOV. Fisheye lenses take this notion to the extreme and offer 180 degrees of viewing space.

The American inventor Robert W. Wood first used the term in the early 20th century when he compared the accessories to the view that most fish see underwater. This super-wide viewing angle is achieved by a whole bunch of clever optical engineering.

The focal length, glass elements, and several other components all work in tandem to produce some truly stunning images. Not everyone uses a fisheye as their go-to lens, but in the right pair of hands, they can produce some pretty impressive photos.

Why Use a Fisheye Lens?

Even once you know what a fisheye lens does, it can be tricky to find the perfect situation to use one. In certain contexts, these lenses can achieve truly breathtaking results so it’s worth understanding when they can be useful.

In this section, we’ll run through some of the most common reasons that people choose fisheye lenses every day. Read on to learn more.

You Want to Get Creative

The distorted frame edges and exaggerated curves that come with fisheye photography can put some users off. For some, however, this is exactly what they’re looking for. Photographers who are looking to get creative with their work can really benefit from the right fisheye lens.

If your subject is already fairly outlandish or ‘edgy,’ using this type of lens can really boost your results. Why not give it a try next time you’re shooting?

You Need a Ton of Space

City skylines or architecture shots are great examples of this. Some subjects simply need a ton of room. A good fisheye setup gives some photographers the frame real estate they’re looking for.

An added bonus here is that the distortion and curvature that comes from this kind of photography can really elevate the final result. It takes a little skill to get right, but it’s worth it in our opinion.

Your Genre is ‘Used to’ Fisheye Results

There are a few photography genres that have become closely intertwined with fisheye lenses. Skating imagery is one great example of this. It’s hard to imagine a skatepark shoot that doesn’t use a fisheye setup for at least a few photos.

If you’re working with a medium or in a field where fisheye lenses are expected, then feel free to let loose and get experimenting!

You’re Shooting Underwater

Following on from the discussion immediately above, underwater photography often makes use of fisheye equipment. One thing that can betray a fisheye setup is harsh or clearly defined lines in the scene.

Underwater subjects are far less likely to feature the straight lines seen in buildings or city scenes. Hence, they’re a fisheye photographer’s dream!

When You Want to Highlight the Scale of a Scene

The way fisheye lenses work means that objects closer to the lens appear much larger than they do in real life. This makes these accessories an excellent choice if you want to emphasize the scale of your scene.

Sprawling vistas, far-off mountains, and huge nature scenes can all benefit hugely from a fisheye setup. It just takes a little skill to get things right.

If You’re an Astrophotographer

There’s a reason that some people call fisheye lenses ‘full-sky’ or ‘whole-sky’ lenses; they’re a great fit for most astrophotography. There are two main reasons for this. Firstly, they offer a huge viewing angle to fit more of the night sky into frame.

Secondly, they let in more light than a standard wide-angle lens. This allows the user to shoot much more quickly and avoid unwanted star trails and the like.

They Let You Get Up Close and Personal

The focal lengths that come with most fisheye accessories make it possible to get much closer to your subject than you might be used to. In the right environment, this can prove extremely useful.

Cramped interior shots, for example, can be made to appear far more spacious than they do in real life. Whenever you see a spacious-looking, landscape shot of an underground subway station, chances are the photographer was using their fisheye.

They’re Great for Portability

As a general rule, fisheye lenses are both lightweight and compact. You probably won’t think twice about adding one to your existing kit bag. For professional photographers who are already lugging around a ton of equipment, this can be a pretty big deal.

If it boils down to a choice between two particular lenses that could do the job well, many photographers will choose the option that’s less hassle to bring with them.

They’re Kind to Your Wallet

This one of course depends on the specific brand and model you’re working with. That said, there are plenty of options out there that are comparatively inexpensive. You can pick up a good quality fisheye lens for much less than you may be expecting.

If you’re looking for an experimental/ ‘just for fun’ lens, a fisheye can be a great option. Canon and Tokina are two names that make some pretty great options that are unlikely to break the bank any time soon.


How to Use a Fisheye Lens

So now that we’ve covered the basics of fisheye equipment, let’s discuss how to actually shoot with the things. Check out our tips below and you’ll be more confident in no time. Remember that the best way to improve as a photographer is to practice.

The more often you get out there and actually use your gear, the faster you’ll improve.

Pay Attention to Hard Lines

We’ve already touched on how distortion and curved edges are two things that can impact the final result of a fisheye shoot. The main thing that will make this issue worse is the hard lines you find in subjects like buildings, streets, and similar scenes.

If you want to avoid obvious distortion, it’s best to choose a scene that doesn’t feature lines so prominently. Underwater photography is a great example of this; you’ll be hard-pressed to find many straight lines in the ocean!

Sometimes it’s just about reframing your scene to keep lines out of your frame edges. Try experimenting and see what works best for you.

Lean on Good Software When You Need to

You’d be amazed how much can be achieved with good editing software. While the best way to get the right photo is to make your shooting environment as optimized as possible, decent editing software can go a long way in improving your fisheye photos.

Adobe Lightroom has a handy panel called ‘Lens Corrections.’ This gives users the power to tweak and fix elements of their images that were caused by certain lens types, including fisheye. Try this feature out next time you’re editing your fisheye photos.

Consider Your Scene Closely

It’s always important to take stock of your chosen subject(s) in photography, but it’s especially worthwhile when using fisheye equipment. The distortion and curves that come with the genre take a little extra attention.

Take a look at your chosen scene. Are there any hard lines that will distort in your image? If so, are you able to frame in closer to avoid these elements? Wherever possible, try to find ways to avoid straight lines altogether.

That is, unless you’re going for the classic ‘fisheye look’ with your shots. Remember that these lenses are great at emphasizing scale. Big landscape scenes can come out great with a fisheye.

Ace Your Lighting

We reiterate this point on practically every photography article we write, and for good reason. Your lighting environment is perhaps the most important aspect of getting the high-quality results you’re looking for.

In most cases, you’ll want plenty of soft, diffused light to really make your subject shine. Natural, diffused sunlight is one of the best sources of this kind of light if you can find it. Remember that fisheye lenses let in more light than you may be used to.

Adjust your shutter speed and aperture accordingly.

When to Use a Fisheye Lens – Our Verdict

The main thing to consider when using this kind of lens is your scene. Take the time necessary to take stock of your shooting environment. If you think a fisheye might help, then go for it!

Use the tips outlined on this page to start taking photos that make a lasting impression. Happy clicking!

What Does a Lens Hood Do? What it is and How to Use it

Let’s say you’re new to the world of photography and looking to learn. Maybe you’ve picked yourself up a shiny new camera and a lens or two. You notice that some lenses have a kind of hood on their rim, while others don’t. So, what does a lens hood do anyway?

How do you know when to use one and when is it best to go without? One thing that can overwhelm newbie photographers is how daunting all the equipment can seem. That’s where we come in. We’re huge photography nerds and love writing articles to help people get to the bottom of it all.

On this page, we’ll be exploring lens hoods. We’ll discuss what they do, when they’re useful, and how to make the most of them when shooting. Read on to boost your photography knowledge!

What is a Lens Hood For?

So, what is the purpose of a lens hood? In photography, your lighting environment is probably the most important aspect of any shoot. The light you have available and the way that it interacts with your equipment determines the quality of your final images.

In certain contacts, stray beams of light can enter your lens from a side angle. This can cause something called lens flare. In very specific circumstances, this can be a desirable effect. Most of the time, though, it will ruin your hard work.

A lens hood shields your lens from unwanted rays of light and helps maintain clarity and focus for your photos.

When to Use a Lens Hood

Scratching your head pondering the lens hood vs no lens hood question? Don’t worry – help is at hand. In this section, we’ll run through some of the most common use cases for a lens hood when shooting with your camera.

The more you know about when a lens hood is useful, the easier it will be to know when it’s useless! After all, knowing how to use a lens hood is an important skill for new photographers to master.

When It’s Very Bright and Sunny

Bright outdoor shoots, especially things like sunsets or sunrises, can be full of stray beams of light. If these enter your lens while you work, you’ll almost certainly have to deal with lens flare and other image noise.

Using a good lens hood will eliminate all or most of this light and help you keep your images crystal clear! Use the hood that came with your lens or pick one up from a site light Amazon.

When Your Shooting Environment is Very Reflective

If you’re taking photos in an environment with lots of blank, white surfaces or reflective materials, you may find that a lot of light is bouncing into your lens. Even with a lot of clever positioning, you’ll struggle to get the image you’re looking for if you’re not using the proper hood for your equipment.

In cases like this, it’s best to be prepared. There’s nothing more frustrating than showing up for a shoot only to realize that you can’t get the image you were hoping for. The good news is that lens hoods are usually fairly inexpensive if you know where to look.

When You Need Extra Protection

The extra inch or two that most hoods add to your lens can prove very useful. This is especially true if you’re a clumsier photographer. When capturing moving subjects, for example, it’s not uncommon for photographers to move their camera very quickly from one position to another.

When an accidental collision happens, this can spell disaster if you’re not prepared. The lip of a lens hood can help protect your equipment from damage and unwanted scuffs.

To be Honest – Most of the Time!

The focused, streak-free results that come from using a lens hood mean that you should probably be using one every time you shoot. Unless you have a very specific reason for taking photos without one, you don’t really have much to gain from taking it off your lens.

If in doubt, keep your lens hood on!

Why It’s Worth Buying a Lens Hood

If you’re brand new to all this, you may be wondering why on earth you’d need a hood in the first place. After all, your lens seems perfectly capable without one, right? You might want to check out some of our suggestions below.

They’re not always 100% necessary, but we think a lens hood is a no-brainer most of the time.

They’re Very Cheap

Most lens hoods can be picked up for less than $10. With this in mind, why wouldn’t you get one if it could improve your shots? The ubiquity of this kind of accessory means they’re usually very easy to find at budget-friendly prices.

A lens hood is unlikely to break the bank!

They Boost Your Image Results

Most of the time, the only thing you’re likely to notice when using a lens hood is that it improves the quality of your photographs. This is especially apparent when shooting in bright outdoor environments.

Streaky sunlight and reflections can quickly undermine an otherwise good photograph. A lens hood is how you mitigate this.

They Protect From Flaring

In rare cases, photographers will want to use lens flares to enhance the results of their photos. Most of the time, however, they’re an unwanted distraction that is best avoided. The good news is that using a hood can immediately get rid of this type of distortion.

For less than $10 your photos can be given a welcome boost of clarity.

They Improve Contrast

Ever taken a backlit or sunset photo and noticed it seemed super ‘washed out’. A big part of this effect is caused by the sunlight throwing your contrast levels out of whack. Using the right lens hood can give you back control and help you take the photos you’re aiming for.

When Shouldn’t You Use a Lens Hood?

Most of the time, we think it’s a good idea to keep your lens hood on. You usually don’t gain much from removing it when shooting. That said, there are a few exceptions to this rule that are worth exploring.

Once you gain a little more confidence in your skills as a photographer, it can be worth it to experiment with shooting without a hood. Read on to learn more.

When You’re Capturing a Sunset

You know those iconic sunset photos where the sun’s rays are streaking out across the scene? Chances are the photographer wasn’t using a lens hood. If you want to achieve similar results, this is one instance where removing the hood can be a good idea.

Just be sure to shoot carefully and avoid letting any unwanted dust or debris touch the glass of your lens.

When You Want a ‘Washed Out’ Flare Look

When used creatively, lens flare can add a certain, well, flair to your final image. If you’ve got some practice under your belt and want to experiment a little, this can be a great opportunity to take a photo that makes a lasting impression.

Experiment with how your available light enters your lens and practice taking awesome lens flare photos.

If Your Camera’s Flash Gets Blocked

This all comes down to the specific equipment you’re using. Some camera bodies use a built-in flash module that can get blocked by certain lens hoods. If you need to use your flash and are using one of these cameras, you may have to remove your hood for this.

It’s possible that you may be able to find a different lens hood that will fit more conveniently onto your lens. It’s always worth shopping around for options if you have the time.

If You Can See Your Lens Hood in Your Photos

Depending on the FOV of your lens, it’s possible that you’ll be able to see your hood in the photos that you take with it. If this is the case, you may want to either remove the hood entirely or look for a new one.

For wide-angle lenses, a tulip-style hood is usually the right way to go. The indentations built into these hoods are designed to tackle this issue.

How to Put on a Lens Hood

Wondering how to put on a lens hood? You’re in the right place. This section contains our guide to properly installing a new hood on your equipment. Remember that every lens and brand is a little different. Your specific hood should come with installation instructions when it arrives.

Our steps below are designed to be as universal as possible. Let’s get into it!

  1. Check the rim of your lens for unwanted dust or debris. Clean with a microfiber cloth if necessary.
  2. Position your lens hood in line with your lens and make sure that everything is aligned correctly
  3. Firmly turn the hood counterclockwise until you here a clear click

Keep the following in mind when installing your lens hood:

  • Make sure the hood is aligned properly before twisting
  • Make sure you’re using the right lens hood for your model of lens
  • Always handle your camera equipment with great care

How to Take Care of a Lens Hood

While most lens hoods are fairly simple pieces of equipment, they can still break and cost you significant amounts of money in damages if you’re not careful. In this section, we’ll outline a few top tips that should help you keep your equipment safe for years to come.

Store Backwards When Not in Use

This won’t work for literally every lens hood out there, but most models can be installed the ‘wrong way’ round. When you’re not using your camera, this can help protect the more fragile tips of your hood from unplanned knocks and drops.

A broken lens hood can be a frustrating piece of damage to deal with so it’s best avoided if at all possible.

Store in a Padded, Safe Environment

All electrical equipment needs to be stored in a safe environment to avoid damage from things like humidity, extreme temperatures, and sudden bumps. Using a dry cabinet for your gear can go a long way in keeping your gear safe.

Wondering how to safely store your lenses and other equipment? Check out our guide here. [LINK RECENT ARTICLE HERE].

Make Sure You’ve Got the Right Model

Some lens hoods will appear to fit just fine, even though they’re actually the wrong model for your lens. In some cases, this won’t be much of a problem at all. In others, this can put undue tension on the rim of your lens.

It’s worth double-checking the compatibility of any lens hood you consider. Just a little bit of research can save you hundreds of dollars in damages later on!

What Types of Lens Hood are There?

As if things weren’t confusing enough already, there isn’t just one type of lens hood to think about! For better or worse, you’ll have to get familiar with two kinds of hood – tulip hoods and round hoods.

Round Hoods

Round, or cylinder, hoods are the type we’ve been talking about thus far. They’re a standard shape and size and are the most common hood you’re likely to encounter when shooting. As mentioned earlier, their purpose is to shield your lens from unwanted rays of light that can cause flaring and distortion.

Tulip Hoods – What Does a Tulip Hood do?

These are sometimes referred to as petal hoods. These have small sections ‘cut’ out of them in the shape of a flower. They’re used mostly with ultra-wide and fisheye lenses. If these cuts weren’t present, you’d actually be able to see the edges of your hood when shooting!

To test this for yourself, try putting a round hood on your ultra-wide lens. It just doesn’t work most of the time!

Where Can I Find a Good Lens Hood?

Your specific camera brand should have a ton of options out there. The good news is that picking up a new one is usually pretty inexpensive. We list a few options below. We’ve tried to feature hoods that work with a broad spectrum of different lenses.

Canon Tulip

This option from Canon is designed to work with a broad range of their most popular lenses. Check it out here.

Sony E-Mount Hood

This Sony hood is built to work with a handful of the brand’s E-mount lenses. Take a look here.

Nikon Hood

If you’re using a Nikon lens, there’s a reasonable chance that this hood will work with it. Always double-check to be sure. It can be found here.

Tulip Lens Hood vs Round – Which Should I Use?

If you’re scratching your head wondering which type of lens hood you should use, don’t worry. You’re far from the first person to ask this question. The good news is that the answer is pretty straightforward.

If you’re using a wide-angle lens with a very open FOV, a tulip lens is probably the right option for you.

If you’re using a more standard lens, a round hood will work just fine. There’s a good chance that your lens came with a hood in the box. If this is the case, the hood type that you got will be the correct configuration for your gear.

Final Thoughts

We hope this page has helped to clear up any confusion. A lens hood is the type of accessory that is often forgotten until it’s needed most. In sunny or bright shooting environments, you’ll be glad you’ve got one.

Happy clicking!

Best Slow Motion Camera to Shoot High FPS Video

Cameras that are capable of producing high-quality, slow-motion footage are increasingly in-demand. As lockdown measures around the world begin to ease in 2021, this demand will only grow as more people are able to explore again.

It’s important to keep in mind that not all slow-motion cameras are made equal. Similarly priced models can perform very differently, so it’s worth understanding what sets some models apart.

If you’re looking for a great slow-motion camera that can shoot at a high frame rate, you’ve come to the right place. This page will dive into some of the best slow motion camera options available today. We’ll also lay out some general things to consider.

GoPro HERO9 Black, Waterproof Sport and Action Camera, 5K/4K Video, Power Bundle with Dual Charger, 3 Extra Battery, 128GB microSD Card, Cleaning Kit

What Is a Slow-Motion Camera?

Without stating the obvious, slow motion is an effect in cinematography where movement appears much slower than usual. The camera captures frames at a much higher frame rate in order to create a striking effect.

The result is videos that reveal exciting new details and present the material with drama and impact. High-action sports are a great slow-motion subject, but practically any video with enough movement can turn out great.

A camera that’s good for slow motion will capture at a high enough frame rate and have sufficient sensitivity to light.

How Do You Shoot the Best Slow-Motion Video?

Whether you’re a hobbyist looking to brush up their skills or a complete notice, there are a few things to keep in mind when shooting slow motion video.

Frames per Second

Fps, or frames per second, determines how many still frames your camera records per second when filming a video. For slow motion, the higher fps you choose, the slower your subject will appear to move.

A rough rule of thumb is that 60 fps will result in a video that’s 2X slower than normal. 120 fps, then, is 4X slower and so on.

The higher the frame rate, the lower the resolution will be. You’ll also need that much more light to get good footage.

Shutter Speed

To put it simply, the shutter speed of a camera determines how long the sensor is exposed to light. It affects the lighting of your composition and its overall sharpness. Within the context of slow-motion photography, shutter speed has a close relationship to fps, or frames per second.

To get the results you need, always set your shutter speed to double that of your frame rate. For example, when shooting at 500fps, your shutter speed should be 1/1000th of a second.


Light is fundamental for practically all photography, and slow-motion video is no exception. The golden rule is that the faster your shutter speed, the more light you will need.

Once you’re shooting at frame rate of 1000 or more, you’ll need a massive amount of bright light to get what you’re looking for. Image noise becomes a big issue at this speed. Avoid low-light environments whenever possible.

Another thing to remember is that many incandescent lightbulbs can cause a flickering effect in slow-motion video. To avoid this issue, look for bulbs with a flicker frequency that’s higher than the refresh rate of your camera sensor.

This may require some trial and error to figure out.

Consider a Tripod

It isn’t strictly necessary to use a tripod for this kind of footage, but it can make a huge difference. This is especially true of longer videos where camera shake can ruin your results.

To guarantee the best possible standards for focus, camera shake and image noise, a tripod is your best bet every time. There was a time when this kind of accessory could be prohibitively expensive, but you can now pick one up for around $20-$40.

Once you’ve got familiar with shooting video with your camera, you might like to try a tracking shot using your tripod. It will take a little getting used to but can really elevate your shots once you’ve got the hang of things. Adding skills like this to your arsenal can go a long way in upping your photography game.

Storage Space

High-resolution video can take up a lot of space, fast. Double-check the storage options available for any camera you’re considering. Check whether it’s compatible with SDXC cards, SDHC cards, or both.

The read speed is another important consideration; look for at least 150mb/s.

Editing Should Enhance, Not Fix

This is generally true of most photography, but it’s especially relevant for slow-motion footage. When working with such a dramatic shooting style, heavy-handed editing can distract from your final result.

Aside from perhaps a slight crop, a new audio track or some lighting tweaks, you should try to make your shot as effective as possible before opening up lightroom.

Remember that Audio Gets Weird

There’s a reason that most slow-motion videos you see use a separate audio track for the sound. When you capture in slow motion, the audio starts to sound super funky.

Unless you’re going for an outlandish effect, plan to replace the audio for your video. There are plenty of online resources that host royalty-free tracks that can be used.

Remember to only use tracks legally and responsibly.

What are the Best Slow-Motion Cameras?

The reality is that the best slow-motion camera will be different for everyone. Some will want bleeding-edge specs with jaw-dropping clarity, while others will be happy to forgo these features if the price is right.

The list below contains our top picks for the best slow-motion cameras on the market. We’ve tried to pick a reasonable range of prices and feature sets. The options on this page are priced between $300 and $1200+.

If you’re looking for cinema-quality performance, we recommend checking out Sony’s line of ultra-expensive professional cameras.

1. GoPro Hero 9 Black

GoPro HERO9 Black, Waterproof Sport and Action Camera, 5K/4K Video, Power Bundle with Dual Charger, 3 Extra Battery, 128GB microSD Card, Cleaning Kit

The GoPro line of action cameras is still phenomenally popular. They make it easy to capture stunning videos and stills while on the go. The Hero 9 Black has excellent slow-motion capabilities and can capture 8X slow motion with a high frame rate at 240 fps.

It’s worth noting that this is significantly better performance than many other consumer-grade cameras on the market. GoPro appears serious about maintaining its reputation as an action powerhouse.

Why we Love it

If you’re looking for a rugged action cam that takes excellent-quality slow-motion videos, this GoPro is tough to beat. Sports and general action videos benefit tremendously well from slow-motion capture and the Hero 9 was built to deliver on this front.

Videos are stable, crisp, vivid and are remarkably easy to capture thanks to the signature GoPro layout. Add this to the generous suite of other features that come with this model and you’re looking at a seriously compelling package

Modular Accessories

One of the great things about GoPros in recent years is the ability to expand the performance of your camera with optional accessories. Your audio recording, lighting and display can all be upgraded with a modular add-on.

The light mod in particular can help bring some much-needed illumination to your slow-motion videos.

HyperSmooth 3.0

As mentioned earlier on this page, stability is a huge factor when recording slow-motion video with your camera. “HyperSmooth” is the GoPro marketing lingo for their image stabilization features.

In short, they make your videos appear much more stable, even when doing shaky sports like dirt biking.


  • Excellent slow-motion footage (8X at 240 fps)
  • HyperSmooth 3.0 for stable shooting and can really enhance slow mo footage
  • Built for the outdoors
  • Full HD and 4K video recording capable


  • Audio capture still isn’t amazing on GoPros

2. Sony RX0 II

Sony RX0 II 1” (1.0-type) Sensor Ultra-Compact Camera

As a general rule, Sony has a great track record when it comes to camera performance. The compact RX0 II is no exception to this rule. Sony has packed an impressive amount of slow-motion punch into this tiny package.

Why we Love it

Within the context of this review, the main thing that stands out to us about this camera is the wide array of slow-motion options. Standard slow-motion capture is possible at a respectable 120 fps in full HD.

Switch to Sony’s so-called “slow motion7”, however, and you’ll be recording at a frame rate of up to 960/1000 fps. At this speed, even the most pedestrian footage can be brought to life. Keep in mind that at super-slow speeds like this, you’ll need a great deal of light to get the slow mo results you’re looking for.

The “end trigger” feature for slow-motion capture on this camera is great. It lets users pinpoint exactly where they’d like the effect to come into force.

Adjustable LCD Screen

A handy feature of the RX0 II is its adjustable LCD that can tilt up 180° and down 90° for flexible shooting on the go. Features like this help this camera stay ultra-portable and adaptable to a broad range of environments.

The increased visibility it affords will make slow-motion capture even easier.

BIONZ X Image Processing

Sony usually does a great job of onboard processing. The BIONZ X processing engine does a phenomenal job of treating your images and slow mo footage with the respect it deserves.

Expect rich tones, vivid details, and way less image noise.


  • Excellent slow-motion options with super-slow mo footage
  • Full HD video recording
  • Sony’s stellar image processing
  • Ultra-compact design


  • The autofocus can be a little finicky

3. Sony RX100 VA

Sony RX100VA (NEWEST VERSION) 20.1MP Digital Camera: RX100 V Cyber-shot Camera with Hybrid 0.05 AF, 24fps Shooting Speed & Wide 315 Phase Detection - 3” OLED Viewfinder & 24-70mm Zoom Lens - Wi-Fi

At around $1000, the RX100 VA represents a significant bump up when compared to its younger sibling the RXO II. In exchange for this extra cash, you’ll enjoy significantly improved battery life, better autofocus, and stunning low-light performance.

Why we Love it

The low-light performance of the RX100 VA deserves a lot of praise. Considering the size of the camera unit, the ISO range of 80-12,800 is impressive.

Slow-motion video capture is only ever as good as your available light. Cameras that can squeeze every last drop of performance out of your lighting environment are a boon for slow-motion recording.

The high-density autofocus tracking on this model also contributes significantly to this camera’s slow-motion performance. Your subject will stay sharply in focus, even when moving at blistering speeds.


As you can probably tell by now, we’re big fans of Sony cameras in general. Their image processing, autofocus technology and shutters usually have one thing in common — they’re fast.

If you regularly capture in continuous shooting mode, or prefer subjects that move quickly, the speed of this camera will definitely appeal to you.

Anti-Distortion Shutter

The shutter speed of this camera is designed to keep image noise to an absolute minimum. If you regularly shoot subjects that result in blurred or distorted images, you might be surprised by how effective this feature can be.


  • Gorgeous 4K video recording and full HD shooting
  • Excellent low-light performance for slow motion
  • A very fast camera in general
  • Compact design


  • At this price, an interchangeable lens system would be nice

4. Sony A6500

Sony Alpha A6600 Mirrorless Camera

Rounding up this section of the review is the Sony A6500. Sony boasts that this camera has the “world’s fastest” autofocus. If speed and precision matter to you, then this camera is well worth considering.

Why we Love it

The A6500 delivers on almost every front. The performance on offer here is seriously impressive. In particular, we love the stellar ISO range and noise reduction technology. They allow for slow-motion footage that is absolutely gorgeous.

The adaptable autofocus features on this camera from Sony can adjust to practically any subject you throw at it. Your slow mo footage will be in focus like never before, even with unexpected or irregular movements.

5-Axis Optical Image Stabilization

As we’ve mentioned previously on this page, the stability of your shot will determine the quality of your slow-motion video. The 5-axis setup of the A6500 keeps your shots rock-solid, even if you have a shaky hand.

Features like this one begin to justify this camera’s $1300 price tag.

Mirrorless Power

This camera is from Sony’s world-renowned line of mirrorless cameras. This comes with a number of benefits. These include a super-lightweight frame, interchangeable lens system, and a slew of Sony accessories that are all ready and waiting if you can afford them.


  • A fully fledged mirrorless camera
  • Excellent low-light performance
  • 5-axis optical stabilization
  • Great onboard image processing


  • One of the more expensive options on this list

5. Canon EOS 90D EF-S(Canon camera that shoots 120 FPS)

Canon EOS 90D with 18-135mm f/3.5-5.6 is USM Lens + 128GB Memory + Canon Deluxe Camera Bag + Pro Battery Bundle + Microphone + TTL Speed Light + Pro Filters,(22pc Bundle)

If you’re looking for a camera that can shoot at a frame rate of 120 fps, Canon is a good brand to look out for. The camera giant has plenty of options available. It’s worth keeping in mind that most cameras capable of higher frame rates like these come at a premium.

Weigh up your individual requirements before pulling the trigger; you could save a fair bit of money if you don’t need the extra juice.

This DSLR ticks a lot of the right boxes. 240 fps shooting with plenty of other frame rates? Check. Uncropped, 4K videos? Double check. Killer sensor with brilliant optical performance? You get the picture.

If you can afford it, there’s plenty to love about this camera.

Why we Love it

The versatility and power of this machine make it an excellent slow-motion camera. Use an appropriate lens with sufficient low-light performance and you’ll be able to capture stunning videos every time.

The updated sensor design on this model delivers fantastic image quality with stellar dynamic range, resolution, and clarity. Canon has done a great job here.

45-Point Autofocus

The 45-count autofocus system on the Canon EOS 90D does a phenomenal job of keeping your subject in focus. Without getting into the nitty gritty of focusing features in this review, a higher number of focus points usually translates to a much more robust system.

Your subjects will come sharply into focus every time and will need far less tweaking to look right.

Beefy Sensor

The 32.5 megapixel sensor on this camera goes a long way toward making this one of our favorite cameras for shooting slow-motion video. This level of performance can be much more forgiving than other cameras.

Even if you’re still a little unconfident when shooting, your slow mo footage should still turn out great.


  • Very good optical performance
  • 4K video shooting
  • Canon DSLRs are very versatile when it comes to available lenses
  • Strong autofocus system
  • Produces excellent slow-motion video with frame rates up to 240 fps.

6. Canon PowerShot G7X Mark III

Canon PowerShot G7X Mark III 20.1MP 4K Digital Camera Vlogger Bundle (Black) with 4.2X Optical Zoom Lens 24-100mm f/1.8-2.8 Black 3637C001 with 64GB Memory, Tripod, Camera Bag, HDMI Cable,

If you’re looking for some of the performance of the EOS but are working with a tighter budget, the G7X Mark III might be for you. This option is popular among vloggers thanks to its compact design, but it still packs plenty of punch for high frame rate shots.

Why we Love it

With shooting modes up to 120 fps, the G7X Mark II is capable of producing some pretty impressive videos. The tilting screen can also be adjusted 180° which lends some welcome versatility when shooting.

Buying from Canon grants users access to the brand’s huge range of available accessories. When you buy a Canon camera, you’re usually buying a product that can be expanded with modular accessories.

DIGIC 8 Image Processor

This iteration of Canon’s onboard image processing significantly improves both speed and overall performance on this camera. The ISO and low-light performance in particular have seen a notable increase.

For slow-motion shots, this means clearer images with more punch in general.

Live Streaming Functions

This feature won’t be for everyone, but it can make the lives of some people much simpler. The G7X Mark III can live stream directly, without the need for additional software or devices.

If you regularly vlog or stream content for events, this camera is a great choice.


  • Adjustable touchscreen LCD
  • Can film at up to 120 fps
  • Strong image processing with 4K video
  • Live streaming capabilities


  • Can film at up to 120 fps

7. Canon EOS M6 Mark II

Canon EOS M6 Mark II Mirrorless Digital Camera and 15-45mm Lens + EVF-DC2 Viewfinder with Altura Photo Advanced Accessory and Travel Bundle

With unique viewfinder options and some pretty impressive performance, this mirrorless option from Canon is well worth a look. The M6 Mark II can film at a frame rate of up to 120 fps and comes with a slew of impressive features to justify its considerable price tag.

Why we Love it

Canon has balanced performance, usability, and value very well here. This camera delivers excellent videos and photos and is relatively simple to get to grips with. This one should serve you well, even if you’re a complete novice.

Additional Viewfinder

One feature that caught our attention with this model was the option to pay extra for an electronic viewfinder accessory. While far from essential, this peripheral significantly boosts visibility and flexibility when shooting, with up to 100% coverage wherever you are.

If you prefer to shoot with a more traditional approach, definitely consider this upgrade.

Touch and Drag Autofocus

This one might come in handy when filming slow-motion footage of a moving subject. Canon’s intuitive autofocus UI lets users drag a finger over the touchscreen LCD to adjust focus on the fly.

This will make it much easier to shoot dramatic slow mo footage that’s always just as crisp as you planned.

Rapid Continuous Shooting

As a general rule of thumb, a rapid shooting speed of 10+ fps is considered pretty fast. The M6 Mark II can shoot continuously at up to 14 fps, making this camera a beast when it comes to fast moving subjects.

A great use for ‘burst mode’ is to hedge your bets when capturing stills so that you have plenty of photo options to choose from later.


  • Up to 120 fps for videos
  • Rapid continuous shooting mode
  • Touch and drag autofocus for convenient tweaks
  • Powerful 32.5-megapixel sensor


  • The low-light performance is good but could be better


How Much Does A Slow-Motion Camera Cost?

The answer to this question is determined largely by your specific requirements. It’s possible to find a camera for slow motion for as little as $300. When working with a budget this small, it’s worth paying special attention to online reviews to make sure you’re not wasting your money.

GoPro is a great brand for relatively affordable cameras for slow motion. Models from the Hero 8 and earlier tend to be significantly discounted these days when compared to the more recent Hero 9 and GoPro MAX.

Staying within the consumer-grade category, a premium option can run you as much as $1500+. While excessive for most people, enthusiasts and professionals will appreciate the performance that comes with a heftier price tag.

As a general rule, more premium cameras for slow motion come with better low-light performance, superior autofocus systems and larger sensors. These all contribute to a device that can capture incredible slow-motion videos.

If you have very specific slow-motion needs and are working in a professional environment like cinematography that needs ultra-slow mo capabilities, there are plenty of cinema-grade options out there.

These cinema cameras will run you at least $5000 and can easily get much higher. Sony has a strong line of cinema cameras, for example. The reality is, however, that if you need a camera of this calibre, you probably don’t need to be reading this review!

Which Phone Has the Best Slow-Motion Camera?

If you read this title and turned your nose up, think again. Smartphones have come leaps and bounds in terms of optical performance over the past five years. There are a few options out there that can produce some seriously impressive results considering the size of the phone.

1. Samsung Galaxy Note 20 Ultra

While the length of your video will be capped at certain frame rates, the Galaxy Note 20 Ultra remains one of the best smartphones for slow-motion video. Samsung’s “Super Slow-mo” feature can capture footage at up to 960 fps.

With four cameras, a laser autofocus system and Samsung’s respectable software suite, this phone is a fantastic choice if you can afford it. Not only can it produce great slow-motion clips, but it’s also a brilliant camera in general.

Other killer features of this smartphone include Samsung’s unique S Pen, a top-end processor, and the powerful Android operating system. Put it this way: there’s a reason that Galaxy phones are among the most popular in the world.


  • Arguably the most premium line of smartphones out there
  • Killer overall camera performance
  • Optimized footage for a result equivalent to 960fps slowmo


  • Very expensive

2. Sony Xperia 5 II

The Sony Xperia 5 II is another great choice if slow-motion capture is important to you. While Sony’s smartphone line-up has been polarizing in the past, this phone is undeniably good at slowmo.

It’s possible to capture 4K video at 120fps with this smartphone. As a leader in the digital camera space, Sony appears dedicated to continuing this brand image with their phones.

The camera software on the Xperia line of products offers more control than some users might be used to. You’ll be able to tweak manual settings to your heart’s content.

The 240Hz refresh rate on this display is complete overkill, but that doesn’t mean it isn’t gorgeous to look at. Swiping through your phone will feel buttery smooth. If you’re used to the more standard 60Hz refresh rate, you may be surprised by how nice this upgrade feels.


  • Brilliant slow motion for a smartphone
  • High refresh rate display
  • Great front-facing speakers


  • Sony’s track record for smartphone updates isn’t great

3. Huawei P40 Pro Plus

Huawei has broken significant ground in the international market in recent years. The P40 Pro Plus delivers excellent slow-motion video for a premium price.

This smartphone records a burst video at 1920fps and then extrapolates it up to 3840fps. Software trickery aside, the results can actually be breathtaking if you get it right.

As for general camera performance, this thing is no slouch. The 5-lens system gives users plenty of versatility when shooting on the go. Huawei’s default processing is a little vivid for some people, but this can easily be tweaked in the settings.

Phones like this are testament to how far camera technology has come. If you can stretch to the $1200+ price tag, this one is worth considering.

Conclusion: Which Slow-mo Camera Is Right for Me?

Feeling overwhelmed? It can be easy to feel paralyzed by the amount of choice that’s available. We always recommend thinking about your individual requirements in as much detail as possible.

The more you know about what you want out of your camera, the easier it will be to make the right choice. We lay out some specific suggestions below.

Think About Other Features

While this page has focused primarily on slow-motion video, it’s likely that this won’t be your only priority. Do you care about still images too? Does weatherproofing matter to you? What about Wi-Fi connectivity, do you care about that?

The clearer you are about which features you care about, the simpler it will be to pick the right camera.

Which Frame Rate is Enough?

While crazy-high frame rates up in the thousands are great to have, it’s worth remembering that they’re miles away from being essential. 120fps can be more than enough for casual slowmo requirements.

If you just want to film your pet in a fun new way or have similarly straightforward demands, a modern smartphone will probably do the trick.

Pick a Dealbreaker Price

Once you’ve spent a little time thinking about the features you care about, decide on an absolute maximum price that you’re willing to tolerate. This will make it much easier to say no to cameras that go out of your budget.

Unless it has a good enough feature set to persuade you, don’t be distracted by flashy marketing. Remember that while it’s possible to get a good camera for $300, this is usually lowest you can go before quality starts to suffer.

Best Low Light Action Cameras: 7 Picks

Finding the best low light action camera can be a challenge since most action cameras are just not designed to shoot in poor lighting conditions. However, there are a few models out there that deliver decent results in low light.

In this post, we’ll take a look at those cameras and see which ones are ideal for low light conditions. For what it’s worth, an action camera will never handle low light photography quite as well as a DSLR or mirrorless camera, but then again, there are certain situations where the only camera that will do the trick is an action camera.

cfimvtbl-table__image Our Top PickOur Top PickGoPro Hero 7 Black
  • HyperSmooth Video
  • Waterproof and rugged
  • Unmatched video quality
cfimvtbl-table__image DJI Osmo Action Camera
  • 2 screens
  • Good slow motion footage
  • RockSteady technology
cfimvtbl-table__image Yi 4K+ Action Camera
  • Budget friendly
  • Long battery life
  • Can record 4k/60 fps

Top 7 Best Low Light Action Camera Picks That Don’t Suck

1. GoPro Hero 9 Black

GoPro Hero7 Black — Waterproof Action Camera with Touch Screen 4K Ultra HD Video 12MP Photos 720p Live Streaming Stabilization

It should come as no surprise that the GoPro Hero 9 Black is at the top of our list. GoPro are the pioneers of the action camera itself and have completely revolutionized photography and videography. Year in and year out, their models just shoot higher quality video than any other camera out there.

There used to be a time where GoPros actually had terrible low light shooting but the company has addressed the issue in their new model. The GoPro Hero 9 Black has some shooting modes that are especially designed for taking nighttime videos and photos:

  • Night Photography mode
  • Night Lapse Mode
  • Auto Low Light mode

You should be aware that low light mode will not have video stabilization, so if your camera is moving very quickly, you will have rather blurry video, especially since the shutter is working slower.

Some advantages of the GoPro 9 Black is that it’s waterproof and in good lighting, the Hypersmooth stabilization does a fantastic job of recording silky smooth videos, and it has voice commands so you don’t need to fumble in the dark.

However, GoPro’s battery life always leaves something to be desired.

The touch screen controls make it very easy to use, and if you have the budget, the GoPro Hero 9 Black is one of the best action cameras for low light, period.

Here’s a quick rundown of the other features:

  • 5K video/4K video/1080P video recording
  • Frame rates of 240 fps/120 fps/60 fps/30 fps (great for slow motion too)
  • 20MP still photos
  • Livestreaming capability

This video is a good example of the GoPro Hero 9’s low light performance:

2. DJI Osmo Action Camera

DJI Osmo Action - 4K Action Cam 12MP Digital Camera with 2 Displays 36ft Underwater Waterproof WiFi HDR Video 145° Angle, Black

The DJI Osmo Action is DJI’s response to the GoPro Hero. Sporting a front and back facing screen, in some cases, the DJI actually records better low light video than the GoPro Hero.

Interestingly enough, both cameras have a 1/2.3 inch CMOS sensor, but the DJI Osmo Action seems to have better image processing.

This is quite striking, especially considering that the GoPro has a higher maximum ISO (3200) than that of the DJI Osmo Action (1600).

The DJI Osmo Action also has an electronic image stabilization system called RockSteady. The results are quite impressive and can rival the GoPro’s HyperSmooth algorithm.

The Osmo Action is actually very good at taking still photos in low light as you can take exposures of up to 120 seconds.

You can take really nice city or night sky shots using this function.

However, because the DJI Osmo Action can’t live stream and lacks 5K video, it falls to the number 2 spot. Also, GoPro’s customer service and warranty is much better than that of DJI.

Both the DJI Osmo Action and the GoPro both are superb choices for a low light action camera thanks to their ruggedness, waterproof rating, video quality, and voice commands. The Osmo is almost half the cost, though, so if budget is an issue and you don’t care much about customer service, go for the Osmo instead of the GoPro.

3. Insta360 One R 4K Action Camera

Insta360 ONE R 4K Edition – 4K 60fps Sports Action Camera with Stabilization, IPX8 Waterproof, Reversible Touch Screen, Slow Motion, Adaptive Design

The Insta360 One R is a relatively new entrant to the action camera market, but it’s burst onto the scene with a storm. It’s not cheap: it’s more expensive than the Osmo, but a little less than the GoPro Hero.

As an action camera, it shines. It’s got all the good features you’d expect from a premium action camera:

  • 4K video, 1080P video, and great image quality
  • A wide angle lens
  • FlowState electronic image stabilization
  • Slow motion video capture
  • Rugged build and waterproof rating
  • A backward and forward facing screen
  • Voice commands

The reason it makes this list, though, is because of the Night Shot feature which is specifically designed for low light conditions.

If you’re into nighttime photography, turn on the auto low light mode in Night Shot to capture higher quality photos.

The caveat? This only works for still shots.

Low light video is always going to be difficult, unfortunately.

Still, the Insta360 One R is one of the best low light action cameras on the market and is a great fit for someone who’d like something a bit more premium than DJI bu does not have the budget for a GoPro.

The changeable lens is also a huge plus.

Like all action cameras, the battery life leaves a little to be desired.

4. Sony HDR-AS50/B Action Camera(best low light performance)

Sony HDRAS50/B Full HD Action Cam (Black)

The Sony HDR-AS50/B is another contender for the best action camera for low light conditions. Sporting a back-illuminated Sony Exmor sensor, it’s exceptional at capturing great video even in poor lighting conditions.

Sony has really outdone themselves with this action cam. It’s packed with features that make it a great companion for shooting action shots.

The one huge drawback, though, is that it can only capture up to 1080p video. This would have been fine in 2016, but nowadays, 4K video is a must, especially since 4K TVs are that much cheaper now. The Sony can do 4K, but only as a timelapse.

Aside from that, the Sony HDR-AS50/B has everything you’d want in an action camera:

  • Waterproof rating to 60 meters
  • High quality lens
  • Slow motion video footage
  • Electronic image stabilization
  • Stereo microphone
  • LCD screen for viewing shots and composition/settings
  • High resolution photos
  • Built in zoom

Sony is a veteran in the photography industry, and it’s no surprise that they’ve packed alot of functionality into this little photography powerhouse.

Of all the cameras we’ve listed here, the Sony HDR-AS50/B has the best low light performance. The only drawback here is that Sony chose a slightly different design for the camera which makes it difficult to use in many situations. The GoPro form factor is very universal and works with a ton of accessories.

If Sony had chosen the GoPro factor and packed these features into the camera, it would blow everything else out of the water.

5. EZVIZ Action Camera

EZVIZ S2 Lite Action Camera 1080p 60fps 8MP 131ft Waterproof 2' Touch Screen Interface On Dash Cam 150° Wide Angle Low-Light Mode Built-in WiFi Bluetooth Pocket Size Outdoor Sports

The EZVIZ Action Camera is quite affordable compared to the pricier DJI and GoPros, which is why we wanted to include this one in our list too.

On the surface, it shoots 1080p/60fps video with a huge 150 degree wide angle lens. There’s very little that you won’t be able to capture with such a wide angle lens. Though one small disadvantage here would be that you’ll get a bit of fish-eye effect.

The reason that the EZVIZ makes our list, though, is the low-light mode. Whenever the surroundings get dark to a certain degree, low-light mode automatically kicks in.

If you use the waterproof housing(you’ll need the housing for this to work), you can take it to a depth of 40 meters underwater.

All in all, the EZVIZ is a surprisingly good camera that ticks a lot of the boxes where the DJI and GoPro fall short. It has a removable battery, takes respectable low light photos and videos, and it’s quite user friendly.

The main disadvantage though is that it’s a bit on the bigger side, and there are no mounts included in the packaging.

6. Yi 4K+ Action Camera

YI 4K+ Action Camera, Sports Cam with 4k/60fps Resolution, EIS,Voice Control, 12MP Raw Image

The Yi is Xiaomi’s action camera. Xiaomi has burst on the scene in the past two years as a powerhouse brand that makes nearly everything under the sun.

The Yi 4K+ is a super affordable, high quality action camera. You can’t expect daytime videos like the GoPro, but for most practical usage(casual Youtube or Instagram), you won’t even notice the difference in quality once you’ve uploaded the video.

It can shoot 4K video at 60 frames per second, but if you enable the low light mode, you will no longer be able to shoot 4K. You’ll lose out on stabilization, too.

Still, you’ll get pretty decent results from the 1/2.3 inch CMOS sensor and even though there will be a few traces of grains, the video will be usable.

Like the EZVIZ, the Yi falls short with no accessories being packaged with it, and it’s not waterproof without a case.

7. Polaroid Cube Act II

Polaroid Cube Act II HD 1080P Mountable Weather-Resistant Lifestyle Action Video Camera (Black) 6MP Still Camera w/ Image Stabilization, Sound Recording, Low Light Capability & Other Updated Features

The last pick on our list is the Polaroid Cube Act II. The Cube is a super cute, small action camera that measures just under 1.5 inch on each side.

It has a decent 124 degree wide angle lens that should capture quite a lot of imagery, and the internal stabilization will help keep your videos smooth even if the camera is subjected to a jerk here or there.

The EXTREMELY cool feature of the Act II is that the bottom of the camera is magnetic, so you can just stick it anywhere to get an interesting vantage point for recording videos.

It takes high quality photos and video, and the low light performance is respectable, too.

More than its low light capability, what drew us to the Cube Act II was really the super cool form factor and convenience that this camera offers.

How does a camera handle low light?

The main factor that determines how well a camera handles low light is the sensor size. A bigger sensor means better light handling. However, since action cameras are tiny by nature, they have tiny sensors, and that’s why they’ll always suffer in low light situations.

On top of the sensor size, cameras have two ways of handling low light situations. One is to increase the aperture, which lets more light onto the sensor. The other is to slow down the shutter speed, which keeps the shutter open for longer, and lets more light onto the sensor.

Back in the day, there was film, but now, there is a digital sensor which captures the image.

Because there’s not enough light coming in, you won’t be able to see as many details or colors as you would in better light.

There’s also a function called ISO which has carried over from the old days of film cameras. In film, ISO ratings referred to how sensitive the film was to light. Higher ISO films were better suited to low light.

Since digital cameras have a sensor, ISO is used by the camera’s processing software to enhace the low light image.

Lately though, the processing software inside cameras has gotten very advanced and a lot of post-processing that you would have had to do on the computer is now done by the camera itself.

Does resolution matter?

When deciding if a camera can low light, resolution is a tricky number to use. Resolution is the number of pixels the sensor can capture. So if a sensor is small and is rated for many megapixels, it just means each pixel is smaller.

A large sensor captures a lot more light, so larger sensors usually have larger megapixel ratings.


Final thoughts on the best low light action cam

Even though we rated the GoPro as number 1, we feel that the EZVIZ actually falls right between everything and strikes a nice balance between price, image quality, and usability.

If you don’t have a lot of money to spend but still want a nice action camera, The best choice is the EZVIZ.

However, if you want more expandability and flexibility and you are willing to pay the extra money, then you can’t go wrong with a GoPro or an Osmo, either.

Why are Camera Lenses so Expensive?

Camera lenses – we love them, but our wallets sure don’t. So why exactly are camera lenses so expensive anyway? As with most things in life, the answer is a little more complicated than you might expect. That’s where we come in.

On this page, we’ll wax lyrical on all things camera lenses. We’ll try to get to the bottom of why these accessories can cost upwards of $2000. Be sure to check out the rest of the Chasing Heartbeats site; it’s full of our photography tips, tricks, and recommendations.

For now, though, let’s talk lenses!

That Depends, What Kind of Lens?

At least in terms of cost, there are three broad categories of camera lenses you’re likely to encounter. Before exploring why lenses cost so much, it’s worth discussing the different kinds of lenses that exist out there in the wild.

why are lenses so expensive?

‘Standard’ Lenses

Your average consumer is likely to buy this kind of lens. There are plenty of more specific categories (macro, telephoto, prime, zoom, etc) within this one, but in terms of price, they’re fairly consistent.

A ‘standard,’ consumer-grade lens can cost anywhere from $300-$800. The quality and performance of these accessories can vary wildly and ‘more expensive’ doesn’t necessarily equate to ‘better.’ It all comes down to your specific needs as a photographer.

Hobbyist Lenses

In this category, things like performance, durability, and unique features all step up a notch. Consumers who are passionate about their photography tend to buy lenses from this category. Expect impressive optical performance, killer features, and an eye-watering price tag.

An enthusiast-grade lens can cost anywhere between $1000 and $2000. It’s worth keeping in mind that if you’re new to the hobby, this kind of investment probably won’t be worth it to you. These lenses typically require at least a little experience for their features and performance to even be useful.

If you’re a novice, it’s probably best to start with a decent kit lens and upgrade from there later on.

Professional Lenses

This is where prices can get pretty crazy. Videographers and cinematographers have demands that far surpass those of your typical consumer. These accessories deliver phenomenal frame rates, resolutions, and bleeding-edge features.

Your average photographer would be wasting their money on a lens like this. The power and features they offer are designed for Hollywood film sets and the like. These products typically start at around $2000 but can easily reach near to the $10,000 mark.

Sony’s line of ‘cinema’ lenses is one example of this grade of professional lens. Expensive stuff!

Why are Camera Lenses so Expensive? An Overview

Let’s get into it. In this section, we’ll explore some of the main reasons that these camera accessories can be so darn expensive. You’ll leave with a better understanding of lens mechanics and the industry.

Hopefully, this can help you save a few pennies along the way!

Super Tight Tolerances

One of the main reasons that camera lenses cost so much is that they’re built to super tight manufacturing tolerances. When you buy a high-quality, premium lens, you expect it to deliver consistent results every time.

While our understanding of optical technology has come leaps and bounds over the past two decades, the quality thresholds involved here can be pretty brutal. Maintaining these high standards takes a great deal of time, effort, and staffpower to get right.

The end result is a higher price tag. In most cases, this is fairly unavoidable.

They’re Expensive to Make

If you want to build a lens that competes with other brands in 2021, it’s going to cost a lot of money to get things right. Not only will you have to source a number of rare, unique materials for your product, you’ll also have to put them through several complex processes.

There’s glass to shape and angle perfectly; there are microcontrollers and image processors to optimize; there are testing procedures to run; and this is just the tip of the iceberg. The bottom line is that lenses cost a lot of money to manufacture.

This means they cost even more to buy as a consumer.

Image Innovation

The world of camera lenses is a relatively competitive one. The likes of Sony, Fujifilm, Canon, and others are constantly racing to find new ways to take a great photo – new features to sell to their customers.

For consumers, this is generally quite a good thing. One drawback here, however, is that it can significantly increase the bottom line for those picking up the latest and greatest lenses. Unique features are scarce by definition; this pushes prices higher than you might like them to be.

Most lens manufacturers pump a ton of money into research and development every year. When you buy their lenses, you’re subsidizing these costs.

Market Share

Depending on where you are in the world, market share may also be a big factor. There are certain areas of photography where just one or two names completely dominate the space. Once a company has cornered the market, they can set prices as they see fit.

If you’re in a part of the world where the only micro four thirds brand around is Olympus, you’ll probably be paying a premium for the privilege. Names like Canon are also far more recognizable to your average Joe.

This normally means they can get away with charging more.

Unique/ Proprietary Features

You may have noticed that most camera bodies use their own proprietary mounting system. This is no mistake. Locking consumers into the ‘ecosystem’ of a brand’s products is a tried and true method for squeezing more money out of customers.

While lens adapters and ‘hacks’ certainly exist, most entry-level consumers won’t want to bother with them. Throw in proprietary features to the mix and you’re looking at another excuse for brands to increase prices.

As mentioned earlier, inventing and patenting new features usually calls for a beefy research and development budget. These costs are often passed on to the paying customer.

The ‘Professional Bias’

If you’re not crazy about photography and just want something that takes a half-decent photo, chances are you won’t be willing to fork out hundreds of dollars on a lens upgrade that you don’t care to wrap your head around.

This is another potential reason for the perceived ‘expensiveness’ of most camera lenses. The market tends to move where the money is. In the case of camera lenses, this typically means towards the more pro-level options.

Professional photographers are far more likely to invest in a new lens. This means manufacturers are more willing to cater to this demographic of consumer. The result is a market with some budget options and a whole plethora of crazy-expensive pro gear.

Expensive Camera Lenses FAQ

There are plenty of common questions that we see about expensive lenses all the time. We address some of them here.

Are Expensive Camera Lenses Worth it?

This is a very difficult question to answer universally. It might be worth asking yourself what kind of photographer you are and what you’re looking for. For the right person, an expensive lens can mean the difference between a paycheck and being unemployed.

For a beginner, an $1500+ investment might just end up being a waste of money.

In a Nutshell, Why Are Lenses so Expensive?

There are myriad factors that make lenses more expensive. We explore them in far more detail above. However, the long and short of it is that:

  1. Lenses are very expensive to manufacture
  2. Most big brands put a lot of money into their research and development budgets
  3. These substantial costs are reflected in the final costs swallowed by consumers

The market also tends to cater more to professionals who are far more willing to open their wallets if the feature set suits them.

Are More Expensive Lenses Better?

For the right photographer, absolutely. If you don’t know specifically what you’re looking for, however, you might be better off spending your money elsewhere. If you’ve got a decent kit lens with your camera, it’s definitely worth getting to grips with it first before splashing out on something new.

Once you know specifically how you’d like to upgrade, it’s time to start looking at more expensive options.

Why are Camera Lenses so Expensive – The Bottom Line

Some of the more premium lenses out there can deliver some truly astonishing results. If you’ve got the money to spend, you’ll be able to take photos that make lifelong impressions on those who view them.

The key points to remember are that these accessories cost a whole lot of money to make. A pro-biased market and whopping research and development budgets are the main culprits that push prices higher than they ought to be.

Our advice is to do as much research as you can before buying. Check out our in-depth lens reviews and guides to find the best possible deal for your circumstances.

Happy clicking!